List of compositions by Camille Saint-Saëns
Below is a sortable list of compositions by Camille Saint-Saëns. The works are categorised by genre, opus number, Ratner catalogue number, date of composition and titles. R numbers are from Camille Saint-Saëns 1835–1921: A Thematic Catalogue of His Complete Works by Sabina Teller Ratner (Oxford University Press).
Genre | Opus | R | Date | French title (original title) | English title | Scoring | Notes |
---|---|---|---|---|---|---|---|
Opera | — | 289 | 1864–1865 | Le timbre d'argent | The Silver Bell | Drame lyrique in 4 acts; libretto by Jules Barbier and Michel Carré; first performance in 1877 | |
Opera | 30 | 287 | 1872 | La princesse jaune | The Yellow Princess | Opéra comique in 1 act; libretto by Louis Gallet | |
Opera | 47 | 288 | 1877 | Samson et Dalila | Samson and Dalila | Opera in 3 acts; libretto by Ferdinand Lemaire | |
Opera | — | 290 | 1879 | Étienne Marcel | Étienne Marcel | Opera in 4 acts; libretto by Louis Gallet | |
Opera | — | 291 | 1881–1882 | Henry VIII | Henry VIII | Opera in 4 acts; libretto by Léonce Détroyat and Armand Silvestre | |
Opera | — | 292 | 1887 | Proserpine | Proserpine | Drame lyrique in 4 acts; libretto by Louis Gallet after Auguste Vacquerie | |
Opera | — | 293 | 1887–1888 | Ascanio | Ascanio | Opera in 5 acts; libretto by Louis Gallet after the play Benvenuto Cellini by Paul Meurice | |
Opera | — | 294 | 1893 | Phryné | Phryné | Opéra comique in 2 acts; libretto by Lucien Augé de Lassus | |
Opera | — | 1895 | Frédégonde | Frédégonde | Drame lyrique in 5 acts; libretto by Louis Gallet | ||
Opera | — | 295 | 1900–1901 | Les barbares | Tragédie lyrique in 3 acts; libretto by Victorien Sardou and Pierre-Barthélemy Gheusi | ||
Opera | — | 296 | 1902–1903 | Hélène | Hélène | Poème lyrique in 1 act; libretto by the composer | |
Opera | — | 297 | 1905 | L'ancêtre | L'ancêtre | Drame lyrique in 3 acts; libretto by Lucien Augé de Lassus | |
Opera | — | 298 | 1909–1910 | Déjanire | Déjanire | Drame lyrique in 4 acts; libretto by the composer after the play by Louis Gallet; original version: 1892 incidental music for the play by Gallet | |
Ballet | — | 306 | 1896 | Javotte | Javotte | Ballet in 1 act; libretto by Jean-Louis Croze | |
Film | 128 | 331 | 1908 | L'assassinat du duc de Guise | The Assassination of the Duke of Guise | produced Paris, Salle Charras, 16 November 1908 | |
Incidental | — | 1892 | Déjanire | Déjanire | Incidental music for the play by Louis Gallet; revised as an opera in 1911 | ||
Incidental | — | 317 | 1893 | Antigone | Antigone | Incidental music for the play by Sophocles in French adaptation by Paul Meurice and Auguste Vacquerie | |
Incidental | — | 312 | 1902 | Parysatis | Parysatis | Incidental music for the play by Jane Dieulafoy | |
Incidental | — | 320 | 1902 | Andromaque | Andromaque | Incidental music for the play by Jean Racine | |
Incidental | 130 | 321 | 1908 | La foi | La foi | Incidental music for the play by Eugène Brieux; also adapted for the concert stage as 3 Symphonic Pictures after "La Foi" | |
Incidental | — | 1917 | On ne badine pas avec l'amour | Incidental music for the play by Alfred de Musset | |||
Orchestral | — | c. 1850 | Ouverture d'un opéra comique | Comic Opera Overture in e minor | for orchestra | ||
Orchestral | — | c. 1850 | Scherzo en la majeur | Scherzo in A major | for chamber orchestra | ||
Orchestral | — | 159 | c. 1850 | Symphonie en la majeur | Symphony in A major | for orchestra | |
Orchestral | 2 | 1853 | Symphonie nº 1 en mi bémol majeur | Symphony No. 1 in E♭ major | for orchestra | ||
Orchestral | — | 162 | 1854 | Ouverture d'un opéra comique inachevé en sol majeur | Overture to an Unfinished Comic Opera in G major | for orchestra | |
Orchestral | — | 163 | 1856 | Symphonie en fa majeur "Urbs Roma" | Symphony in F major "Urbs Roma" | for orchestra | |
Orchestral | 55 | 1859 | Symphonie nº 2 en la mineur | Symphony No. 2 in A minor | for orchestra | ||
Orchestral | 49 | 165 | 1863 | Suite en ré majeur
| Suite in D major
| for orchestra | |
Orchestral | — | 166 | 1863 | Spartacus, Ouverture en mi bémol majeur | Spartacus, Overture in E♭ major | for orchestra | after the tragedy by Alphonse Pagès |
Orchestral | 7b | 177 | 1866, 1891 | Rhapsodie bretonne | Rhapsodie bretonne | for orchestra | 1891 orchestration of 3 Rhapsodies sur des cantiques bretons for organ |
Orchestral | 25 | 1869 | Orient et occident | for orchestra | original for military band | ||
Orchestral | 34 | 168 | 1871 | Marche héroïque en mi bémol majeur | Heroic March in E♭ major | for orchestra | also exists in versions for piano 4-hands (1870), and 2-piano 8-hands |
Orchestral | — | 1872 | Chant du soir (Abendlied) | Evening Song | for orchestra | transcription of Abendlied (for piano 4-hands), Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for piano 2-hands | |
Orchestral | 31 | 169 | 1872 | Le rouet d'Omphale en la majeur | The Spinning Wheel of Omphale in A major | for orchestra | |
Orchestral | 39 | 170 | 1873 | Phaéton en ut majeur | Phaéton in C major | for orchestra | |
Orchestral | 40 | 171 | 1874 | Danse macabre, Poème symphonique en sol mineur | Danse macabre, Symphonic Poem in G minor | for orchestra | |
Orchestral | 50 | 172 | 1877 | La jeunesse d'Hercule en mi bémol majeur | for orchestra | ||
Orchestral | 60 | 173 | 1880 | Suite algérienne en ut majeur
| for orchestra | recorded by the composer in piano reduction in 1919 | |
Orchestral | 63 | 175 | 1880 | Une nuit à Lisbonne en mi bémol majeur | for orchestra | ||
Orchestral | 64 | 174 | 1880 | La jota aragonese en la majeur | for orchestra | ||
Orchestral | 69 | 1881 | Hymne à Victor Hugo | Hymn to Victor Hugo | for orchestra (with chorus ad libitum) | ||
Orchestral | 78 | 176 | 1886 | Symphonie nº 3 ("avec orgue") en ut mineur | Symphony No. 3 "Organ Symphony" in C minor | for orchestra | |
Orchestral | 93 | 1892 | Sarabande et rigaudon en mi majeur | Sarabande and Rigaudon in E major | for orchestra | ||
Orchestral | 117 | 180 | 1902 | Marche du couronnement | Coronation March in E♭ major | for orchestra | written for the Coronation of Edward VII of the United Kingdom |
Orchestral | 130 | 1908 | Trois tableaux symphoniques d'après La foi | 3 Symphonic Pictures after "La Foi" | for orchestra | adapted from the incidental music for the play by Eugène Brieux | |
