List of compositions by Max Reger
![]() | |
The composer at work, painting by Franz Nölken, 1913 | |
1887 (1887)–1916 | |
Lied
|
Max Reger was a German composer of the late-Romantic period. His works are initially listed by Opus number (Op.), followed by works without Op. number (WoO). Other features shown are translation of titles, key, scoring, year of composition, genre, information about texts and their authors, a link to the Max-Reger-Institute, which provides detailed information about times of composition, performance and publishing, and a link to the free score when available.
History
Reger was a German composer, born in Brand in 1873. He studied music theory in Sondershausen, then piano and theory, in Wiesbaden.[1] The first compositions to which he assigned opus numbers were chamber music and Lieder. A pianist himself, he composed works for both piano and organ.[1]
Reger returned to his parental home in 1898, where he composed his first work for choir and orchestra, Hymne an den Gesang (Hymn to singing), Op. 21. He moved to Munich in 1901. In 1907 he was appointed musical director at the Leipzig University and professor at the Royal Conservatory in Leipzig.[1][2]
In 1911 Reger was appointed Hofkapellmeister (music director) at the court of Duke Georg II of Saxe-Meiningen, retaining his master class at the Leipzig conservatory.[1] In 1913 he composed four tone poems on paintings by Arnold Böcklin (Vier Tondichtungen nach A. Böcklin), including Die Toteninsel (Isle of the Dead), as his Op. 128. He gave up the court position in 1914 for health reasons. In response to World War I, he thought in 1914 already to compose a choral work to commemorate the fallen of the war. He began to set the Latin Requiem but abandoned the work as a fragment.[1] In 1915 he moved to Jena, still teaching in Leipzig. He composed in Jena the Hebbel Requiem for soloist, choir and orchestra.[1] Reger died in Leipzig on 11 May 1916.[1][2]
Reger assigned opus numbers to major works himself. In his compositions for solo voices and for choirs, he set poems by notable lyricists, including contemporaries, such as Gabriele D'Annunzio, Otto Julius Bierbaum, Joseph von Eichendorff, Friedrich Hebbel, Detlev von Liliencron and Friedrich Rückert.[1]
Table of compositions
Reger's works with an opus number are listed first, then works designated as WoO (work without opus number). Details to compositions follow, such as song titles and names of poets for a collection of songs. The scoring is given if it cannot be recognized from the title or the genre: for example songs (Lieder, Gesänge) are normally for voice and piano, in a sonata the named solo instrument is usually accompanied by piano, and choral works are for four-part choir a cappella, unless otherwise noted.
When the opus number provides a link, it leads to more details about a work, such as the titles, markings and keys of its parts. The last column provides two link for reference, when available: one to the detailed information on the piece by the Max-Reger-Institute (in German), which appears as "MR" and the number on the website, the other to a free score (sc).
Title | Translation | Key | Scoring | Op. | Year | Genre | Text | Reference / score |
---|---|---|---|---|---|---|---|---|
Violin Sonata (No. 1) | D minor | 1 | 1890 (1890) | Chamber | MR 001 sc | |||
Piano Trio (No. 1) | B minor |
| 2 | 1891 (1891) | Chamber | MR 002 sc | ||
Violin Sonata (No. 2) | D major | 3 | 1891 (1891) | Chamber | MR 003 sc | |||
Six songs | 4 | 1891 (1891) | Lied | MR 004 sc | ||||
Cello Sonata (No. 1) | F minor | 5 | 1892 (1892) | Chamber | MR 005 sc | |||
Three choral compositions |
| 6 | 1892 (1892) | Choral | MR 006 | |||
Drei Orgelstücke | Three organ pieces | 7 | 1892 (1892) | Organ | MR 007 sc | |||
Fünf Lieder | Five songs | 8 | 1892 (1892) | Lied | MR 008 sc | |||
Walzercapricen | Twelve Waltz-Caprices | 4-hand piano | 9 | 1892 (1892) | Piano | MR 009 sc | ||
Deutsche Tänze | 20 German Dances | 4-hand piano | 10 | 1892 (1892) | Piano | MR 010 sc | ||
Sieben Walzer | Seven waltzes | 11 | 1893 (1893) | Piano | MR 011 sc | |||
