Félix Mayol
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Félix Mayol (18 November 1872 – 26 October 1941) was a French singer and entertainer.
Career
Mayol was born in Toulon, France. His parents, amateur singers and actors, arranged for Felix to make his debut stage at six years of age. In 1895, he went to the Montparnasse Quarter of Paris where he began a career in entertainment that spanned more than forty years. He adopted a campy effeminate manner on stage as part of his theatrical persona.[1]
He sang the famous song "Viens poupoule, viens poupoule, viens...", and performed many songs by Théodore Botrel.
In the early years of the 20th century some of Mayol's performances were captured by an early form of talking picture. He would record his voice, then the motion picture camera would film him as he lip-synced to the record. Several of his Phonoscènes exist.
Other activities
The teenaged Maurice Chevalier took a risk by impersonating Mayol in small-time cafe entertainments,[2] Mayol reportedly recognised the young man's talent and gave him his blessing, which led Chevalier to the Casino de Paris and the Folies Bergère.[citation needed]
Shortly after World War I, he purchased a plot of land in Toulon and donated it to the local sports club, RC Toulonnais, for the building of a stadium. The facility, named Stade Mayol in his honor, remains in use today (after several renovations) as the home ground for the Toulon rugby team.[citation needed]
Personal life
Mayol never married, and many stories circulated of his homosexual liaisons, including an attempt to seduce Chevalier.[1] His brother, Charles Mayol, founded a music publishing company to print his works.[citation needed]
Selected filmography
- To the Polls, Citizens (1932)
- La dame de chez Maxim's (1933)
External links
- Félix Mayol at IMDb
- Phonoscene with an Elephone chronophone (1905), Félix Mayol sings "La polka des trottins" (A. Trébitsch/ H. Christiné)
Notes
- ^ a b Michael Freedland, Maurice Chevalier, Morrow, 1981, p. 28.
- ^ Hugh MacDiarmid, Selected Essays of Hugh MacDiarmid, University of California Press, 1970, p. 106.
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