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Astaroth

For other uses, see Astaroth: Book of Angels Volume 1 and Astaroth (Soulcalibur).
Not to be confused with Ashteroth Karnaim or Ataroth.
Astaroth illustration from the Dictionnaire Infernal (1818) by Louis Le Breton.[1]

Astaroth (also Ashtaroth, Astarot and Astetoth) is a biblical arch-demon. In demonology, he is considered to be the Great Duke of Hell.[2]

Astaroth was theorized as alter ego of various goddesses in ancient mythologies from different cultures which were demonized by Biblical demonology system.[3][4][5][6][7][8]

Astaroth also features as an archdemon associated with the qlippoth (adverse forces).[9]

Background

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The name Astaroth was ultimately derived from that of 2nd millennium BC Phoenician goddess Astarte,[5][4][6] who was known in ancient Hebrew and Semitic tribes as Asherah,[7] an equivalent of the Babylonian Ishtar, [8] and the earlier Sumerian Inanna,[5] and the later Greek Aphrodite (Roman Venus).[3] In this context, D. P. Agrawal has grouped those goddesses as the Ishtar group, which consisted the names of Ishtar, Astarte, Astaroth, and Atargatis, among others.[10]

State of goddess Astarte from Museum of Sevilla

The name of Astarte was mentioned in the Hebrew Bible in the forms Ashtoreth (singular) and Ashtaroth (plural, in reference to multiple statues of it). This latter form was directly transliterated in the early Greek and Latin versions of the Bible, where it was less apparent that it had been a plural feminine in Hebrew. Lon Milo DuQuette and Christopher Hyatt opined that the male demon Astaroth is entirely unrelated to the benevolent goddess Ashtoreth.[5][dubious – discuss] Apparently, the parallel between goddess Astarte, which also idenified as Venus by Reginald Scot with Astaroth as demon was made in response to the act of Solomon, who once performed worship to an idol of Astarte from Sydonia.[11] Meanwhile, Ferdinand Justi attributed Zoroastrianism religion as the first ones to denounce the Aryan pagan worship towards Astaroth and Baal, implying their contribution to the demonization of those deities.[12]

The name of Ashtoreth was also known as one of the island in Erythia. Samuel Bochart then deduce the etymology of "Astaroth" must be "Asta Erythes" (the city of Erytha).[13]

The idolatry of Astaroth was also somehow related to the root of modern Wicca occultism. Gerald Gardner, a 19-20th century English occultist, participated in excavations of a temple devoted to Astaroth in Palestine. After Gardner returned to England later on, he was reportedly claimed himself to be able to recall memories of his former lives.[14]

Tale of Saint Bartholomew

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See also: Bartholomew the Apostle

The name Astaroth appeared during a sermon by Ælfric of Eynsham(d.1010 ce). Ælfric describes the demon named Astaroth as "immense Ethiop, with sharp visage and ample beard", Which Benjamin Thorpe interpret as "black-faced devil".[15]

Bartholomew the Apostle, detail of the mosaic in the Basilica of San Vitale, Ravenna, 6th century

Ælfric mentioned a Latin translation of "Martyrdom of Bartholomew", which relates to the account of Bartholomew's voyage to India to help the people there from Astaroth's deception. The devil tricked them into adoring him by inflicting diseases on them and promising to cure them only if they made offerings to him. This narrative continues with the conflict between Bartholomew and Astaroth, which ends with the former's victory and frees the people from the shackles of worshipping Astaroth. However, the narrative conclude with Bartholomew being murdered by a local king who becomes upset about the religious change perpetrated by Bartholomew.[16]

The modern commentary from Medieval Institute of Jacobus de Voragine's work titled "Life of Saint Bartholomew" about the location where Bartholomew fought Astaroth was actually Medieval Armenia, as Armenia during that time was known as third India.[17] This clarity about the location also was attested by the commentary from François Guizot of Orderic Vitalis's work. In this context, the antiquities term of "India" divided into several regions, where the first was meant for region which extends to modern Ethiopia; the second India was Medes; while the last India, where the worship of Astaroth took place, and was visited by Bartholomew, is a region "bounded on one side by the region of darkness, on the other by the ocean.".[18]