Orchestral | 133 | 181 | 1910 | Ouverture de fête en fa majeur | for orchestra | ||
Orchestral | — | 1915 | Hail! California | Hail! California | for orchestra, band and organ | composed for the 1915 Panama–Pacific International Exposition[1] | |
Band | 25 | 1869 | Orient et occident | for military band | also arranged for orchestra by the composer | ||
Band | — | 1900 | Hymne franco-espagnol | ||||
Band | 125 | 1908 | Sur les bords du Nil, Marche militaire | for military band | also for piano 4-hands | ||
Band | 152 | 1918 | Vers la victoire, Pas redoublé pour musique militaire | for military band | Two-step; also for piano 4-hands | ||
Band | 155 | 153 | 1918 | Marche interalliée | for military band | also for piano 4-hands | |
Concertante | 6 | 183 | 1857 | Tarantelle | Tarantelle in A minor | for flute, clarinet and orchestra | |
Concertante | 17 | 185 | 1858 | Concerto pour piano nº 1 en ré majeur | Piano Concerto No. 1 in D major | for piano and orchestra | |
Concertante | 58 | 184 | 1858 | Concerto pour violon nº 2 en ut majeur | Violin Concerto No. 2 in C major | for violin and orchestra | |
Concertante | 20 | 186 | 1859 | Concerto pour violon nº 1 en la majeur | Violin Concerto No. 1 in A major | for violin and orchestra | |
Concertante | 16b | 211 | 1862, 1919 | Suite
| Suite
| for cello and orchestra | original version for cello and piano |
Concertante | 28 | 188 | 1863 | Introduction et rondo capriccioso en la mineur | Introduction and Rondo Capriccioso in A minor | for violin and orchestra | |
Concertante | 22 | 190 | 1868 | Concerto pour piano nº 2 en sol mineur | Piano Concerto No. 2 in G minor | for piano and orchestra | |
Concertante | 29 | 191 | 1869 | Concerto pour piano nº 3 en mi bémol majeur | Piano Concerto No. 3 in E♭ major | for piano and orchestra | |
Concertante | 37 | 192 | 1871 | Romance en ré bémol majeur | Romance in D♭ major | for flute and piano or orchestra | |
Concertante | 33 | 193 | 1872 | Concerto pour violoncelle nº 1 en la mineur | Cello Concerto No. 1 in A minor | for cello and orchestra | |
Concertante | 36 | 195 | 1874 | Romance en fa majeur | Romance in F major | for horn (or cello) and orchestra | |
Concertante | 48 | 196 | 1874 | Romance en ut majeur | Romance in C major | for violin and orchestra | |
Concertante | 44 | 197 | 1875 | Concerto pour piano nº 4 en ut mineur | Piano Concerto No. 4 in C minor | for piano and orchestra | |
Concertante | — | c. 1878 | Cadences pour le concerto en sol de Beethoven | Cadenzas for Beethoven's Piano Concerto No. 4 | for piano | ||
Concertante | 61 | 198 | 1880 | Concerto pour violon nº 3 en si mineur | Violin Concerto No. 3 in B minor | for violin and orchestra | |
Concertante | 62 | 1880 | Morceau de concert en mi mineur | Concert Piece in E minor | for violin and orchestra | ||
Concertante | 67 | 189 | 1885 | Romance en mi majeur | Romance in E major | for horn (or cello) and orchestra | also for horn (or cello) and piano |
Concertante | 70 | 37 | 1884 | Allegro appassionato en ut dièse mineur | Allegro appassionato in C♯ minor | for piano and orchestra | also for piano solo |
Concertante | 73 | 1884 | Rhapsodie d'Auvergne en ut majeur | Rhapsody of the Auvergne in C Major | for piano and orchestra | also for piano solo | |
Concertante | 76 | 124 | 1885 | Wedding Cake, Caprice-valse en la bémol majeur | Wedding Cake, Caprice-valse in A♭ major | for piano and orchestra | |
Concertante | 83 | 202 | 1887 | Havanaise en mi majeur | Havanaise in E major | for violin and orchestra | |
Concertante | 94 | 1887 | Morceau de concert en fa mineur | Concert Piece in F minor | for horn and orchestra | ||
Concertante | 89 | 204 | 1891 | Africa en sol mineur | Africa in G minor | for piano and orchestra | Also for piano solo |
Concertante | 103 | 205 | 1896 | Concerto pour piano nº 5 "L'Égyptien" en fa majeur | Piano Concerto No. 5 "Egyptian" in F major | for piano and orchestra | |
Concertante | — | 1900 | Cadences pour le concerto de violon de Beethoven | Cadenzas for Beethoven's Violin Concerto | for violin | ||
Concertante | 119 | 1902 | Concerto pour violoncelle nº 2 en ré mineur | Cello Concerto No. 2 in D minor | for cello and orchestra | ||
Concertante | 122 | 207 | 1904 | Caprice andalou en sol majeur | Caprice andalou in G major | for violin and orchestra | |
Concertante | — | 1906 | Andante extrait d'un concerto pour piano | for violin and orchestra (or piano) | transcription of movement II from Piano Concerto No. 21, K.467 by Wolfgang Amadeus Mozart | ||
Concertante | 132 | 208 | 1910 | La muse et le poète en mi mineur | La muse et le poète in E minor | for violin, cello and orchestra (or piano) | |
Concertante | — | 281 | 1911 | Cadences pour le concerto en mi bémol de Mozart | Cadenzas for Mozart's Piano Concerto No. 22, K.482 | for piano | |
Concertante | — | 279 | 1911 | Cadences pour le concerto en ut mineur de Mozart | Cadenzas for Mozart's Piano Concerto No. 24, K.491 | for piano | |
Concertante | 154 | 1918 | Morceau de concert en sol majeur | Concert Piece in G major | for harp and orchestra | ||
Concertante | 156 | 210 | 1919 | Cyprès et lauriers en ré mineur | for organ and orchestra | ||
Concertante | 162 | 212 | 1920 | Odelette en ré majeur | Odelette in D major | for flute and orchestra | |
Chamber music | — | 107 | 1851–1853 | Quatuor en mi majeur pour piano et cordes | Piano Quartet in E major | for violin, viola, cello and piano | |
Chamber music | 14 | 1855 | Quintette en la mineur pour piano et cordes | Piano Quintet in A minor | for 2 violins, viola, cello and piano | ||
Chamber music | — | 1859 | Caprice brillant en si mineur | Caprice brillant in B minor | for violin and piano | ||
Chamber music | 16 | 112 | 1862 | Suite
| Suite
| for cello and piano | also a version for cello and orchestra |
Chamber music | 18 | 1863 | Trio nº 1 en fa majeur pour piano, violon et violoncelle | Piano Trio No. 1 in F major | for violin, cello and piano | ||
Chamber music | 15 | 114 | 1865 | Sérénade en mi bémol majeur | Sérénade in E♭ major | for piano, organ, violin, and viola or cello | |
Chamber music | 27 | 1868 | Romance | Romance in B♭ major | for violin, piano and organ | ||
Chamber music | — | 1869 | Marche religieuse de Lohengrin | for violin, harmonium and piano | transcription from the opera Lohengrin by Richard Wagner | ||
