Art Taylor
Art Taylor | |
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![]() Taylor in a 1963 advertisement for Gretsch | |
Background information | |
Birth name | Arthur S. Taylor Jr. |
Born | (1929-04-06)April 6, 1929 New York City, US |
Died | February 6, 1995(1995-02-06) (aged 65) New York City, US |
Genres | Jazz |
Occupation(s) | Musician, composer |
Instrument | Drums |
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer,[1] who "helped define the sound of modern jazz drumming".[2]
Career
As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.[3] Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 1957.[1]
In 1963, Taylor moved to Europe, where he lived mainly in France and Belgium for 20 years, playing with local groups and jazz musicians such as Johnny Griffin, John Bodwin, and with travelling American musicians, such as Woody Shaw during the latter's tenure in Paris.[1] Taylor also studied drums in Paris with Kenny Clarke. He returned to the United States to help his mother, who was ill.[4] He continued freelancing after returning to the United States, and in 1991 organized a second band called Taylor's Wailers. He died aged 65 in Beth Israel Hospital, Manhattan, in 1995.[2]
He was the author of Notes and Tones,[1] a 1977 book based on his interviews with other musicians.[5] This was, for many musicians, a ground-breaking work, because it presented the interviewees' perspectives on the wider social, political, and economic forces in which they operated – topics normally not mentioned in mainstream coverage of jazz musicians.[5]
Discography
As leader
- Taylor's Wailers (Prestige, 1957)
- Taylor's Tenors (Prestige, 1959)
- A.T.'s Delight (Blue Note, 1960)
- Mr. A.T. (Enja, 1991)
- Wailin' at the Vanguard (Verve, 1991)
As sideman
With Pepper Adams, et al.
- Baritones and French Horns (1957)
With Gene Ammons
- The Happy Blues (Prestige, 1956)
- Jammin' with Gene (Prestige, 1956)
- Funky (Prestige, 1957)
- Jammin' in Hi Fi with Gene Ammons (Prestige, 1957)
- The Big Sound (Prestige, 1958)
- Groove Blues (Prestige, 1958)
- Blue Gene (Prestige, 1958)
- Boss Tenor (Prestige, 1960)
- Velvet Soul (Prestige, 1960 [1964])
- Angel Eyes (Prestige, 1960 [1965])
- Up Tight! (Prestige, 1961)
- Boss Soul! (Prestige, 1961)
With Chris Anderson
- My Romance (Vee-Jay, 1960 [1983])
With Dorothy Ashby
- In a Minor Groove (New Jazz, 1958)
- Hip Harp (Prestige, 1958)
With Benny Bailey
- Big Brass (Candid, 1960)
With Kenny Burrell
- All Night Long (Prestige, 1956)
- All Day Long (Prestige, 1957)
- 2 Guitars – with Jimmy Raney (Prestige, 1957)
- Just Wailin' (New Jazz, 1958) with Herbie Mann, Charlie Rouse and Mal Waldron
With Donald Byrd
- 2 Trumpets (Prestige, 1956) – with Art Farmer
- Jazz Eyes (Regent, 1957) – with John Jenkins
- Off to the Races (Blue Note, 1958)
- Byrd in Hand (Blue Note, 1959)
With Paul Chambers
- Bass on Top (1957)
With Sonny Clark
- Sonny's Crib (Blue Note, 1957)
With James Clay
- The Sound of the Wide Open Spaces!!!! (Riverside, 1960) – with David "Fathead" Newman
With Jimmy Cleveland
- A Map of Jimmy Cleveland (Mercury, 1959)
With Arnett Cobb
- Party Time (Prestige, 1959)
- More Party Time (Prestige, 1960)
- Movin' Right Along (Prestige, 1960)
With John Coltrane
- Wheelin' & Dealin' (1957)
- Trane's Blues (1957)
- The Dealers (1957)
- Black Pearls (1958)
- Lush Life (1958)
- The Believer (1958)
- Settin' the Pace (1958)
- The Last Trane (1958)
- Jazz Way Out (1958)
- Traneing In (1958)
- Soultrane (1958)
- Giant Steps (1959)
- Bahia (1964)
- Alternate Takes (1975)
With Continuum
- Mad About Tadd (1980, Palo Alto Records)[6]
- Goin' to the Meeting (Prestige, 1962)
With Miles Davis
- Miles Ahead (1957)
- Collectors' Items (Prestige, 1956)
With Walter Davis Jr.