One of the most clear mention about the Catholic demonification of Astaroth the goddess was found in "Las cadenas del demonio" (The Devil's Fetters) in 1636 written by Pedro Calderón de la Barca (1600-1681), which told the origin of the spread of christianity in Armenia by Bartholomew in response of the Armenian people worship towards Astaroth in a slightly different premise. The narrative tells about the origin of the demon's worship Star try by princess Irene, a daughter of a king, who was imprisoned was denied by his father as he was told by his court astrologists that Irene will bring ruin to his kingdom. Faced with such condition, Irene prayed to the gods of her pagan religion. In response to her prayer, a figure of a young man who she believes as the physical manifestation of the god Astaroth appeared to grant her wish. The narration of de la Barca stated the man who appeared before Irene is actually the Devil, not the pagan deity's manifestation.[19]

Further depiction about the rivalry between Astaroth and Saint Bartholomew also mentioned by Francisco de Sobrecasas [es](d.1698). Sobrecasas wrote in 'Ideas varias de orar evangélicamente", that Astaroth is a monstrous force which causing ruin to the community.[20]

Appearance in other literatures

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According to Concordantiae Caritatis, a chart written by Ulrich von Lilienfeld [de], Astaroth was listed as one of the seven archdevils representing Seven deadly sins. In this chart, Astaroth represents sloth, with a symbolic form of donkey. Ulrich was borrowing the iconography from Zoroastrianism.[21]

Seal of Astaroth, as depicted in The Lesser Key of Solomon

Astaroth was also appeared in The Book of Abramelin, purportedly written in Hebrew c. 1458, and recurred in most occult grimoires of the following centuries.[2]

Byzantine history expert Richard P. H. Greenfield noted that Astaroth also appeared in Eastern Orthodoxy tradition of demonology.[22]

In 1469, Johann Georg Faust mentioned Astaroth as one of the rulers of infernal kingdom in his work, "Faust’s Miraculous Art and Book of Marvels, or the Black Raven”.[23]

Astaroth also mentioned as one of co-signatories of a Diabolical pact between various demons with Urban Grandier.[2]

The copy of alleged diabolical Pact between some of demon lords, including Astaroth, with Urban Grandier. The pact was written in Backwards Latin

Dutch demonologist Johann Weyer mentioned Astaroth in his work, Pseudomonarchia Daemonum (1577), whom he stated as the great duke of hell with a shape of foul angel, who sat upon a hellish dragon creature, and carrying a snake on his left hand(Right hand, according to Reginald Scot. [11])" Astaroth could be summoned with a specific magical ring. Weyer also further described that there are around 40 legions which commanded by Astaroth.[24][25] Furthermore, Astaroth also featured as an archdemon according to later Kabbalistic texts, who rules over the qlippa of Jupiter, known as Gha'agsheblah.[9]

According to some demonologists of the 16th century, Astaroth reach his pray of strength over human during the month of August.[26]

Astaroth was similarly referred to in the 17th-century work The Lesser Key of Solomon.[citation needed]

French occultist Jacques Collin de Plancy wrote an entry of Astaroth in his work, Dictionnaire Infernal. The artistic depiction of the demon, which was illustrated by Louis Le Breton, was described as a nude man with reptilian claws punctuating long hands and feet, feathered wings, wearing a crown, holding a serpent in one hand, and riding a lupine demon with dragon-like wings and a serpent-like tail. Collin de Plancy himself described the demon as "a very ugly angel," his bushy hair kept under the crown of "a very powerful grand-duke.".[1]

Astaroth also makes an appearance in the book of Grimorium Verum (True Grimoire), as the infernal principality which rules the Americas.[27]

Francis Barrett (c. 1801) has mentioned Astaroth in his work, The Magus, as one of the nine princes of hell.[26] Barrett placed him as the eighth prince of the group. Furthermore, Barrett also mentioned him as the prince of accusers and inquisitors.[28] Barrett also stated that Astaroth is called Diabolus in the Greek language. Furthermore, Barrett also maintained that the demon has set up residence in America.[29]

In 20th century, Astaroth is mentioned in various literatures, often with very small details. Arthur Edward Waite mentioned in his work, "::The Book of Black Magic and of Pacts", that before Astaroth fell from heaven, he was a prince of the order of thrones. In another quote from Waite's other work, "The Lemegeton", Astaroth was referred as a great duke in the infernal regions. Meanwhile, Lewis Spence also mentioned Astaroth in his work, ":An Encyclopedia of Occultism". According to Spence, Astaroth was from the order of seraphim.[29]

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Main article: Astaroth in popular culture

Ashtaroth is one of three demons summoned by Faustus to attack Benvolio in Doctor Faustus.

