List of avant-garde magazines
This is a list of magazines which contain avant-garde material and content. One of their common characteristics was their unpredictable appearance.[1] Notable avant-garde magazines include:
0–9
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/91/291_No1p1-Cover.jpg/180px-291_No1p1-Cover.jpg)
- 3:AM Magazine (2000–), Paris
- 291 (1915–1916), New York City
- 391 (1917–1924), Barcelona
A
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/6d/ACOMMENT_cover_July_1941.jpg/180px-ACOMMENT_cover_July_1941.jpg)
- aCOMMENT (1940–1947), Melbourne
- Al Adab (1953–2012), Beirut
- Akasztott Ember (1922–1923), Vienna
- Algol (1947), Catalonia
- Apollon (1909–1917), St. Petersburg
- Der Ararat (1918–1921), Munich
- Avant-Garde (1968–1971), New York City
B
- Bauhaus (1926–1931), Germany
- Black Music (1973–1984), United Kingdom
C
- Cantrills Filmnotes (1971–2000), Melbourne
- Cuadernos (1953–1965), Paris
- Ça Ira (1920–1923), Antwerp
D
- Dau al set (1948–1951), Catalonia
- Denver Quarterly (1966–), Denver
- The Dial (1840–1929), United States
- The Dome (1897–1900), London
F
- Frigidaire (1980–2008), Rome
G
- La Gaceta Literaria (1927–1932), Madrid
- Galerie 68 (1968–1971), Cairo
- Grecia (1918–1920), Seville-Madrid
H
- Helhesten (1941–1944), Copenhagen
J
- La Jeune Belgique (1880–1897), Brussels
![](http://upload.wikimedia.org/wikipedia/commons/thumb/4/46/Klaxon_n._3.jpg/220px-Klaxon_n._3.jpg)
K
- Kallol (1923–1925), Calcutta
- Kino-Fot (1922–1923), Soviet Union
- Klaxon (1922–1923), São Paulo, Brazil
- Klingen (1917–1920), Copenhagen
- Kritisk Revy (1926–1928), Copenhagen
L
- Language (1978–1981), United States
- The Little Review (1914–1929), United States
- London Bulletin (1938–1940), London
![](http://upload.wikimedia.org/wikipedia/commons/thumb/a/a7/J%C3%B3zsef_Nemes-Lamp%C3%A9rth_Tusrajz_1916.jpg/220px-J%C3%B3zsef_Nemes-Lamp%C3%A9rth_Tusrajz_1916.jpg)
M
- MA (1916–1925), Budapest–Vienna
- Al Majalla Al Jadida (1929–1944), Cairo
- Martin Fiero (1924–1927), Buenos Aires
- Merlin (1952–1954), Paris
- Minotaure (1933–1939), Paris
- Musicworks (1978–), Toronto
N
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Het_Overzicht_-_december_1922.jpg/180px-Het_Overzicht_-_december_1922.jpg)
- Noi: Rivista d’arte futurista (1917–1925), Rome
- Nomad (1959–1962), Los Angeles
- Nou Nou Hau (1998–2002), Japan
O
- Octubre (1933–1934), Madrid
- Orpheus (1932–1934), Milan
- Het Overzicht (1921–1925), Antwerp
P
- Poedjangga Baroe (1933–1942), Jakarta
- Poesia (1905–), Milan
- Portfolio: An Intercontinental Quarterly (1945–1947), Washington, DC
- Prometeo (1908–1912), Madrid
- Punct (1924–1925), Bucharest
Q
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f1/Titelblatt_Resimli_Jahrgang_1_Ausgabe_1.jpg/220px-Titelblatt_Resimli_Jahrgang_1_Ausgabe_1.jpg)
- The Quarterly (1987–1995), New York City
- Quosego (1928–1929), Helsinki
R
- Ray (1926–1927), United Kingdom
- Resimli Ay (1924–1938), Istanbul
- Revista de Avance (1927–1930), Havana
S
- S4N (1919–1925), Northampton, MA
- Savant publications (1977–), Monterey, CA
- Sburătorul (1919–1927), Bucharest
- Servet-i Fünun (1891–1944), Istanbul
- Shi'r (1957–1969), Beirut
- Shirakaba (1910–1917), Tokyo
- Signal, International Review of Signalist Research (1970–2004), Belgrade
- Simbolul (1912), Bucharest
- Sobaka (1998–2006), Russia
- De Stijl (1917–), Amsterdam
- Der Sturm (1910–1932), Berlin
- As-Sufūr (1915–1925), Cairo
![](http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Tro%C3%A7os.jpg/220px-Tro%C3%A7os.jpg)
T
- Taarnet (1893–1894), Copenhagen
- Al Tatawwur (1940), Cairo
- Tel Quel (1960–1982), Paris
- A Tett (1915–1916), Hungary
- Thalia (1910–1913), Stockholm
- Troços (1916–1917), Barcelona
U
- Ultra (1922), Helsinki
- Unu (1928–1932), Bucharest
V
- Valori plastici (1918–1921), Rome
- Il Verri (1956–), Milan
W
- The Wire (1982–), London
- Washington Review (1974–2002), Washington, D.C.
- White Fungus (2004–), Taichung City
Z
- Zwrotnica (1922–1923; 1926–1927), Kraków
References
- ^ David Bennett (Winter 1989). "Periodical Fragments and Organic Culture: Modernism, the Avant-Garde, and the Little Magazine". Contemporary Literature. 30 (4): 481. doi:10.2307/1208611.