Chamber music | — | c. 1870 | Les odeurs de Paris | for chamber ensemble | |||
Chamber music | 38 | 1871 | Berceuse en si bémol majeur | Berceuse in B♭ major | for violin and piano | ||
Chamber music | 32 | 1872 | Sonate pour violoncelle nº 1 en ut mineur | Cello Sonata No. 1 in C minor | for cello and piano | ||
Chamber music | 41 | 1875 | Quatuor en si bémol majeur pour piano et cordes | Piano Quartet in B♭ major | for violin, viola, cello and piano | ||
Chamber music | 43 | 194 | 1875 | Allegro appassionato en si mineur | Allegro appassionato in B minor | for cello and piano (or orchestra) | version with orchestra, R 119 |
Chamber music | — | 1875 | Orphée, Poème symphonique | for violin, cello and piano | transcription of the symphonic poem Orpheus, S.98 (1853–1854) by Franz Liszt | ||
Chamber music | 51 | 1877 | Romance en ré majeur | Romance in D major | for cello and piano | ||
Chamber music | 65 | 122 | 1881 | Septuor en mi bémol majeur | Septet in E♭ major | for trumpet, 2 violins, viola, cello, double bass and piano | |
Chamber music | 67 | 1885 | Romance en mi majeur | Romance in E major | for horn (or cello) and piano | also for horn (or cello) and orchestra | |
Chamber music | 75 | 123 | 1885 | Sonate pour violon nº 1 en ré mineur | Violin Sonata No. 1 in D minor | for violin and piano | |
Chamber music | — | 125 | 1886 | Le carnaval des animaux, grande fantaisie zoologique | The Carnival of the Animals (Le cygne) | for 2 pianos, 2 violins, viola, cello, double bass, flute (also piccolo), clarinet, glass harmonica and xylophone | |
Chamber music | 79 | 126 | 1887 | Caprice sur des airs danois et russes | for flute, oboe, clarinet and piano | ||
Chamber music | 91 | 127 | 1892 | Chant saphique | for cello and piano | ||
Chamber music | 92 | 129 | 1892 | Trio nº 2 en mi mineur pour piano, violon et violoncelle | Piano Trio No. 2 in E minor | for violin, cello and piano | |
Chamber music | 95 | 1893 | Fantaisie | Fantaisie | for harp | in A minor | |
Chamber music | 102 | 130 | 1896 | Sonate pour violon nº 2 en mi bémol majeur | Violin Sonata No. 2 in E♭ major | for violin and piano | |
Chamber music | 108 | 1897 | Barcarolle en fa majeur | Barcarolle in F major | for violin, cello, harmonium and piano | ||
Chamber music | — | 1897 | Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy | for violin and piano | transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for piano solo | ||
Chamber music | 112 | 1899 | Quatuor à cordes nº 1 en mi mineur | String Quartet No. 1 in E minor | for 2 violins, viola and cello | ||
Chamber music | 123 | 135 | 1905 | Sonate pour violoncelle nº 2 en fa majeur | Cello Sonata No. 2 in F major | for cello and piano | |
Chamber music | 124 | 1907 | Fantaisie | Fantaisie | for violin and harp | ||
Chamber music | 136 | 1912 | Triptyque
| Triptyque | for violin and piano | ||
Chamber music | 143 | 1915 | Élégie | Élégie [No. 1] | for violin and piano | ||
Chamber music | 144 | 140 | 1915 | Cavatine en ré bémol majeur | Cavatine in D♭ major | for trombone and piano | |
Chamber music | — | c. 1918 | L'air de la pendule | for violin and piano | |||
Chamber music | 153 | 1918 | Quatuor à cordes nº 2 en sol majeur | String Quartet No. 2 in G major | for 2 violins, viola and cello | ||
Chamber music | 158 | 143 | 1919 | Prière | for cello (or violin) and organ | version for violin, R 144 | |
Chamber music | 160 | 145 | 1920 | Élégie | Élégie [No. 2] | for violin and piano | |
Chamber music | 166 | 146 | 1921 | Sonate pour hautbois en ré majeur | Oboe Sonata in D major | for oboe and piano | |
Chamber music | 167 | 147 | 1921 | Sonate pour clarinette en mi bémol majeur | Clarinet Sonata in E♭ major | for clarinet and piano | |
Chamber music | 168 | 148 | 1921 | Sonate pour basson en sol majeur | Bassoon Sonata in G major | for bassoon and piano | |
Chamber music | — | 108 | 1853 | Adagio en mi bémol majeur | Adagio in E♭ major | for horn and organ | |
Chamber music | — | Gavotte | Gavotte | for cello and piano or orchestra | |||
Keyboard | 1 | 1852 | Trois morceaux | 3 Pieces | for harmonium | ||
Keyboard | 8 | 110 | 1858 | Six Duos | 6 Duets | for harmonium and piano | |
Keyboard: organ | — | c. 1853 | Deux pièces | 2 Pieces | for organ | ||
Keyboard: organ | — | 78 | 1857 | Fantaisie en mi bémol majeur | Fantaisie in E♭ major | for organ | |
Keyboard: organ | 9 | 80 | 1859 | Bénédiction nuptiale | Bénédiction nuptiale in F major | for organ | |
Keyboard: organ | — | 1863 | La prédication aux oiseaux, St François d'Assise, Légende | for organ | transcription of the first St. Francis Legend, S. 175 No. 1 by Franz Liszt | ||
Keyboard: organ | 13 | 80 | 1865 | Élévation, ou communion | Élévation, or Communion in E major | for organ or harmonium | |
Keyboard: organ | 7 | 87 | 1866 | 3 Rhapsodies sur des cantiques bretons, Pélérinage au pardon de Sainte Anne-la-Palud | for organ | orchestrated in 1891 as Rhapsodie bretonne, Op. 7b | |
Keyboard: organ | 99 | 1894 | Trois préludes et fugues
| 3 Préludes and Fugues
| for organ | ||
Keyboard: organ | 101 | 1895 | Fantaisie nº 2 en ré bémol majeur | Fantaisie No. 2 in D♭ major | for organ | ||
Keyboard: organ | 107 | 96 | 1897 | Marche religieuse en fa majeur | for organ | ||
Keyboard: organ | 109 | 1898 | Trois préludes et fugues
| 3 Préludes and Fugues
| for organ | ||
Keyboard: organ | 150 | 100 | 1916–1917 | Sept improvisations | 7 Improvisations | for organ | |
Keyboard: organ | 157 | 1919 | Fantaisie nº 3 en ut majeur | Fantaisie No. 3 in C major | for organ | ||
Keyboard: organ | — | Cinq morceaux | 5 Pieces | for organ or harmonium | |||
Keyboard: organ | — | Morceau | for organ | ||||
Keyboard: organ | — | Prélude en fa majeur | Prélude in F major | for organ | |||
Keyboard: piano | 135 | 54 | 1912 | Six Études pour la main gauche seule
| 6 Études for the Left Hand
| for piano left hand | |
Keyboard: piano | — | c. 1850 | Variations sur le chœur de Judas Macchabée | Variations on the Chorus from Judas Maccabaeus | for piano 4-hands | theme: "See, the Conqu'ring Hero Comes!", Act III chorus from the oratorio Judas Maccabaeus, HWV 63 by George Frideric Handel | |
Keyboard: piano | 11 | 1855 | Duettino | Duettino in G major | for piano 4-hands | ||