The "Star of Astoroth" features prominently in the 1971 Disney film Bedknobs and Broomsticks, where it takes the form of a magical medallion.

Astaroth is named in the 1976 Hammer horror film To the Devil a Daughter.

In the 1920 silent horror film The Golem: How He Came into the World, Rabbi Loew and his assistant summon Astaroth to animate the Golem resulting in deadly and destructive results.

Astaroth also appears in the 2007 television series Blood Ties, with his symbol displayed in the first few episodes.

The Solomonic seal of Astaroth makes an appearance in the 2017 film Pyewacket.

Astaroth is also seen in anime adaptations, features as the djinn of Kouen Ren in "Magi".

Astaroth symbolism is also prevalent in the 2018 film Antrum: The Deadliest Film Ever Made, and a symbol of Astaroth appears in the movie over 170 times.

Astaroth is the title character in "Astaroth"/"Astaroth Female Demon", a film by the Brazilian director Larissa Anzoategui. The name of the company that made the film is also "Astaroth Produções"

Astaroth appears as the main antagonist of the 2022 movie R.I.P.D. 2: Rise of the Damned.

See also

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References

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  1. ^ a b Ed Simon (2022). "The Greatest Trick Ever Pulled... on Romantic and Victorian Demonology". Pandemonium: The Illustrated History of Demonology. Abrams. ISBN 9780875422862.
  2. ^ a b c "El demonio Astaroth ‣ Iglesia de Satán" (in Spanish). 2020-09-05. Retrieved 2025-08-12.
  3. ^ a b Jason Philip Rosenblatt (19 January 2006). Renaissance England's Chief Rabbi: John Selden. OUP Oxford. p. 283. ISBN 9780191536694. ...Venus out of Syria,... she was worshipt in the Palestine Dagon, or Astaroth,..
  4. ^ a b Wade Baskin (29 May 1978). Dictionary Of Satanism. London: Peter Own Ltd. pp. 40–41.
  5. ^ a b c d Lon Milo DuQuette and Christopher S. Hyatt. Aleister Crowley's Illustrated Goetia (1992). New Falcon: Temple, AZ, USA, p. 52.
  6. ^ a b Migene González-Wippler (1988). The Complete Book of Spells, Ceremonies, and Magic. Llewellyn Publications. p. 20. ISBN 9780875422862.
  7. ^ a b Kevin M. Gardner (2007). A Handbook for Wiccan Clergy. AuthorHouse. p. 129. ISBN 9781467863018.
  8. ^ a b Heinrich Cornelius Agrippa von Nettesheim (1993). Donald Tyson (ed.). Three Books of Occult Philosophy. Translated by James Freake. Llewellyn. p. 514. ISBN 9780875428321. 27. Astarath-Astaroth עשרת ASTRT In Greek, Astarte, a form of the Babylonian goddess Ishtar... Wikipedia page = Three Books of Occult Philosophy
  9. ^ a b Thomas Karlsson (10 September 2013). Kabbala, Qliphoth und die Goetische Magie. Edition Roter Drache. ISBN 9783944180083.
  10. ^ Dharma Pal Agrawal (2007). The Indus Civilization: An Interdisciplinary Perspective. Aryan Books International. p. 217. ISBN 9788173053108.
  11. ^ a b Reginald Scot; Chirstopher Irvine (2016). John Madziarczyk (ed.). Magitians Discovered Volume 2, The Core Texts. Topaz House Publications. pp. 39, 112, 157, 158. ISBN 9780990668251.
  12. ^ Edgar Reuterskiöld (1914). Zarathustras religionshistoriska ställning (in Swedish). Almqvist & Wiksell. pp. 132–133.
  13. ^ Leveson Francis Vernon-Harcourt (1838). "Chap. VII: Astarte". The Doctrine of the Deluge, Vindicating the Scriptural Account from the Doubts which Have Recently Been Cast Upon it by Geological Speculations: Volume 1. London: Longman, Orme, Brown, Green, and Longmans. pp. 155–156.