- Davis Cup (1959)
With Kenny Dorham
- Show Boat (1960)
With Art Farmer
- The Art Farmer Septet (Prestige, 1953–54)
- When Farmer Met Gryce (Prestige, 1955) – with Gigi Gryce
With Tommy Flanagan
- Thelonica (Enja, 1982)
With Red Garland
- A Garland of Red (Prestige, 1956)
- Red Garland Revisited! (Prestige, 1957 [1969])
- The P.C. Blues (Prestige 1956–57 [1970])
- Red Garland's Piano (Prestige, 1956–57)
- Groovy (Prestige, 1956–57)
- All Mornin' Long (Prestige, 1957)
- Soul Junction (Prestige, 1957)
- John Coltrane with the Red Garland Trio (Prestige, 1958)
- Manteca (Prestige, 1958)
- Red in Blues-ville(Prestige, 1959)
- High Pressure (Prestige, 1957 [1962])
- The Red Garland Trio (Moodsville, 1958 [1960])
- All Kinds of Weather (Prestige, 1958)
- The Red Garland Trio + Eddie "Lockjaw" Davis (Moodsville, 1959)
- Halleloo-Y'-All (Prestige, 1960)
With Matthew Gee
- Jazz by Gee (Riverside, 1956)
With Benny Golson
- Gettin' with It (New Jazz, 1959)
- Free (Argo, 1962)
With Dexter Gordon
- One Flight Up (Blue Note, 1964)
- The Squirrel (Blue Note, 1967 [1997])
- A Day in Copenhagen (MPS, 1969) – with Slide Hampton
With Bennie Green
- Hornful of Soul (1960)
With Johnny Griffin
- Do Nothing 'til You Hear from Me (Riverside, 1963)
With Tiny Grimes
- Tiny in Swingville (Swingville, 1959) – with Jerome Richardson
With Steve Grossman
- In New York (Steve Grossman album) (Dreyfus, 1991)
With Gigi Gryce
- Jazz Lab (Columbia, 1957) – with Donald Byrd
- Gigi Gryce and the Jazz Lab Quintet (Riverside, 1957)
- Modern Jazz Perspective (Columbia, 1957) – with Donald Byrd
- New Formulas from the Jazz Lab (RCA Victor, 1957) with Donald Byrd
- Jazz Lab (Jubilee, 1958) with Donald Byrd
- Doin' the Gigi (Uptown, 2011)
With Hampton Hawes'
- Spanish Steps (Black Lion, 1968)
With Ernie Henry
- Presenting Ernie Henry (Riverside, 1956)
With Elmo Hope and Frank Foster
- Hope Meets Foster (Prestige, 1955)
With Noah Howard
- Space Dimension (America, 1971)
With Milt Jackson
- Bags & Flutes (Atlantic, 1957)
With Thad Jones
- After Hours (Prestige, 1957)
With Clifford Jordan
- Cliff Jordan (Blue Note, 1957)
With Duke Jordan
- Flight to Jordan (Blue Note, 1960)
With Ken McIntyre
- Looking Ahead (New Jazz, 1960) with Eric Dolphy
With Jackie McLean
- Lights Out! (Prestige, 1956)
- 4, 5 and 6 (Prestige, 1956)
- McLean's Scene (Prestige, 1957)
- Alto Madness (Prestige, 1957)
- Strange Blues (Prestige, 1957)
- A Long Drink of the Blues (Prestige, 1957)
- Makin' the Changes (Prestige, 1957 [1959])
- Swing, Swang, Swingin' (Blue Note, 1959)
- Capuchin Swing (Blue Note, 1960)
With Thelonious Monk
- Thelonious Monk and Sonny Rollins (Prestige, 1956)
- The Thelonious Monk Orchestra at Town Hall (Riverside, 1956)
- 5 by Monk by 5 (Riverside, 1959)
With Lee Morgan
- Introducing Lee Morgan (1956)
- City Lights (Blue Note, 1957)
- Candy (Blue Note, 1957)