Keyboard: piano | 59 | 1880 | König Harald Harfagar | König Harald Harfagar | for piano 4-hands | ||
Keyboard: piano | 81 | 61 | 1887 | Feuillet d'album | for piano 4-hands | ||
Keyboard: piano | 86 | 150 | 1887 | Pas redoublé en si bémol majeur | for piano 4-hands | ||
Keyboard: piano | 105 | 63 | 1896 | Berceuse en mi majeur | Berceuse in E major | for piano 4-hands | |
Keyboard: piano | 125 | 1908 | Sur les bords du Nil, Marche militaire | for piano 4-hands | original for military band | ||
Keyboard: piano | 152 | 1918 | Vers la victoire, Pas redoublé pour musique militaire | for piano 4-hands | original: two-step for military band; arrangement by the composer | ||
Keyboard: piano | 155 | 64 | 1918 | Marche interalliée | for piano 4-hands | original for military band; arrangement by the composer | |
Keyboard: piano | 163 | 65 | 1921 | Marche dédiée aux étudiants d'Alger | for piano 4-hands with chorus ad libitum | ||
Keyboard: piano | 8b | 70 | 1858, 1897 | Duo | Duo | for 2 pianos | after the 6 Duets for harmonium and piano |
Keyboard: piano | 35 | 66 | 1874 | Variations sur un thème de Beethoven | Variations on a Theme of Beethoven in E♭ major | for 2 pianos | theme: Trio from movement III, Menuetto, of Ludwig van Beethoven's Piano Sonata No. 18, Op. 31 No. 3 (1802) |
Keyboard: piano | 96 | 69 | 1884 | Caprice arabe | for 2 pianos | ||
Keyboard: piano | — | 1884 | Lenore, poème symphonique pour orchestre d'après la Ballade de Bürger | Lenore, Symphonic Poem after the Ballade de Bürger | for 2 pianos | transcription of the symphonic poem by Henri Duparc | |
Keyboard: piano | 77 | 67 | 1885 | Polonaise en fa mineur | Polonaise in F minor | for 2 pianos | |
Keyboard: piano | 87 | 68 | 1889 | Scherzo | for 2 pianos | ||
Keyboard: piano | 106 | 71 | 1898 | Caprice héroïque | for 2 pianos | ||
Keyboard: piano | — | 1907 | Sonate en si bémol mineur de Frédéric Chopin, Op. 35 | Sonata in B♭ Minor by Frédéric Chopin, Op. 35 | for 2 pianos | transcription | |
Keyboard: piano | — | 1914 | Sonate en si mineur de Franz Liszt | Sonata in B Minor by Franz Liszt | for 2 pianos | transcription | |
Keyboard: piano | — | 7 | 1841 | Andante en sol majeur | Andante in G major | for piano | |
Keyboard: piano | — | 15 | 1842 | Allegretto en mi bémol majeur | Allegretto in E♭ major | for piano | |
Keyboard: piano | — | c. 1843 | Valse | Waltz | for piano | ||
Keyboard: piano | 3 | 25 | 1855 | Six bagatelles | 6 Bagatelles | for piano | |
Keyboard: piano | — | 1858 | Scherzo du Songe d'une nuit d'été de Mendelssohn | Scherzo from "A Midsummer Night's Dream" by Mendelssohn | for piano | transcription from A Midsummer Night's Dream by Felix Mendelssohn | |
Keyboard: piano | — | 1858–1859 | Trois transcriptions de quatuors de Beethoven
| 3 Transcriptions from String Quartets by Beethoven
| for piano | transcription of string quartet movements by Ludwig van Beethoven | |
Keyboard: piano | — | c. 1861 | Adagio de la 3e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Air de la 36e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Andante de la 3e Sonate de Violon | for piano | transcription from Sonata for Violin No. 2, BWV 1003 by Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Andantino de la 8e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Bourrée de la 2e Sonate de Violon | for piano | transcription of Tempo di Borea from Partita for Violin No. 1, BWV 1002 by Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Chœur de la 30e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Fugue de la 5e Sonate de Violon | for piano | transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Gavotte de la 6e Sonate de Violon | for piano | transcription of Gavotte en rondeau from Partita for Violin No. 3, BWV 1006 by Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Introduction et air de al 15e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Largo de la 5e Sonate de Violon | for piano | transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Ouverture de la 28e cantate d'église [sic] | for piano | transcription from Cantata No. 29, BWV 29 after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Presto de la 35e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | c. 1861 | Récitativ et air de la 30e cantate d'église | for piano | transcription after Johann Sebastian Bach | ||
Keyboard: piano | — | 1862 | Kermesse et valse de Faust, opéra de C. Gounod | for piano | transcription from the opera Faust by Charles Gounod | ||
Keyboard: piano | 21 | 1862 | Mazurka nº 1 en sol mineur | Mazurka No. 1 in G minor | for piano | ||
Keyboard: piano | — | 1867 | Caprice sur les airs de ballet d'Alceste de Gluck | for piano | transcription after the opera Alceste by Christoph Willibald Gluck | ||
Keyboard: piano | — | 1867 | Menuet d'Orphée | for piano | transcription from the opera Orphée et Eurydice by Christoph Willibald Gluck | ||
Keyboard: piano | — | 1869 | Andante de la 36me symphonie d'Haydn | for piano | transcription from Symphony No. 36 by Joseph Haydn | ||
Keyboard: piano | — | 1869 | Chœur des Derviches Tourneurs tiré des Ruines d'Athèns de Beethoven | Dervish Chorus from The Ruins of Athens | for piano | transcription of the chorus from The Ruins of Athens, Op. 113 by Ludwig van Beethoven | |
Keyboard: piano | — | 1869 | Paraphrase sur Mandolinata de E. Paladilhe | Mandolinata | for piano | transcription of the song by Émile Paladilhe | |
Keyboard: piano | — | 1870 | Improvisation sur la Beethoven-Cantate de F. Liszt | Improvisation on the Beethoven Cantata by Franz Liszt | for piano | transcription after Franz Liszt | |
Keyboard: piano | 23 | 31 | 1871 | Gavotte en ut mineur | Gavotte in C minor | for piano | |
Keyboard: piano | 24 | 1871 | Mazurka nº 2 en sol mineur | Mazurka No. 2 in G minor | for piano | ||
Keyboard: piano | — | 1871 | Paraphrase sur la Isleña (Havanaise), mélodie de Paladilhe | La Isleña (Havanaise) | for piano | transcription of the song by Émile Paladilhe | |
Keyboard: piano | — | 1871 | Romance sans paroles en si mineur | Romance sans paroles in B minor | for piano | ||
Keyboard: piano | — | 1872 | Chant du soir (Abendlied) | Evening Song | for piano | transcription for piano, 2-hands, of the original Abendlied for piano 4-hands, Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for orchestra | |