Fünf Lieder | Five songs (in the style of Franz Schubert) | 12 | 1893 (1893) | Lied | MR 012 sc | |||
Lose Blätter Kleine Stücke | 13 | 1894 (1894) | Piano | MR 013 sc | ||||
Fünf Duette | Five duets |
| 14 | 1894 (1894) | Lied | MR 014 sc | ||
"Ich stehe hoch über'm See" |
| 14b | 1894 (1894) | Lied | by Fr. v. Lieven | MR 015 | ||
Zehn Lieder | Ten songs |
| 15 | 1894 (1894) | Lied | MR 016 sc | ||
Suite (No. 1) | E minor | 16 | 1894 (1894)–95 | Organ | MR 017 sc | |||
Aus der Jugendzeit Zwanzig kleine Stücke | 17 | 1895 (1895) | Piano | MR 018 sc | ||||
Improvisationen | Eight Improvisations | 18 | 1896 (1896) | Piano | MR 019 sc | |||
Zwei geistliche Gesänge | Two sacred songs |
| 19 | 1898 (1898) | Lied | MR 020 sc | ||
Fünf Humoresken | Five Humoresques | 20 | 1898 (1898) | Piano | MR 021 sc | |||
Hymne an den Gesang |
| 21 | 1898 (1898) | Choral | by Steiner | MR 022 sc | ||
Sechs Walzer | Six waltzes | 4-hand piano | 22 | 1898 (1898) | Piano | MR 023 sc | ||
Vier Lieder | Four songs | 23 | 1898 (1898) | Lied | MR 024 sc | |||
Six Morceaux | Six pieces | 24 | 1898 (1898) | Piano | MR 025 sc | |||
Aquarellen Kleine Tonbilder | Aquarellen | 25 | 1897 (1897)–98 | Piano | MR 026 sc | |||
Sieben Fantasiestücke | Seven fantasy pieces | 26 | 1898 (1898) | Piano | MR 027 sc | |||
Chorale fantasia | 27 | 1898 (1898) | Organ[a] | MR 028 sc | ||||
Cello Sonata (No. 2) | G minor | 28 | 1898 (1898) | Chamber | MR 029 sc | |||
Phantasie und Fuge | Fantasia and fugue | C minor | 29 | 1898 (1898) | Organ | MR 030 sc | ||
Phantasie über den Choral "Freu dich sehr, o meine Seele" | Chorale fantasia | 30 | 1898 (1898) | Organ | MR 031 sc | |||
Sechs Gedichte von Anna Ritter | Six poems |
| 31 | 1898 (1898) | Lied | by Anna Ritter | MR 032 sc | |
Sieben Charakterstücke | Seven character pieces | 32 | 1899 (1899) | Piano | MR 033 sc | |||
Organ Sonata (No. 1) | F-sharp minor | 33 | 1899 (1899) | Organ | MR 034 sc | |||
Cinq Pièces pittoresques | Five pittoresque pieces | 4-hand piano | 34 | 1899 (1899) | Piano | MR 035 sc | ||
Six songs |
| 35 | 1899 (1899) | Lied | MR 036 sc | |||
Bunte Blätter Kleine Stücke | 36 | 1899 (1899) | Piano | MR 037 sc | ||||
Fünf Gesänge | Five songs | 37 | 1899 (1899) | Lied | MR 038 sc | |||
Sieben Männerchöre | Seven songs for men's chorus | 38 | 1899 (1899) | Choral | MR 039 sc | |||
Drei Chöre | Three songs | SAATBB | 39 | 1899 (1899) | Choral | MR 040 sc | ||
Two chorale fantasias | 40 | 1899 (1899) | Organ | MR 041 sc | ||||
Violin Sonata (No. 3) | A major | 41 | 1899 (1899) | Chamber | MR 042 sc | |||
Vier Sonaten | Four sonatas | violin solo | 42 | 1900 (1900) | Chamber | MR 043 sc | ||
Acht Lieder | Eight songs |
| 43 | 1900 (1900) | Lied | MR 044 sc | ||
Zehn kleine Vortragsstücke zum Gebrauch beim Unterricht | Ten little pieces | 44 | 1900 (1900) | Piano | MR 045 sc | |||
Sechs Intermezzi | Six intermezzos | 45 | 1900 (1900) | Piano | MR 046 sc | |||
Phantasie und Fuge über B-A-C-H | Fantasia and fugue on B-A-C-H | 46 | 1900 (1900) | Organ | MR 047 sc | |||
Sechs Trios | Six trios | 47 | 1900 (1900) | Organ | MR 048 sc | |||
Sieben Lieder | Seven songs |
| 48 | 1900 (1900) | Lied | MR 049 sc | ||
Zwei Klarinettensonaten | Two clarinet sonatas |
| 49 | 1900 (1900) | Chamber | MR 050 sc | ||
Zwei Romanzen | Two romances |
| 50 | 1900 (1900) | Concerto | MR 051 sc | ||
Zwölf Lieder | Twelve songs | 51 | 1900 (1900) | Lied | MR 052 sc | |||
Drei Choralphantasien | Three chorale fantasias | 52 | 1899 (1899) | Organ | MR 053 sc | |||
Silhouetten Sieben Stücke | Seven Silhouettes | 53 | 1900 (1900) | Piano | MR 054 sc | |||
String Quartet (No. 1) | G minor | 54/1 | 1901 (1901) | Chamber | sc | |||
String Quartet (No. 2) | A major | 54/2 | 1901 (1901) | Chamber | sc | |||
15 Lieder | 15 songs | 55 | 1901 (1901) | Lied | MR 055 sc | |||
Fünf leicht ausführbare Präludien und Fugen | Five preludes and fugues | 56 | 1901 (1901) | Organ | MR 056 sc | |||
Symphonische Phantasie und Fuge | Symphonic Fantasy and Fugue | 57 | 1901 (1901) | Organ | MR 057 sc | |||