With Oliver Nelson
- Meet Oliver Nelson (New Jazz, 1959)
With Cecil Payne
- Patterns of Jazz (Savoy, 1956)
With Bud Powell
- The Amazing Bud Powell, Vol. 2 (Blue Note, 1954)
- Bud Powell Trio (Roost, 1953)
- Bud Powell's Moods (Verve, 1954)
- The Lonely One... (Verve, 1955)
- Piano Interpretations by Bud Powell (Verve, 1955)
- Strictly Powell (RCA, 1956)
- Swingin' with Bud (RCA, 1956)
- Bud Plays Bird (Blue Note, 1957)
- Bud! The Amazing Bud Powell (Vol. 3) (Blue Note, 1957)
- The Scene Changes: The Amazing Bud Powell (Vol. 5) (Blue Note, 1958)
- Live at Birdland (Queen-disk, recorded 1953)
- Three Nights at Birdland (SSJ, 2017; recorded 1953)
With Julian Priester
- Spiritsville (Jazzland, 1960)
With Dizzy Reece
- Blues in Trinity (1958)
With Charlie Rouse
- Takin' Care of Business (Jazzland, 1960)
With Sahib Shihab
- Jazz Sahib (Savoy, 1957)
With Horace Silver
- Silver's Blue (Columbia, 1956)
With Jimmy Smith
- Damn! (Verve, 1995)
- Talk That Talk (New Jazz, 1960)
- Open House (Riverside, 1963)
With Louis Smith
- Here Comes Louis Smith (Blue Note, 1958)
With Sonny Stitt
- Stitt Meets Brother Jack (Prestige, 1962) – with Jack McDuff
With Idrees Sulieman, Webster Young, John Coltrane, and Bobby Jaspar
- Interplay for 2 Trumpets and 2 Tenors (Prestige, 1957)
With Buddy Tate
- Tate-a-Tate (Swingville, 1960) with Clark Terry
With Clark Terry
- Top and Bottom Brass (Riverside, 1959)
With Toots Thielmans
- Man Bites Harmonica! (Riverside, 1957)
With Stanley Turrentine
- ZT's Blues (1961)
With Mal Waldron
- Mal-2 (1957)
With Julius Watkins and Charlie Rouse
- Les Jazz Modes (Dawn, 1957)
With Randy Weston
- African Cookbook (Polydor [France], 1969)
- Niles Littlebig (Polydor [France], 1969)
With Lem Winchester
- Winchester Special (New Jazz, 1959)
- Lem's Beat (New Jazz, 1960)
With Kai Winding & J. J. Johnson
- The Great Kai & J. J. (Impulse!, 1960)
With Frank Wright
- Uhuru na Umoja (America, 1970)
Bibliography
- Taylor, Art (1993). Notes and Tones: Musician-to-Musician Interviews. New York: Da Capo Press. ISBN 030680526X. OCLC 28214069. Retrieved June 30, 2023.
References
- ^ a b c d Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. p. 434. ISBN 1-85227-937-0.
- ^ a b Watrous, Peter (February 7, 1995), "Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians", The New York Times.
- ^ Feather, Leonard & Gitler, Ira (2007), The Biographical Encyclopedia of Jazz, p. 637. Oxford University Press.
- ^ "Eric in The Evening; Art Taylor". Openvault.wgbh.org. 1994. Retrieved October 28, 2019.
- ^ a b Lewis, George E. (2008). A Power Stronger Than Itself: The AACM and American Experimental Music. University of Chicago Press. p. xxviii.
- ^ "Mad About Tadd - Continium | Songs, Reviews, Credits". AllMusic. Retrieved October 28, 2019.
External links
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png)
- Art Taylor on Drummerworld.com