Keyboard: piano | 70 | 200 | 1884 | Allegro appassionato en ut dièse mineur | Allegro appassionato in C♯ minor | for piano | also for piano with orchestra ad libitum |
Keyboard: piano | — | 1875 | Paraphrase sur Gallia, Cantate de C. Gounod | for piano | transcription of the 1871 oratorio by Charles Gounod | ||
Keyboard: piano | 52 | 35 | 1877 | Six Études
| 6 Études
| for piano | |
Keyboard: piano | 56 | 34 | 1872 | Menuet et valse | Menuet and Waltz | for piano | |
Keyboard: piano | — | 1880 | Andante de la 94me symphonie "La surprise" d'Haydn | for piano | transcription of movement II from Symphony No. 94 by Joseph Haydn | ||
Keyboard: piano | 66 | 1882 | Mazurka nº 3 en si mineur | Mazurka No. 3 in B minor | for piano | ||
Keyboard: piano | 72 | 1884 | Album
| Album | for piano | ||
Keyboard: piano | — | 1884 | Andantino | Andantino | for piano | ||
Keyboard: piano | — | 1884 | Chanson des Maucroix de J. Durand | for piano | transcription of the song by Jacques Durand | ||
Keyboard: piano | 73 | 201 | 1884 | Rhapsodie d'Auvergne en ut majeur | for piano | also for piano and orchestra; recorded by the composer for Welte-Mignon, 13 December 1905 | |
Keyboard: piano | — | 1885 | Improvisation | Improvisation | for piano | ||
Keyboard: piano | 80 | 40 | 1887 | Souvenir d'Italie en sol majeur | for piano | ||
Keyboard: piano | 85 | 42 | 1889 | Les cloches du soir en la bémol majeur | for piano | ||
Keyboard: piano | 88 | 43 | 1890 | Valse canariote en la mineur | Valse canariote in A minor | for piano | |
Keyboard: piano | 90 | 1891 | Suite en fa majeur
| Suite in F major
| for piano | ||
Keyboard: piano | 97 | 45 | 1894 | Thème varié | Theme and Variations | for piano | |
Keyboard: piano | — | 1895 | La mort de Thaïs, Paraphrase de concert sur l'opéra de J. Massenet | The Death of Thaïs, Concert paraphrase | for piano | transcription after the opera Thaïs by Jules Massenet | |
Keyboard: piano | 100 | 1895 | Souvenir d'Ismaïlia | for piano | |||
Keyboard: piano | 104 | 47 | 1896 | Valse mignonne en mi bémol majeur | for piano | ||
Keyboard: piano | — | 1897 | Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy | for piano | transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for violin and piano | ||
Keyboard: piano | — | c. 1898 | Quatre morceaux | 4 Pieces | for piano | ||
Keyboard: piano | 110 | 48 | 1898 | Valse nonchalante en ré bémol majeur | for piano | ||
Keyboard: piano | — | 1899 | Deux fantaisies écrites pour le luth par D. Luis Milan de Valence (Compositeur espagnol du XVIe siècle) | for piano | transcription after Luis de Milán | ||
Keyboard: piano | 111 | 49 | 1899 | Six Études
| 6 Études | for piano | |
Keyboard: piano | 120 | 51 | 1903 | Valse langoureuse | for piano | ||
Keyboard: piano | — | 1909 | Feuillet d'album | Album Leaf | for piano | ||
Keyboard: piano | 139 | 55 | 1912 | Valse gaie | for piano | ||
Keyboard: piano | 161 | 1920 | Six Fugues | 6 Fugues | for piano | ||
Keyboard: piano | 169 | 58 | 1921 | Feuillet d'album | Album Leaf | for piano | |
Choral: sacred | — | c. 1851 | Moïse sauvé des eaux | Oratorio; words by Victor Hugo | |||
Choral: sacred | 4 | 1855 | Messe | Mass | for 4 solo voices, chorus, orchestra and organ | ||
Choral: sacred | 5 | 1856 | Tantum ergo | Tantum ergo | for chorus and organ | ||
Choral: sacred | 12 | 1858 | Oratorio de Noël | for solo voices, chorus, string quartet, harp and organ | Oratorio | ||
Choral: sacred | — | 1858 | Veni creator en ut majeur | Veni creator in C major | for chorus with organ ad libitum | ||
Choral: sacred | — | c. 1860 | Ô Saint Autel, Cantique en ré majeur | for 3 altos, chorus and piano | Canticle | ||
Choral: sacred | — | c. 1860 | Pour vous bénir, Signeur, Cantique en mi majeur | for 3 altos, chorus and piano | Canticle; words by A. Cuinet | ||
Choral: sacred | 42 | 1865 | Cœli enarrant (Psaume XVIII) | Cœli enarrant (Psalm 18) | for solo voices, chorus and orchestra | ||
Choral: sacred | 45 | 1875 | Le déluge | The Flood | for solo voices, chorus and orchestra | Oratorio; words by Louis Gallet | |
Choral: sacred | 54 | 1878 | Requiem | Requiem | for solo voices, chorus and orchestra | ||
Choral: sacred | — | 1904 | Offertoire pour la Toussaint en fa majeur | for chorus, organ with cello and double bass ad libitum | first version | ||
Choral: sacred | — | 1904, 1913 | Offertoire pour la Toussaint en fa majeur | for chorus and orchestra | second version 1913 | ||
Choral: sacred | 127 | c. 1908 | Psaume CL "Laudate Dominum" | Psalm 150 "Praise Ye the Lord" | for double mixed chorus, orchestra and organ | ||
Choral: sacred | 140 | 1913 | La terre promise | The Promised Land | for vocal soloists, chorus and orchestra | Oratorio in 3 parts; words by Hermann Klein | |
Choral: sacred | 145 | 1914 | Ave Maria | Ave Maria | for mixed chorus a cappella | ||
Choral: sacred | 147 | 1914 | Tu es Petrus | Tu es Petrus | for male chorus and organ | ||
Choral: sacred | 148 | 1915 | Quam Dilecta | Quam Dilecta, Motet | for mixed chorus and organ with harp ad libitum | ||
Choral: sacred | 149 | 1916 | Laudate Dominum | Laudate Dominum | for mixed chorus a cappella | ||
Choral: sacred | — | Ave verum en ré majeur | Ave verum in D major | for female chorus, organ and horn obbligato | |||
Choral: sacred | — | Neuf chants religieux latins | 9 Sacred Latin Chants | ||||
Choral: sacred | — | Psaume CXXXVI "Super flumina Babylonis" | Psalm 136 "Super flumina Babylonis" | for chorus | |||
Choral: sacred | — | Six chœurs religieux | 6 Sacred Choruses | ||||
Choral | — | c. 1848 | Imogine | Cantata | |||
Choral | — | c. 1848 | Les Israëlites sur la montagne d'Oreb | Oratorio; fragment | |||
Choral | — | c. 1848 | Télésille | Cantata; words by Amable Tastu | |||
Choral | — | c. 1849 | Cantate | Cantata | words by Amable Tastu | ||
Choral | — | c. 1850 | La rose | ||||
Choral | — | 1852 | Le Retour de Virginie, Cantate | for 3 voices and orchestra | |||
Choral | — | 1852 | Les cloches | Symphonic ode | |||
Choral | — | 1852 | Fugue et chœur | Fugue and Chorus | |||
Choral | — | 1852 | Ode à Sainte-Cécile | for vocal soloists, chorus and orchestra | |||
Choral | — | 1857 | La toilette de la marquise de Présalé | ||||
Choral | — | 1858 | Macbeth | Macbeth | for chorus and orchestra | ||
