Cantata for the 20th Anniversary of the October Revolution
- eight-part chorus
- speaker on megaphone
- large orchestra
The Cantata for the 20th Anniversary of the October Revolution, Op. 74, is a dramatic cantata by Sergei Prokofiev.
Introduction
In ten contrasting movements, the cantata relates the story of the Bolshevik Revolution and the birth of the Soviet Union, from the battle for the Winter Palace in 1917, through the suffering of 1918 and Lenin's funeral in 1924, to the building of factories and collective farms in the early thirties, and the final consolidation of Stalin's control over the country with his new constitution of 1936.[citation needed]
Begun by Prokofiev in 1936 on a generous commission from the All-Union Radio Committee and Prokofiev's friend Boris Gusman, it was finished the following summer.[1] Prokofiev expected it to be part of the celebration of the 20th anniversary of the October Revolution of 1917. Prokofiev is said to have performed the entire piece himself when auditioning the piece for the celebration, both singing the choral parts and playing the piano.[citation needed]
Even though he utilized texts for the piece published by Marx, Lenin and Stalin, Prokofiev was not able to win political approval of his gigantic cantata. In fact, Platon Kerzhentsev ripped into Prokofiev, accusing him of "...taking texts that belong to the people and setting them to ... incomprehensible music". Nevertheless, Prokofiev fought to have his cantata performed, writing numerous letters and attempting to hold rehearsals. Unfortunately, these attempts were in vain. Because it did not receive official approval, Prokofiev was only paid 25% of the commission promised.[citation needed]
Upon the première of "Songs of Our Days" in 1938, Prokofiev hoped that the success of the piece would "soften hard hearts". However, the cantata never received official approval during Prokofiev's lifetime. The cantata was forgotten until 1966, when it finally premiered, being conducted by Kirill Kondrashin. However, the piece suffered from censorship. Stalin had died in 1953, and had been publicly denounced. Through the de-stalinization of the piece, the two movements "The Pledge" and "Constitution" were completely removed. Still a third movement, the 9th, "Symphony", was heavily modified. Having removed the finale of the piece, Kondrashin finished the piece by reprising the second movement, "The Philosophers".[citation needed]
Prokofiev would never get to hear his piece. He died 13 years before the first performance.
Previous examples of this type of Communist cantata include Shock Brigade of the World Proletariat (1931–32) by Alexander Krein and To the Proletariat and Agricultural Symphony (1923) by Alexander Kastalsky.
Movements
- Introduction: "A spectre is haunting Europe, the spectre of Communism"
- Philosophers
- Interlude
- Marching in Close Ranks
- Interlude
- Revolution
- Victory
- The Pledge
- Symphony
- The Constitution
The music's extravagant sound palette combines a full orchestra with typically Russian choral writing, folk instruments and the sounds of marching, gunfire and sirens.[citation needed]
Instrumentation
4 flutes, 4 oboes, 4 clarinets, 4 bassoons, 8 horns, 4 trumpets, 4 trombones, 2 tubas, Timpani, percussion, accordions, military band (saxhorns, extra trumpets, horns, tenor horns, euphonium, tubas and snare drum), alarm bells, cannon shot, sirens, eight-part chorus, speaker on megaphone (as the voice of Lenin), Maxim gun, harps, keyboards, strings.
Popular culture
The Cantata for the 20th Anniversary of the October Revolution movement "The philosophers" was used in the opening and closing titles of the film Red Heat.[citation needed] Also, the leitmotif of the seventh movement (Victory) was widely used by James Horner in his soundtrack of the film The Land Before Time.[citation needed]
References
- ^ Simon Morrison (2006). "The Cantata for the Twentieth Anniversary of October, or how the spectre of Communism haunted Prokofiev". The Journal of Musicology. 23 (2). University of California Press.
External links
- Cantata for the 20th Anniversary of the October Revolution: Scores at the International Music Score Library Project
- YouTube recording of the Revolution movement featuring machine guns and air raid sirens
- v
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- Maddalena
- The Gambler
- The Love for Three Oranges
- The Fiery Angel
- Semyon Kotko
- Betrothal in a Monastery
- War and Peace
- The Story of a Real Man
- Ala i Lolli
- Chout
- Trapèze
- Le pas d'acier
- Prodigal Son
- On the Dnieper
- Romeo and Juliet
- Cinderella
- The Tale of the Stone Flower
- No. 1 in D major ("Classical")
- No. 2 in D minor
- No. 3 in C minor
- No. 4 in C major
- No. 5 in B♭ major
- No. 6 in E♭ minor
- No. 7 in C♯ minor
Piano |
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Other |
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- Sinfonietta in A major (orig. & rev.)
- Summer Night
- Symphonic Song
- Russian Overture
- The Year 1941
- Peter and the Wolf
- Pushkin Waltzes
- Waltz Suite
- Alexander Nevsky
- Ivan the Terrible
- Lieutenant Kijé
- The Queen of Spades
- Alexander Nevsky
- Cantata for the 20th Anniversary of the October Revolution
- Flourish, Mighty Land
- On Guard for Peace
- Seven, They Are Seven
- Songs of Our Days
- Zdravitsa
- Overture on Hebrew Themes
- Quintet in G minor
- Divertissement
- String Quartet No. 1
- String Quartet No. 2
- Violin Sonata No. 1
- Violin Sonata No. 2
- Flute Sonata in D major
- Cello Sonata in C major
- Sonata for Two Violins in C major
- Sonata for Solo Violin
- Sonata for Solo Cello in C♯ minor
Sonatas |
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Other |
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- Sergei Diaghilev
- George Balanchine
- Sviatoslav Richter
- Mstislav Rostropovich
- Nikolai Myaskovsky
- Prokofiev (crater)
- Lina Prokofiev
- Lina and Serge: The Love and Wars of Lina Prokofiev
- Mira Mendelson
- Oleg Prokofiev
- Shostakovich v. Twentieth Century-Fox Film Corp.
Category
Audio