Sechs Burlesken | Six Burlesques | 4-hand piano | 58 | 1900 (1900) | Piano | MR 058 sc | ||
Zwölf Stücke | Twelve pieces | 59 | 1901 (1901) | Organ | MR 059 sc | |||
Organ Sonata (No. 2) | D minor | 60 | 1901 (1901) | Organ | MR 060 sc | |||
Leicht ausführbare Kompositionen zum gottesdienstlichen Gebrauch | Easy pieces for use in church service | 61 | 1901 (1901) | Choral | MR 061 | |||
Acht "Tantum ergo" | Eight settings of "Tantum ergo" | 61a | 1901 (1901) | Choral | Tantum ergo | sc | ||
Vier "Tantum ergo" | Four settings of "Tantum ergo" |
| 61b | 1901 (1901) | Choral | Tantum ergo | sc | |
Vier "Tantum ergo" | Four settings of "Tantum ergo" |
| 61c | 1901 (1901) | Choral | Tantum ergo | sc | |
Acht Marienlieder | Eight songs to Mary | 61d | 1901 (1901) | Choral | sc | |||
Vier Marienlieder | Four songs to Mary |
| 61e | 1901 (1901) | Choral | sc | ||
Vier Marienlieder | Four songs to Mary |
| 61f | 1901 (1901) | Choral | sc | ||
Vier Trauergesänge | Four funeral songs | 61g | 1901 (1901) | Choral | sc | |||
16 Gesänge | 16 songs | 62 | 1901 (1901) | Lied | MR 062 sc | |||
Monologe Zwölf Stücke | Monologues | 63 | 1902 (1902) | Organ | MR 063 sc | |||
Piano Quintet (No. 2) | C minor | 64 | 1901 (1901)–02 | Chamber | MR 064 sc | |||
Twelve pieces | 65 | 1902 (1902) | Organ | MR 065 sc | ||||
Zwölf Lieder | Twelve songs | 66 | 1902 (1902) | Lied | MR 066 sc | |||
Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen | 52 chorale preludes | 67 | 1902 (1902) | Organ | MR 067 sc | |||
Sechs Gesänge | Six songs | 68 | 1902 (1902) | Lied | MR 068 sc | |||
Zehn Stücke für die Orgel | Ten organ pieces | 69 | 1902 (1902) | Organ | MR 069 sc | |||
17 Gesänge | 17 songs | 70 | 1902 (1902) | Lied | MR 070 sc | |||
| 71 | 1903 (1903) | Choral | by Busse | MR 071 sc | |||
Violin Sonata (No. 4) | C major | 72 | 1903 (1903) | Chamber | MR 072 sc | |||
Variations and Fugue on an Original Theme | 73 | 1903 (1903) | Organ | MR 073 sc | ||||
String Quartet (No. 3) | D minor | 74 | 1903 (1903)–04 | Chamber | MR 074 sc | |||
18 Lieder | 18 songs | 75 | 1904 (1904) | Lied | MR 075 sc | |||
Schlichte Weisen | Simple songs | 76 | 1903 (1903)–12 | Lied | MR 076 sc | |||
Serenade (No. 1) | D major |
| 77a | 1904 (1904) | Chamber | MR 082 sc | ||
String Trio (No. 1) | A minor | 77b | 1904 (1904) | Chamber | MR 083 sc | |||
Cello Sonata (No. 3) | F major | 78 | 1904 (1904) | Chamber | MR 084 sc | |||
Haus- und Kirchenmusik | 79 | 1900 (1900)-04 | Piano | MR 085 | ||||
Kompositionen | 79a | 1900 (1900)-04 | Piano | MR 086 sc | ||||
Kompositionen [Choralvorspiele] | Chorale preludes | 79b | 1900 (1900)–04 | Organ | MR 087 sc | |||
Kompositionen | Eight songs | 79c | 1900 (1900)–04 | Lied | MR 088 sc | |||
Kompositionen |
| 79d | 1902 (1902)–04 | Chamber | MR 089 sc | |||
Kompositionen |
| 79e | 1902 (1902)–04 | Chamber | MR 090 sc | |||
Kompositionen | 14 chorales | 79f | 1900 (1900)–04 | Choral | MR 091 | |||
Kompositionen (Drei Choräle) | Three chorales | high voices | 79g | 1900 (1900)–04 | Choral | MR 092 | ||
Twelve pieces | 80 | 1904 (1904) | Organ | MR 093 sc | ||||
Variationen und Fuge über ein Thema von Joh. Seb. Bach | from Auf Christi Himmelfahrt allein, BWV 128/4 | 81 | 1904 (1904) | Piano | MR 094 sc | |||
Aus meinem Tagebuche (Four volumes) | From my diary | 82 | 1904 (1904)–12 | Piano | MR 095 MR 096 MR 097 MR 098 sc | |||
Zehn Gesänge | Ten songs | men's chorus | 83 | 1904 (1904)–12 | Choral | MR 099 sc | ||
Violin Sonata (No. 5) | F-sharp minor | 84 | 1905 (1905) | Chamber | MR 100 sc | |||
Vier Präludien und Fugen | Four preludes and fugues | 85 | 1905 (1905) | Organ | MR 101 sc | |||
Variationen und Fuge über ein Thema von Beethoven | two pianos | 86 | 1904 (1904) | Piano | MR 102 sc | |||
Variationen und Fuge über ein Thema von Beethoven | two pianos | 86 | 1915 (1915) | Orchestral | MR 103 | |||
Zwei Kompositionen |
| 87 | 1905 (1905) | Chamber | MR 104sc | |||
Vier Gesänge | Four songs | 88 | 1905 (1905) | Lied | MR 105 sc | |||
Vier Sonatinen | Four sonatinas | two pianos[b] | 89 | 1905 (1905)–08 | Piano | MR 106 sc | ||