Choral | 19 | 1867 | Les noces de Prométhée | for narrator, soprano, baritone, double mixed chorus and orchestra | libretto by Romain Cornut | ||
Choral | — | 1867 | Sérénade d'hiver | for male chorus | words by Henri Cazalis | ||
Choral | — | 1875 | La nuage | ||||
Choral | 46 | 1876 | Les soldats de Gédéon | for male chorus | words by Louis Gallet | ||
Choral | 53 | 1878 | L'art d'être grand-père, Deux chœurs
| 1. for female chorus and orchestra 2. for baritone, male chorus and orchestra | words by Victor Hugo | ||
Choral | 57 | 1879 | La lyre et la harpe | for solo voices, chorus and orchestra | words by Victor Hugo | ||
Choral | 69 | 1881 | Hymne à Victor Hugo | Hymn to Victor Hugo | for orchestra with chorus ad libitum | ||
Choral | 68 | 1882 | Deux chœurs
| 2 Choruses | for mixed chorus with piano ad libitum | ||
Choral | 71 | 1884 | Deux chœurs
| 2 Choruses | for chorus a cappella | words by Théobald Saint-Félix | |
Choral | 74 | 1885 | Saltarelle | Saltarelle | for male chorus | words by Émile Deschamps | |
Choral | 84 | 1888 | Les guerriers | for male chorus | words by Georges Audigier | ||
Choral | 26b | 1891 | Nuit persane
| for tenor, alto, narrator, mixed chorus and orchestra | words by Armand Renaud (1836–1895) | ||
Choral | 113 | 1899 | Chants d'automne | for male chorus a cappella | words by S. Sicard | ||
Choral | 114 | 1900 | La nuit | for soprano, female chorus and orchestra | words by Georges Audigier | ||
Choral | 115 | 1900 | Le feu céleste | for narrator, soprano, chorus, orchestra and organ | words by Armand Silvestre | ||
Choral | 121 | 1903 | À la France | for male chorus with mixed chorus ad libitum | words by Jules Combarieu (1859–1916) | ||
Choral | — | 1905 | Ode d'Horace | for male chorus a cappella | |||
Choral | 126 | 1906 | La gloire de Corneille | for soloists, chorus and orchestra | Cantata; words by Sébastien-Charles Leconte (1860–1934) and Pierre Corneille | ||
Choral | 129 | 1909 | Le matin | for male chorus a cappella | words by Alphonse de Lamartine | ||
Choral | 131 | 1911 | La gloire | for tenor, baritone, mixed chorus and piano | words by Lucien Augé de Lassus | ||
Choral | 134 | 1912 | Aux aviateurs | for male chorus | words by Jean Bonnerot | ||
Choral | 137 | 1912 | Aux mineurs | for male chorus | words by Jean Bonnerot | ||
Choral | 138 | 1912 | Hymne au printemps | for male chorus | words by Jean Bonnerot | ||
Choral | 141 | 1913 | Deux chœurs
| 2 Choruses | for mixed chorus a cappella | 1. words by Maurice Boukay 2. words by Pierre-Jean de Béranger | |
Choral | 142 | 1914 | Hymne au travail | for male chorus | words by Jean Bonnerot | ||
Choral | 151 | 1917 | Trois chœurs
| 3 Choruses | for female chorus and piano | 1. words by Jean Bonnerot 2. words by Paul Fournier 3. words by Jean Mirval | |
Choral | — | 1920 | Hymne à Jeanne d'Arc | for chorus and organ | |||
Choral | 164 | — | Aux conquérants de l'air | for chorus of 2 equal voices and piano | |||
Choral | 165 | — | Le printemps | for chorus of 2 equal voices and piano | words by Jean de La Fontaine | ||
Choral | — | — | Canon | for female chorus a cappella | |||
Vocal: sacred | — | c. 1844 | À Saint Joseph, Cantique | Canticle | |||
Vocal: sacred | — | c. 1844 | Dans ce beau moi, Cantique | Canticle | |||
Vocal: sacred | — | c. 1844 | Nous qu'en ces lieux, Cantique | Canticle | |||
Vocal: sacred | — | c. 1844 | Reçois mes hommages, Cantique | Canticle | |||
Vocal: sacred | — | c. 1855 | La madonna col bambino, Cantique en fa majeur | for alto and piano | Canticle; words by St. Alfonso di Liguori | ||
Vocal: sacred | — | 1858 | O salutaris en si bémol majeur | O salutaris in B♭ major | for soprano, alto, baritone and organ | ||
Vocal: sacred | — | c. 1859 | Ave Maria en si bémol majeur | Ave Maria in B♭ major | for soprano and organ | ||
Vocal: sacred | — | c. 1859 | Ave Maria en mi majeur | Ave Maria in E major | for baritone and organ | ||
Vocal: sacred | — | c. 1860 | Ave Maria en la majeur | Ave Maria in A major | for 2 altos and organ | ||
Vocal: sacred | — | c. 1860 | Ave verum en si bémol majeur | Ave verum in B♭ major | for soprano, alto, tenor, bass and organ | ||
Vocal: sacred | — | c. 1860 | Heureux qui du cœur de Marie, Cantique en la majeur | for alto (or chorus) and piano | Canticle | ||
Vocal: sacred | — | c. 1860 | O salutaris en la majeur | O salutaris in A major | for alto and organ | ||
Vocal: sacred | — | c. 1860 | Reine des cieux, Cantique en la bémol majeur | for alto (or chorus) and piano | Canticle | ||
Vocal: sacred | — | c. 1860 | Sub tuum en fa mineur | Sub tuum in F minor | for soprano, alto and organ | ||
Vocal: sacred | — | c. 1860 | Tantum ergo en mi bémol majeur | Tantum ergo in E♭ major | for 2 sopranos, alto and organ with chorus ad libitum | ||
Vocal: sacred | — | c. 1863 | Ave verum en si mineur | Ave verum in B minor | for soprano, alto and organ | ||
Vocal: sacred | — | 1865 | Ave Maria en la majeur | Ave Maria in A major | for soprano or tenor and organ | ||
Vocal: sacred | — | 1865 | Inviolata en ré majeur | Inviolata in D major | for alto and organ | ||
Vocal: sacred | — | 1869 | O salutaris en la bémol majeur | O salutaris in A♭ major | for soprano, alto, baritone and organ | ||
Vocal: sacred | — | 1875 | O salutaris en mi bémol majeur | O salutaris in E♭ major | for soprano and organ | ||
Vocal: sacred | — | 1884 | O salutaris en mi majeur | O salutaris in E major | for tenor, baritone and organ | ||
Vocal: sacred | — | 1884 | O salutaris en mi bémol majeur | O salutaris in E♭ major | for alto and organ | ||
Vocal: sacred | — | 1885 | Deus Abraham en fa majeur | Deus Abraham in F major | for alto and organ | ||
Vocal: sacred | — | 1885 | Pie Jesu en ut mineur | Pie Jesu in C minor | for bass and organ | ||
Vocal: sacred | — | 1898 | Panis angelicus en fa majeur | Panis angelicus in F major | for tenor or soprano, string quartet or organ | ||
Vocal: sacred | — | 1917 | Litanies à la Sainte Vierge | for voice and organ | |||
Vocal | — | Les heures | for narrator and piano | ||||
Vocal | — | 1841 | Ariel | for voice and piano | |||
Vocal | — | 1841 | Le soir | for voice and piano | words by Marceline Desbordes-Valmore | ||
Vocal | — | c. 1841 | La maman | for voice and piano | words by Amable Tastu | ||
Vocal | — | 1844 | Tandis que sur vos ans | for voice and piano | |||