  14. ^ Ed Hindson; Ergun Caner (2008). "Paganism". The Popular Encyclopedia of Apologetics: Surveying the Evidence for the Truth of Christianity. Harvest House Publishers. p. 381. ISBN 9780736936354.
  15. ^ Mark Bradshaw Busbee (2020). "The Idea of India in Early Medieval England". In Antonia Navarro Tejero (ed.). India in the World. Cambridge Scholars Publishing. p. 7. ISBN 9781527551183. Thorpe, Benjamin, ed. "The Passion of Saint Bartholomew the Apostle." In The Homilies of the Anglo-Saxon Church, edited by Benjamin Thorpe, 1844, 461, 467
  16. ^ Brandon Hawk (2018). "Ælfric and Correct Doctrine". Preaching Apocrypha in Anglo-Saxon England. University of Toronto Press. p. 115. ISBN 9781487503055.
  17. ^ Susanna Fein, ed. (2022). "Art. 6. De Seint Bartholomeu". The Complete Harley 2253 Manuscript, Volume 1. Translated by David Raybin; Jan Ziolkowski; Susanna Fein. Medieval Institute. p. 455. ISBN 9781580442367.
  18. ^ François Guizot (1853). "The Idea of India in Early Medieval England". The Ecclesiastical History of England and Normandy: Books 1-3. Translated by Thomas Forester. London: H.G. Bohn. pp. 265–266.
  19. ^ Robert Lima (1995). "chapter 3: The Demonic Pact and the Quest for Esoteric Knowledge". Dark Prisms: Occultism in Hispanic Drama (PDF). Pennsylvania State University: University Press of Kentucky. pp. 40–41.
  20. ^ Andrew M. Beresford (2 March 2020). "Hagiographic Tradition and the Transformation of Identity". Sacred Skin: The Legend of St. Bartholomew in Spanish Art and Literature. Brill. p. 31. ISBN 9789004419384.
  21. ^ Cyrus Hertz Gordon (1989). "review of "Figurative language in the ancient near eadt by M.Mindlin, M.J.Geller, J.E.Wansbrough"". Bulletin of the School of Oriental and African Studies, University of London. 52 (1): 122. JSTOR 617922.
  22. ^ Richard P. H. Greenfield (1988). Traditions of Belief in Late Byzantine Demonology. Adolf M. Hakkert. pp. 226, 227, 230, 232, 243, 267. ISBN 9789025609627.
  23. ^ Johann Wolfgang von Goethe (1913). "IV. Dead of Night". Faust. Translated by Bayard Taylor. Boston: Houghton Mifflin. p. 282.
  24. ^ Joseph H. Peterson (2000). "Introduction by Joseph Peterson to Johann Weyer's Pseudomonarchia Daemonum". Twilit Grotto Esoteric Archives.
  25. ^ "Johann Weyer, Pseudomonarchia Daemonum". esotericarchives.com.
  26. ^ a b Theresa Bane (10 January 2014). Encyclopedia of Demons in World Religions and Cultures. McFarland, Incorporated, Publishers. pp. 7, 57–58. ISBN 9780786488940. Sources for Astaroth; Chambers, Book of Days, 722; Collin de Plancy, Dictionary of Witchcraft, 18; Conway, De-monology and Devil-Lore, 299; De Laurence, Lesser Key of Solomon, Goetia, 30-1; Hyatt, Book of Demons, 74; McLean, Treatise of Angel Magic, 51; Scott, London Magazine, Vol. 5, 378....Sources for Astarte; Cornelius, The Many Faces of the Goddess, 93; Melton, Encyclopedia of Occultism and Parapsychology, 315; Pinch, Egyptian Mythology, 108-9; Willis, World Mythology, 51
  27. ^ Gustav Davidson (1994). Gustav Davidson (ed.). Dictionary of Angels. Free Press. p. 59. ISBN 9780029070529.
  28. ^ Francis Barrett (1998). "Part 1: Ceremonial Magic". The Magus Book 2: A Complete System of Occult Philosophy. Book Tree. p. 47. ISBN 9781585090327.
  29. ^ a b James R. Lewis (2014). Antonia Navarro Tejero (ed.). Encyclopedia of Satanism. p. 7. ISBN 9781500208530.

Sources

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  • Media related to Astaroth at Wikimedia Commons
  • The dictionary definition of Astaroth at Wiktionary