Sinfonietta | A major | two pianos[c] | 90 | 1904 (1904)–05 | Orchestral | MR 107 sc | ||
Seven Violin Sonatas |
| 91 | 1905 (1905) | Chamber | MR 108 sc | |||
Suite (No. 2) | G minor | 92 | 1905 (1905) | Organ | MR 109 sc | |||
Suite im alten Stil | Suite in old style | F major |
| 93 | 1906 (1906) | Chamber | MR 110 sc | |
Sechs Stücke | Six pieces | 4-hand piano | 94 | 1906 (1906) | Piano | MR 111 sc | ||
Serenade | G major | 95 | 1905 (1905)–06 | Orchestral | MR 112 sc | |||
Introduction, Passacaglia and Fugue | B minor | two pianos | 96 | 1906 (1906) | Piano | MR 113 sc | ||
Vier Lieder | Four songs | 97 | 1906 (1906) | Lied | MR 114 sc | |||
Fünf Gesänge | Five songs | 98 | 1906 (1906) | Lied | MR 115 sc | |||
Six Preludes and Fugues | piano | 99 | 1907 (1907) | Piano | MR 116 sc | |||
E major | 100 | 1907 (1907) | Orchestral | MR 117 sc | ||||
Violin Concerto | A major | 101 | 1907 (1907)–08 | Concerto | MR 118 sc | |||
Piano Trio (No. 2) | E minor |
| 102 | 1907 (1907)–08 | Chamber | MR 119 sc | ||
Hausmusik |
| 103 | 1908 (1908)–09 | Chamber | MR 120 sc | |||
Suite | A minor |
| 103a | 1908 (1908) | Chamber | MR 121 sc | ||
Violin Sonata (No. 6) | D minor | 103b/1 | 1909 (1909) | Chamber | MR 122 scsc | |||
Violin Sonata (No. 7) | A major | 103b/2 | 1909 (1909) | Chamber | MR 122 [1] | |||
Zwölf kleine Stücke nach eigenen Liedern | Twelve little pieces on his own songs from Op. 76 |
| 103c | 1909 (1909) | Chamber | MR 123 sc | ||
Sechs Lieder | Six songs | 104 | 1907 (1907) | Lied | MR 124 sc | |||
Zwei Geistliche Lieder | Two sacred songs |
| 105 | 1907 (1907) | Lied | MR 125 sc | ||
Psalm 100 | D major |
| 106 | 1908 (1908)–09 | Choral | Psalm 100 | MR 126 sc | |
Clarinet sonata (No. 3) | B-flat major |
| 107 | 1908 (1908)–09 | Chamber | MR 127 sc | ||
Symphonischer Prolog zu einer Tragödie | Symphonic prologue to a tragedy | 108 | 1908 (1908) | Orchestral | MR 128 sc | |||
String Quartet (No. 4) | E-flat major | 109 | 1909 (1909) | Chamber | MR 129 sc | |||
Motets for a cappella choir | 110 | 1909 (1909)–12M | Choral | sc | ||||
Mein Odem ist schwach | SSATTBB | 110/1 | 1909 (1909) | Choral | Book of Job | MR 130 | ||
Ach, Herr, strafe mich nicht | SSATTBB | 110/2 | 1911 (1911) | Choral | Psalm | MR 131 | ||
O Tod, wie bitter bist du | SSATB | 110/3 | 1912 (1912) | Choral | Ecclesiasticus | MR 132 | ||
Mehrstimmige Gesänge für Frauenstimmen |
| 111a | 1909 (1909) | Lied | MR 133 | |||
Drei Duette | Three duets |
| 111a | 1909 (1909) | Lied | MR 134 sc | ||
Drei Gesänge | Three songs | 4-part female choir | 111b | 1909 (1909) | Choral | MR 135 sc | ||
Drei Gesänge | Three songs | 3-part female choir | 111c | 1909 (1909) | Choral | MR 136 sc | ||
The Nuns |
| 112 | 1909 (1909) | Choral | by Boelitz | MR 137 sc | ||
Piano Quartet (No. 1) | D minor | 113 | 1910 (1910) | Chamber | MR 138 sc | |||
Piano Concerto | F minor | 114 | 1910 (1910) | Concerto | MR 139 sc | |||
Acht Episoden Klavierstücke für grosse und kleine Leute | Eight Episodes | 115 | 1910 (1910) | Piano | MR 140 sc | |||
Cello Sonata (No. 4) | A minor | 116 | 1910 (1910) | Chamber | MR 141 sc | |||
Präludien und Fugen für Violine solo | Eight preludes and fugues | violin | 117 | 1909 (1909)–12 | Chamber | MR 142 sc | ||
String Sextet | F major | 118 | 1910 (1910) | Chamber | MR 143 sc | |||
| 119 | 1911 (1911) | Choral | by Hebbel | MR 144 sc | |||
Eine Lustspielouvertüre | Comedy Overture | 120 | 1911 (1911) | Orchestral | MR 145 sc | |||
String Quartet (No. 5) | F-sharp minor | 121 | 1911 (1911) | Chamber | MR 146 sc | |||
Violin Sonata (No. 8) | E minor | 122 | 1911 (1911) | Chamber | MR 147 sc | |||
Konzert im alten Stil | Concerto in old style | F major | 123 | 1912 (1912) | Orchestral | MR 148 sc | ||
| 124 | 1912 (1912) | Lied | by Hölderlin | MR 149 sc | |||
A romantic suite | 125 | 1912 (1912) | Orchestral | MR 150 sc | ||||
Römischer Triumphgesang |
| 126 | 1912 (1912) | Choral | MR 151 sc | |||
E minor | 127 | 1913 (1913) | Organ | MR 152 sc | ||||
Vier Tondichtungen nach A. Böcklin | Four Tone Poems after Arnold Böcklin | 128 | 1913 (1913) | Orchestral | MR 153 sc | |||