Vocal | — | c. 1847 | La Golfe de Baya | for voice and piano | words by Alphonse de Lamartine | ||
Vocal | — | 1849 | Télésille | for voice and piano | words by Amable Tastu | ||
Vocal | — | 1850 | Bergeronnette | for voice and piano | words by J. Lombard | ||
Vocal | — | 1850 | Lamento | for voice and piano | words by Théophile Gautier | ||
Vocal | — | 1850 | Le lac | for voice and piano | words by Alphonse de Lamartine | ||
Vocal | — | 1851 | Guitare | for voice and piano | words by Victor Hugo | ||
Vocal | — | 1851 | Le poète mourant | for voice and piano | words by Alphonse de Lamartine | ||
Vocal | — | 1851 | Le rendezvous | for voice and piano | words by Eugène Fiéffé | ||
Vocal | — | 1851 | Rêverie | for voice and orchestra | words by Victor Hugo | ||
Vocal | — | 1852 | Idylle | for voice and piano | words by Deschoulières | ||
Vocal | — | c. 1852 | L'automne | for voice and piano | words by Alphonse de Lamartine | ||
Vocal | — | 1852 | Le pas d'armes du Roi Jean | for voice and orchestra | words by Victor Hugo | ||
Vocal | — | 1852 | Mélodie | for voice and orchestra | words by Alphonse de Lamartine | ||
Vocal | — | 1853 | Le feuille de peuplier | for voice and orchestra | words by Amable Tastu | ||
Vocal | — | 1854 | Ruhethal | for voice and piano | words by Ludwig Uhland | ||
Vocal | — | c. 1854 | La chasse du burgrave | for voice and piano | lost | ||
Vocal | — | c. 1854 | La porta dell'inferno | for voice and piano | words by Dante | ||
Vocal | — | c. 1855 | La cloche | for voice and piano | words by Victor Hugo | ||
Vocal | — | c. 1855 | L'attente | for voice and orchestra | words by Victor Hugo | ||
Vocal | — | 1855 | Le lever de la lune | for voice and piano | words by Ossian | ||
Vocal | — | 1855 | Le sommeil des fleurs | for voice and piano | words by G. de Penmarch | ||
Vocal | — | 1855 | Pastorale, Duettino | for 2 voices and piano | words by Destouches | ||
Vocal | — | c. 1855 | Plainte | for voice and orchestra | words by Amable Tastu | ||
Vocal | — | c. 1855 | Viens! | for soprano, baritone and piano | words by Victor Hugo | ||
Vocal | — | 1856 | À la lune | for voice and piano | |||
Vocal | — | c. 1857 | La mort d'Ophélie, Ballade | for voice and piano | words by Ernest Legouvé after William Shakespeare | ||
Vocal | — | 1857 | Le soir descend sur la colline, Barcarolle | for alto, tenor and piano | |||
Vocal | — | c. 1858 | Pourquoi t'exiler | for voice and piano | |||
Vocal | — | c. 1858 | Souvenances | for voice and piano | words by Ferdinand Lemaire | ||
Vocal | — | c. 1860 | Alla riva del Tebro | for voice and piano | |||
Vocal | — | c. 1860 | Étoile du matin | for soprano or tenor and piano | words by Camille Distel | ||
Vocal | — | c. 1860 | Extase | for voice and piano | words by Victor Hugo | ||
Vocal | 10 | 1860 | Scène d'Horace | for soprano, baritone and orchestra | words by Pierre Corneille | ||
Vocal | — | 1862 | Soirée en mer | for voice and piano | words by Victor Hugo | ||
Vocal | — | c. 1863 | Canzonetta toscana | for voice and piano | |||
Vocal | — | c. 1864 | Le matin | for voice and piano | words by Victor Hugo | ||
Vocal | — | c. 1865 | Claire de lune | for voice and piano | words by Catulle Mendès | ||
Vocal | — | 1865 | Heures passées | for voice and piano | words by A. Lenfaut | ||
Vocal | — | 1865 | L'enlèvement | for voice and orchestra | words by Victor Hugo | ||
Vocal | — | 1868 | Le chant de ceux qui s'en vont sur la mer | for voice and piano | words by Victor Hugo | ||
Vocal | — | 1868 | La coccinelle | for voice and piano | words by Victor Hugo | ||
Vocal | — | 1868 | Maria-Lucrezia | for voice and piano | words by Ernest Legouvé | ||
Vocal | — | c. 1868 | Tristesse | for voice and piano | words by Ferdinand Lemaire | ||
Vocal | — | c. 1869 | À quoi bon attendre | for voice and piano | words by Victor Hugo | ||
Vocal | — | c. 1869 | Marquise, vous souvenez-vous?, Menuet | for mezzo-soprano or baritone and piano | words by François Coppée | ||
Vocal | 26 | 1870 | Mélodies persanes
| for voice and piano | words by Armand Renaud (1836–1895) | ||
Vocal | — | 1870 | Si vous n'avez rien à me dire | for voice and piano | words by Victor Hugo | ||
Vocal | — | 1871 | A Voice by the Cedar Tree | A Voice by the Cedar Tree | for voice and piano | words by Alfred, Lord Tennyson | |
Vocal | — | 1871 | Désir de l'Orient | for voice and piano | words by the composer | ||
Vocal | — | 1871 | El desdichado, Bolero | for 2 voices and orchestra | words by Jules Barbier | ||
Vocal | — | 1871 | My Land | My Land | for voice and piano | words by T. Davis | |
Vocal | — | 1872 | Dans ton cœur | for voice and piano | words by Henri Cazalis | ||
Vocal | — | 1872 | Danse macabre | for voice and piano | words by Henri Cazalis | ||
Vocal | — | c. 1877 | Vogue, vogue la galère, Barcarolle | for voice and harmonium ad libitum | words by Jean Aicard | ||
Vocal | — | 1879 | Night Song of Preciosa | Night Song of Preciosa | for voice and piano | words by Isaac Ginner | |
Vocal | — | 1880 | Dans les coins bleus | for voice and piano | words by Charles Augustin Sainte-Beuve | ||
Vocal | — | 1885 | Chanson à boire du vieux temps | for voice and piano | words by Nicolas Boileau-Despréaux | ||
Vocal | — | 1885 | Ronde | for voice and piano | words by François Coppée | ||
Vocal | — | 1885 | Une flûte invisible | for voice and flute | words by Victor Hugo | ||
Vocal | 82 | 1887 | La fiancée du timbalier | for mezzo-soprano and orchestra | words by Victor Hugo | ||
Vocal | — | 1888 | Suzette et Suzon | for voice and piano | words by Victor Hugo | ||
Vocal | — | 1890 | Guitares et mandolines | for voice and piano | words by the composer | ||
Vocal | — | 1890 | Présage de la croix | for voice and piano | words by Stéphan Bordèse | ||
Vocal | — | 1891 | Aimons-nous | for voice and orchestra | words by Théodore de Banville | ||
Vocal | — | 1891 | Amour viril | for voice and piano | words by Georges Boyer | ||
Vocal | — | 1892 | Là-bas | for voice and piano | words by Jean-Louis Croze | ||
Vocal | — | 1892 | Les fées | for voice and orchestra | words by Théodore de Banville | ||
Vocal | — | 1892 | Les fleurs | for voice and piano | words by V. de Collerville | ||
Vocal | — | 1892 | Le rossignol | for voice and piano | words by Théodore de Banville | ||
Vocal | — | 1892 | Madeleine | for voice and piano | words by Alfred Tranchant | ||