Neun Stücke | Nine pieces | 129 | 1913 (1913) | Organ | MR 154 sc | |||
Eine Ballett-Suite | A Ballet Suite | D major | 130 | 1913 (1913) | Orchestral | MR 155 sc | ||
Präludien und Fugen | Six preludes and fugues | violin | 131a | 1914 (1914) | Chamber | MR 156 sc | ||
Three duos (canons and fugues) in old style | two violins | 131b | 1914 (1914) | Chamber | MR 157 sc | |||
Drei Suiten | Three suites | cello | 131c | 1915 (1915) | Chamber | MR 158 sc | ||
Drei Suiten | Three suites | viola | 131d | 1915 (1915) | Chamber | MR 159 [2] | ||
[f] | 132 | 1914 (1914) | Orchestral | MR 160 sc | ||||
two pianos | 132a | 1914 (1914) | piano | MR 161 | ||||
Piano Quartet (No. 2) | A minor | 133 | 1914 (1914) | Chamber | MR 162 sc | |||
Variations and Fugue on a Theme by Telemann | 134 | 1914 (1914) | Piano | MR 163 sc | ||||
Dreißig kleine Choralvorspiele zu den gebräuchlichsten Chorälen | Thirty little chorale preludes | 135a | 1914 (1914) | Organ | MR 164 sc | |||
Phantasie und Fuge | Fantasy and Fugue | D minor | 135b | 1916 (1916) | Organ | MR 165 sc | ||
Hymnus der Liebe |
| 136 | 1914 (1914) | Lied | MR 166 sc | |||
Zwölf geistliche Lieder | Twelve sacred songs |
| 137 | 1914 (1914) | Lied | MR 167sc | ||
Eight sacred songs | 4–8-part choir | 138 | 1914 (1914) | Choral | MR 168 sc | |||
Violin Sonata (No. 9) | C minor | 139 | 1915 (1915) | Chamber | MR 169 sc | |||
Eine vaterländische Ouvertüre | 140 | 1915 (1915) | Orchestral | MR 170 sc | ||||
Serenade (No. 2) | G major |
| 141a | 1915 (1915) | Chamber | MR 171 sc | ||
String Trio (No. 2) | D minor | 141b | 1915 (1915) | Chamber | MR 172 sc | |||
Fünf neue Kinderlieder | Five new children's songs | 142 | 1915 (1915) | Lied | MR 173 sc | |||
Träume am Kamin Zwölf kleine Stücke | Twelve little piano pieces | 143 | 1915 (1915) | Piano | MR 174 sc | |||
Zwei Gesänge | Two songs |
| 144 | 1915 (1915) | Choral | MR 175 sc | ||
The hermit |
| 144a | 1915 (1915) | Choral | by Eichendorff | MR 176 sc | ||
Requiem |
| 144b | 1915 (1915) | Choral | by Hebbel | MR 177 sc | ||
für Orgel | Seven organ pieces | 145 | 1915 (1915)–16 | Organ | MR 178 sc | |||
Lateinisches Requiem | fragment: Kyrie, Dies irae | D minor |
| 145a[h] | 1914 (1914) | Choral | Requiem | MR 216 sc |
Clarinet Quintet | A major | 146 | 1915 (1915)–16 | Chamber | MR 179 sc | |||
Andante and Rondo |
| 147 | 1916 (1916) | Concerto | sc | |||
Scherzino | C major |
| WoO I/6 | 1899 (1899) | Chamber | MR 183 | ||
Wind Serenade (first movement) | B-flat major | WoO I/9 | 1904 (1904) | Chamber | ||||
Scherzo | G minor |
| WoO II/1 | 1888 (1888) or 1889 | Chamber | |||
String Quartet (No. 0) | D minor |
| WoO II/2 | 1888 (1888)–89 | Chamber | MR 184 | ||
Scherzo | G minor | 2 string quartets | WoO II/6 | 1890 (1890)/1892 | Chamber | |||
Piano Quintet (No. 1) | C minor | WoO II/9 | 1897 (1897)/98 | Chamber | MR 185 | |||
Romanze | G major |
| WoO II/10 | 1901 (1901) | Chamber | MR 187 | ||
Petite caprice | G minor |
| WoO II/11 | 1901 (1901) | Chamber | MR 188 | ||
Tarantella | G minor |
| WoO II/12 | 1901 (1901)/1902 | Chamber | MR 188 | ||
Albumblatt | E-flat major |
| WoO II/13 | 1902 (1902) | Chamber | MR 195 | ||
Allegretto grazioso | A major |
| WoO II/14 | 1902 (1902) | Chamber | MR 194 | ||
Caprice | A minor |
| WoO II/15 | 1902 (1902) | Chamber | MR 193 | ||
Prelude and Fugue | A minor | violin | WoO II/16 | 1902 (1902) | Chamber | MR 190 | ||
Allegro | A major | two violins | WoO II/18 | 1907? | Chamber | MR 189 | ||
Prelude | E minor | violin | WoO II/19 | 1915 (1915) | Chamber | MR 192 | ||
Canons in all major and minor tonalities | WoO III/4 | 1895 (1895) | Piano | MR 196 | ||||
Grüße an die Jugend | WoO III/6 | 1898 (1898) | Piano | MR 198 | ||||
Liebestraum | WoO III/7 | 1898 (1898) | Piano | MR 182 | ||||
Miniature Gavotte | WoO III/9 | 1898 (1898) | Piano | MR 199 | ||||
Improvisation über den Walzer von Johann Strauß "An der schönen blauen Donau" | WoO III/11 | 1898 (1898) | Piano | MR 200 | ||||
Blätter und Blüten | WoO III/12 | 1900 (1900)–02 | Piano | MR 202 | ||||
Vier Spezialstudien für die linke Hand | WoO III/13 | 1901 (1901) | Piano | MR 204 | ||||
In der Nacht | WoO III/18 | 1902 (1902) | Piano | MR 205 | ||||
Perpetuum mobile | C-sharp minor | WoO III/19 | 1905 (1905) | Piano | MR 206 | |||
Scherzo | F-sharp minor | WoO III/20 | 1906 (1906) | Piano | MR 207 | |||
Caprice | F-sharp minor | WoO III/21 | 1906 (1906) | Piano | MR 208 | |||
Ewig Dein! | WoO III/23 | 1907 (1907) | Piano | MR 181 | ||||
Fughetta on the "Deutschlandlied" | WoO III/24 | 1916 (1916) | Piano | MR 209 | ||||
Choralkantate "Vom Himmel hoch, da komm ich her" |
| WoO V/4 No. 1 | 1903 (1903) | Choral | by Martin Luther | MR 210 | ||
Choralkantate "O wie selig seid ihr doch, ihr Frommen" |
| WoO V/4 No. 2 | 1903 (1903) | Choral | by Simon Dach | MR 211 | ||
Choralkantate "O Haupt voll Blut und Wunden" |
| WoO V/4 No. 3 | 1904 (1904) | Choral | by Paul Gerhardt | MR 212 | ||
Choralkantate "Meinem Jesum lass ich nicht" |
| WoO V/4 No. 4 | 1906 (1906) | Choral | by Christian Keimann | MR 213 | ||
Choralkantate "Auferstanden, auferstanden" |
| WoO V/4 No. 5 | Choral | by Lavater | MR 214 | |||
Weihegesang | A major |
| WoO V/6 | 1908 (1908) | Choral | by Otto Liebmann | MR 215 | |
Tantum ergo | 5-part choir | WoO VI/2 | 1895 (1895) | Choral | Tantum ergo | MR 217 | ||
"Gloriabuntur in te omnes" | WoO VI/3 | 1898 (1898)? | Choral | MR 218 | ||||
Fünf ausgewählte Volkslieder | TTBB | WoO VI/6 | 1898 (1898) | Choral | MR 237 | |||
Neun ausgewählte Volkslieder | men's choir | WoO VI/7 | 1899 (1899) | Choral | MR 238 | |||
Sechs ausgewählte Volkslieder | WoO VI/10 | 1899 (1899) | Choral | MR 234 | ||||
Acht ausgewählte Volkslieder | WoO VI/11 | 1899 (1899) | Choral | MR 235 | ||||
Maria, Himmelsfreud! | WoO VI/12 | 1900 (1900) | Choral | by Heuberger | MR 219 | |||
Zwölf deutsche geistliche Gesänge | WoO VI/13 | 1900 (1900) | Choral | MR 232 | ||||
Sieben geistliche Volkslieder | WoO VI/14 | 1900 (1900) | Choral | MR 231 | ||||
Sechs drei- und fünfstimmige Lieder für Passion und Ostern | WoO VI/16 | 1900 (1900)? | Choral | MR 226 | ||||
Der evangelische Kirchenchor | WoO VI/17 | 1901 (1901) | Choral | MR 233 | ||||
Palmsonntagsmorgen | 5-part choir | WoO VI/18 | 1902 (1902) | Choral | by Geibel | MR 220 | ||
Komm heiiger Geist | WoO VI/19 | 1902 (1902)? | Choral | MR 229 | ||||
Vier Kirchengesänge | WoO VI/20 | 1904 (1904) | Choral | MR 230 | ||||
Lasset uns den Herren preisen | 5-part choir | WoO VI/24 | 1911 (1911) | Choral | by Rist | MR 221 | ||
Abschiedslied | WoO VI/27 | 1914 (1914) | Choral | MR 222 | ||||
Am Meer | WoO VII/18 | 1894 (1894) | Lied | MR 245 | ||||
Wiegenlied | WoO VII/19 | 1899 (1899) | Lied | MR 247 | ||||
In verschwiegener Nacht | WoO VII/20 | 1899 (1899) | Lied | MR 246 | ||||
Bettgeflüster | WoO VII/23 | 1899 (1899)? | Lied | MR 250 | ||||
Brautring | WoO VII/25 | 1900 (1900)? | Lied | MR 248 | ||||
Geheimnis | WoO VII/26 | 1900 (1900)? | Lied | MR 249 | ||||
Zwei geistliche Lieder | WoO VII/30 | 1908 (1908) | Choral | MR 240 | ||||
Schlummerlied | Wedding song | WoO VII/33 | 1902 (1902)? | Lied | MR 252 | |||
Befiehl dem Herrn deine Wege | Wedding song |
| WoO VII/34 | 1902 (1902) | Lied | MR 241 | ||
Geistiches Lied "Wohl denen" | WoO VII/36 | 1903 (1903) | Lied | MR 242 | ||||
Ehre sei Gott in der Höhe | (Weihnachtslied) | WoO VII/37 | 1905 (1905) | Lied | MR 243 | |||
Es soll mein Gebet dich tragen | WoO VII/43 | 1909 (1909) | Lied | MR 244 | ||||
Sylvester-Kanons | WoO VIII/13 | 1913 (1913) | Choral | MR 180
|
Other works
- Castra vetera, incidental music (1889-1890)
- Heroide, symphonic movement for orchestra, D minor (1889)
- Symphonic movement for orchestra, D minor (1890)
- Grande Valse de Concert for piano, "Op. 378" (1891)
- Six chorale preludes for organ (1893–1908)
- "O Traurigkeit"
- "Komm, süßer Tod"
- "Christ ist erstanden"
- "O Haupt voll Blut und Wunden"
- "Es kommt ein Schiff, geladen"
- "Wie schön leucht't uns der Morgenstern"
- Violin parts for six sonatinas, Op. 36 by Clementi (before 1895)
- Etude Brillante for piano, C minor (1896)
- Three Album Leafs for piano (1898/1899)
- Miniature Gavotte (s.a.)