Vocal | — | 1892 | Romance | for voice and harp | words by Émile Bergerat | ||
Vocal | — | 1893 | Fière beauté | for voice and orchestra | words by Augustin Mahot | ||
Vocal | — | 1893 | La sérénité | for mezzo-soprano or baritone and piano | words by Marie-Anne Barbier | ||
Vocal | — | 1893 | Peut-être? | for voice and piano | words by Jean-Louis Croze | ||
Vocal | — | 1893 | Primavera | for mezzo-soprano or baritone and piano | words by Paul Stuart | ||
Vocal | — | 1893 | Vive Paris, vive la France | for voice and piano | words by Alfred Tranchant | ||
Vocal | — | 1894 | La libellule | for voice and orchestra | words by the composer | ||
Vocal | 98 | 1894 | Pallas Athéné | for soprano and orchestra | words by Jean-Louis Croze | ||
Vocal | — | 1894 | Pourquoi rester seulette? | for voice and piano | words by Jean-Louis Croze | ||
Vocal | — | 1896 | Vénus | for 2 voices and piano | words by the composer | ||
Vocal | — | 1897 | Madrigal | for voice and piano | words by Molière | ||
Vocal | — | 1898 | Alla riva del Tebro | for voice and piano | arrangement of a madrigal by Giovanni Pierluigi da Palestrina | ||
Vocal | — | 1898 | Les vendanges | for voice and orchestra | words by S. Sicard | ||
Vocal | — | 1898 | Lever de soleil sur le Nil | for voice and orchestra | words by the composer | ||
Vocal | — | 1898 | Si je l'osais | for voice and piano | words by Alfred Tranchant | ||
Vocal | — | 1898 | Sonnet | for voice and piano | words by the composer | ||
Vocal | — | 1900 | Les cloches de la mer | for voice and piano | words by the composer | ||
Vocal | 116 | 329 | 1900 | Lola | Lola | for soprano and orchestra | words by Stéphan Bordèse |
Vocal | — | 1901 | Désir d'amour | for baritone and piano | words from the Spanish, Deseo de amor, by Francisco Perpiñá | ||
Vocal | — | 1901 | Elle | for voice and piano | words by Charles Lecocq | ||
Vocal | 118 | 1902 | Romance du soir | for soprano, alto, tenor and bass | words by Jean-Louis Croze | ||
Vocal | — | 1903 | L'arbre | for voice and piano | words by Jean Moréas | ||
Vocal | — | 1903 | Sœur Anne | for voice and piano | words by André Pressat | ||
Vocal | — | 1906 | Le fleuve | for voice and piano | words by Georges Audigier | ||
Vocal | — | 1907 | L'étoile | for voice and piano | words by Prince Haïdar-Pacha | ||
Vocal | — | 1907–1921 1907 1921 1921 1920 1921 | Cinq poèmes de Ronsard
| 5 Poems of Ronsard | for voice and piano | words by Pierre de Ronsard | |
Vocal | — | 1907 | Soir romantique | for voice and piano | words by Comtesse de Noailles | ||
Vocal | — | 1907 | Violons dans le soir | for voice, violin and piano | words by Comtesse de Noailles | ||
Vocal | — | 1908 | Fomicacicadéide | for voice and piano | |||
Vocal | — | 1910? | La cigale et la fourmi | for voice and piano | words by Jean de La Fontaine | ||
Vocal | — | 1912 | Le vent dans la plaine | for voice and piano | words by Paul Verlaine | ||
Vocal | 146 | 1914 | La cendre rouge, Dix poèmes lyriques
| for voice and piano | words by Georges Docquois (1863–1927) | ||
Vocal | — | 1914 | Les sapins | for voice and piano | words by Paul Martin | ||
Vocal | — | 1914 | Vive la France | for voice and piano | words by Paul Fournier | ||
Vocal | — | 1915 | La Française | for voice and piano | words by Miguel Zamacoïs | ||
Vocal | — | c. 1915 | Ne l'oubliez pas | for voice and piano | words by Mme. Félix Regnault | ||
Vocal | — | 1915 | S'il est un charmant gazon | for voice and piano | words by Victor Hugo | ||
Vocal | — | 1917 | Honneur à l'Amérique | for voice and piano | words by Paul Fournier | ||
Vocal | — | 1918 | Angélus | for voice and piano or orchestra | words by Pierre Aguétant | ||
Vocal | — | 1918 | Où nous avons aimé | for voice and piano or orchestra | words by Pierre Aguétant | ||
Vocal | — | 1918 | Papillons | for voice and piano or orchestra | words by Renée de Léché | ||
Vocal | — | 1918 | Victoire! | for voice and piano | words by Paul Fournier | ||
Vocal | 159 | 1919 | Hymne à la paix | for high voice and piano | words by J. L. Faure | ||
Vocal | — | 1921 | Vieilles chansons
| for voice and piano | 1. words by Charles d'Orléans 2. words by Rémy Belleau 3. words by Jean Vauquelin de la Fresnaye | ||
Vocal | — | — | Antwort | for voice and piano | words by Ludwig Uhland | ||
Vocal | — | — | Chanson de Fortunio | for voice and piano | words by Alfred de Musset | ||
Vocal | — | — | L'echo de la harpe | for voice and piano | |||
Vocal | — | — | God Save the King | God Save the King | for voice and piano | words in French translation | |
Vocal | — | — | Primavera | for voice and piano | words by Charles d'Orléans | ||
Vocal | — | — | Sérénade | for voice and orchestra | words by L. Mangeot | ||
Vocal | — | — | Toi | for voice and piano | words by Édouard St. Chaffray |
References
- ^ Bierley, Paul E. (2001). John Philip Sousa: American Phenomenon. Miami, FL: Warner Bros. Publications. p. 76.
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List of compositions
- Le timbre d'argent (1865)
- La princesse jaune (1872)
- Samson and Delilah (1877)
- Étienne Marcel (1879)
- Henry VIII (1883)
- Proserpine (1887)
- Ascanio (1890)
- Phryné (1893)
- Frédégonde (1895)
- Les barbares (1901)
- Hélène (1904)
- L'ancêtre (1905)
- Déjanire (1911)
- Symphony No. 1 (1853)
- Symphony in F major (Urbs Roma) (1856)
- Symphony No. 2 (1859)
- Symphony No. 3 (Organ Symphony) (1886)
Piano |
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Other |
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- Le Rouet d'Omphale (1872)
- Danse macabre (1874)
- Suite algérienne (1880)
- Piano Quartet in E major (1853)
- Piano Quintet (1855/1857)
- Suite for Cello and Piano (1862)
- Piano Trio No. 1 (1864)
- Serenade in E♭ major (1865)
- Romance, Op. 37 (1871)
- Cello Sonata No. 1 (1871)
- Piano Quartet in B♭ major (1875)
- Septet (1881)
- Violin Sonata No. 1 (1885)
- The Carnival of the Animals (1886)
- Caprice sur des airs danois et russes (1887)
- Piano Trio No. 2 (1891)
- Violin Sonata No. 2 (1896)
- Barcarolle (1897)
- Cello Sonata No. 2 (1905)
- Cavatine (1915)
- Oboe Sonata (1921)
- Clarinet Sonata (1921)
- Bassoon Sonata (1921)
- Oratorio de Noël (1858)
- Le Déluge (1875)
- Requiem (1878)
- The Promised Land (1913)
- Javotte (1896)
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