- Allegretto grazioso
- Andante
- Introduction and Passacaglia for organ, D minor (1899)
- Prelude for organ, C minor (1900)
- Three sacred songs for mezzo / baritone and organ (1900/1903)
- Variations and Fugue on "Heil unserm König" for organ, C major (1901)
- Fünf Spezialstudien (Bearbeitungen Chopin'scher Werke) (1898–1899) MR203
- Four pieces for piano (1901/1906)
- Romanze, D major (1906)
- Improvisation, E minor (1901)
- Nachtstück (1903)
- Perpetuum mobile, C major (1902)
- Prelude and Fugue for organ, D minor, (1902)
- Romanze for harmonium, A minor (1904)
- Two pieces for piano (1906)
- Caprice, F-sharp minor
- Prelude and fugue for organ, G-sharp minor (1906)
- Vater unser for 12-part choir (1909) (completed by Hasse)
- An Zeppelin for 4-part men's or children's choir (1909)
- Twenty Responsories for choir (1911)
- Prelude and fugue for organ, F-sharp minor (1912)
- Marsch der Stiftsdamen for piano (1914)
Details of sets of compositions with Opus number
- Drei Orgelstücke (Three organ pieces), Op. 7 (1892)
- Prelude and Fugue, C major
- Fantasy on 'Te Deum laudamus', A minor
- Fugue, D minor
- Fünf Lieder (Five songs), Op. 8 (1892)
- "Waldlied" (Uhland)
- "Tränen im Auge" (v. Wildenbruch)
- "Der Kornblumenstrauss" (v. Wildenbruch)
- "Scherz" (v. Chamisso)
- "Bauernregel" (Uhland)
- Twelve Waltz-Caprices for 4-hand Piano, Op. 9 (1892)
- Allegro, A major
- Presto, D major
- Andante (con passione), F-sharp minor
- Lento impetuoso, F-sharp major
- Allegro moderato (quasi andantino), D major
- Prestissimo, A major
- Moderato, C-sharp minor
- Allegro non tanto, A-flat major
- Andantino, E-flat major
- Vivace, B-flat minor
- Allegro scherzando, A-flat major
- Allegro impetuoso, D-flat major
- Zwanzig Deutsche Tänze (Twenty German Dances) for 4-hand piano, Op. 10 (1892) (also in orchestral arrangement for small orchestra by L. Artok)
- Allegretto, D major
- G minor
- Innocente, A major
- D minor
- Con anima ed scherzando, E major
- Allegro, C-sharp minor
- Cantabile, A-flat major
- Appassionato, F minor
- Allegretto, B-flat major
- Grazioso andantino, D major
- Impetuoso, E major
- Allegretto, A major
- Andantino ma non troppo, B minor
- Innocente, F major
- Scherzando, G minor
- Appassionato (non allegro), F minor
- Andantino, A-flat major
- Presto, C-sharp minor
- Giocoso, B major
- Con bravoura, E major
- Seven Waltzes for piano, Op. 11 (1893)
- Allegro ma non troppo, A major (also in arrangement for violin and piano by S. Dushkin)
- Semplice, C-sharp minor
- Moderato, D major
- Grazioso, A-flat major
- Commodo, E major
- Melancolique (Lento), F-sharp minor
- Allegro vivace, A major
- Five songs (in the style of Franz Schubert), Op. 12 (1893)
- "Friedhofgesang" (Kleinschmidt)
- "Das arme Vögelein" (v. Gilm)
- "Wenn ich's nur wüsst" (Ehlen)
- "Gruß" (Michaeli)
- "Um dich" (Kurz)
- Lose Blätter for piano, Op. 13 (1894)
- Petite Romance (Andante), F minor
- Valsette (Allegretto grazioso), A-flat major
- Scherzoso (Vivace), B-flat major
- Moment Musical (Andantino), A-flat major
- Petite Caprice (Allegretto), B flat minor
- Prélude et Fugue (Andantino (semplice) – Allegretto), F major
- Sarabande (Grave), D minor
- (Largo), B minor
- Danse des Paysans (Commodo), A major
- Chant sans Paroles, E major
- Appassionato (Vivace), C-sharp minor
- Choral (Andante), D major
- Marcia Funèbre, C minor (also in orchestral arrangement by Lothar Windsperger)
- À la Hongroise (Allegro), F minor
- Five duets for soprano, alto and piano, Op. 14 (1894)
- "Nachts" (Eichendorff)
- "Abendlied" (Goethe)
- "Sommernacht" (Saul)
- "Gäb's ein einzig Brünnelein" (from Tuscany)
- "O frage nicht" (Nawrocki)
- Ten songs for medium voice and piano, Op. 15 (1894)
- "Glück" (Rohrscheidt)
- "Das Blatt im Buche" (Grün)
- "Nelken" (Storm)
- "Traum" (Eichendorff)
- "Das Mädchen spricht" (Prutz)
- "Scheiden" (Saul)
- "Der Schelm" (R.)
- "Leichtsinniger Rat" (Saul)
- "Verlassen hab' ich mein Lieb" (Engel)
- "Trost" (Falke)
- Suite for organ No. 1, E minor, Op. 16 (1894–1895) (also in 4-hand piano arrangement by Reger)
- Introduction (Grave) and Fugue (Allegro ma non tanto)
- Adagio assai
- Intermezzo (Un poco Allegro, ma non troppo) and Trio (Andantino)
- Passacaglia (Andante)
- Aus der Jugendzeit for piano, Op. 17 (1895)
- Frohsinn (Allegretto), A major
- Hasche mich! (Grazioso), C major
- Ein Spielchen! (Andantino), F major
- Das tote Vöglein (Andante espressivo), E minor
- Über Stock und Stein (Presto), D minor
- Was die Grossmutter erzählt (Andante espressivo), G major
- Ein Tänzchen (Allegro), G minor
- Bange Frage (Andante), A minor
- Weihnachtstraum (Andantino), A major (Fantasy on Silent Night)
- Großes Fest (Allegro à la marcia), B flat major
- Abendgesang (Andante con espressione), D major
- Fast zu keck! (Allegro vivace), F major
- Frühlingslust (Vivace), C major
- Kleiner Trotzkopf (Vivace), E minor
- Reigen (Allegretto grazioso), G major
- Fast zu ernst! (Fughette – Andante con espressione), G minor
- A la Gigue (Presto assai), E minor
- Nordischer Tanz (Allegretto), D major
- Erster Streit (Agitato), D minor
- Versöhnung (Cantabile), A major
- Eight improvisations for piano, Op. 18 (1896)
- Allegretto con grazia, E major
- Andantino, B minor
- Caprice (Allegro vivace), G minor
- Andante sepmlice, D major
- Moderato, ma marcato, C minor
- Allegretto con grazia, C-sharp minor
- Vivace assai, F major
- Etude brillante (Allegro con brio), C minor
- Two sacred songs for medium voice and organ, Op. 19 (1898)
- "Passionslied"
- "Doch du ließest ihn im Grabe nicht!"
- Five Humoresques for piano, Op. 20 (1898)
- Allegretto grazioso, D major
- Presto – Andante (con grandezza), B minor
- Andantino grazioso, A major
- Prestissimo assai, C major
- Vivace assai, G minor
- Six Waltzes for 4-hand piano, Op. 22 (1898)
- Allegro, E major
- Più vivace, A major
- Allegretto, B major
- Moderato (quasi Andantino), C-sharp minor
- Vivace, B major
- Allegro vivace, E major
- Four songs, Op. 23 (1898)
- "Das kleinste Lied" (Hamerling)
- "Pythia" (Ritter)
- "Das sterbende Kind" (Geibel)
- "Vom Küssen!" (Ritter)
- Six pieces for piano, Op. 24 (1898)
- Valse-Impromptu (Grazioso) E major
- Menuett (Allegretto grazioso) B minor (reworked for orchestra and salon orchestra by Ernst Schmidt-Köthen)
- Rêverie fantastique (Quasi improvisato) F-sharp minor
- Un moment musical (Andantino) C major
- Chant de la nuit (Moderato) E major
- Rhapsodie (in the style of J. Brahms) (Agitato) E minor
- Aquarellen for piano, Op. 25 (1897–1898)
- Canzonetta (Allegretto con espressione) A minor
- Humoreske (Allegro molto e con leggierezza) G major
- Impromptu (Poco agitato) E minor
- Nordische Ballade (Pesante) C minor
- Mazurka (Allegretto grazioso) E-flat major
- Seven fantasy pieces for piano, Op. 26 (1898)
- Elegie (Andante sostenuto con espressione) E minor (also in orchestral arrangement)
- Scherzo (Allegro grazioso) E major
- Barcarole (Andantino) F major
- Humoreske (Vivace (ma non troppo)) C minor
- Resignation (Andante espressivo) A major (composed 3 April 1898, the anniversary of Brahms's death, using the main theme from the slow movement of his Symphony No. 4) (reworked for organ by Richard Lange)
- Impromptu (Presto agitato) B minor
- Capriccio (Vivace assai) C minor
- Fantasia and Fugue for organ, C minor, Op. 29 (1898) (reworked for Piano 4-hand by Richard Lange)
- Six Poems by Anna Ritter for medium voice, Op. 31 (1898)
- "Allein"
- "Ich glaub', lieber Schatz"
- "Unbegehrt"
- "Und hab' so große Sehnsucht doch"
- "Mein Traum"
- "Schlimme Geschichte"
- Seven character pieces for piano, Op. 32 (1899)
- Improvisation (Agitato ed appassionato) C-sharp minor
- Capriccio (A study) (Vivace assai) B minor
- Burleske (Vivo) C major
- Intermezzo (Agitato ed apassionato (Vivace, ma non troppo)) F-sharp minor
- Intermezzo (Andante) C major
- Humoreske (Prestissimo assai) G minor
- Impromptu (Con passione e vivace) B minor
- Five pittoresque pieces for 4-hand piano, Op. 34 (1899)
- Allegretto con moto B minor
- Prestissimo A minor
- Vivace assai G minor
- Andantino (Con moto) A minor
- Con moto (Vivace) D minor
- Nine Bunte Blätter for piano, Op. 36 (1899)
- Humoreske (Vivace assai) G minor
- Albumblatt (Andantino) F major
- Capriccietto (Vivace assai) E minor
- Reigen (Allegretto grazioso) D major
- Gigue (Vivace assai) A minor
- Elegie (Andantino sostenuto (ma non troppo)) E minor
- Valse-Impromptu (Con moto) D minor
- Capriccio (A study) (Vivace assai) C minor
- Rêverie (Andante con espressione) F major
- Five songs, Op. 37 (1899)
- "Helle Nacht" (Verlaine)
- "Volkslied" (Ritter)
- "Glückes genug" (Liliencron)
- "Frauenhaar" (Bierbaum)
- "Nächtliche Pfade" (Stieler)
- Seven songs for men's chorus, Op. 38 (1899)
- "Ausfahrt" (Scheffel)
- "Frühlingsruf" (Kleber)
- "Über die Berge!" (Ernst)
- "Wie ist doch die Erde so schön!" (Reinick)
- "Frohsinn" (after v. Klump)
- "Abendreihn" (Müller)
- "Hell ins Fenster" (Groth)
- Three songs for 6-part (SAATBB) choir, Op. 39 (1899)
- "Schweigen" (Falke)
- "Abendlied" (Plinke)
- "Frühlingsblick" (Lenau)
- Four violin solo sonatas, Op. 42 (1900)
- D minor
- A major
- B minor
- G minor
- Eight songs, Op. 43 (1900)
- "Zwischen zwei Nächten" (Falke)
- "Müde" (Falke)
- "Meinem Kinde" (Falke)
- "Abschied" (Wiener)
- "Wiegenlied" (Dehmel) (also in orchestral arrangement)
- "Die Betrogene spricht" (Ritter)
- "Mein Herz" (Wiener)
- "Sag es nicht" (Wiener)
- Ten little pieces for piano, Op. 44 (1900)
- Albumblatt (Mit Ausdruck, nicht zu langsam) B minor
- Burletta (Sehr lebhaft, mit Humor) G minor
- Es war einmal (Mässig langsam und ausdrucksvoll) E minor
- Capriccio (Sehr rasch) A minor
- Moment musical (Anmutig, etwas lebhaft) C-sharp minor
- Scherzo (Sehr schnell) D major
- Humoreske (Lebhaft) B minor
- Fughette (Mässig langsam) A minor
- Gigue (So schnell als möglich) D minor
- Capriccio (Sehr schnell; mit Humor) C major
- Six intermezzi for piano, Op. 45 (1900)
- (Sehr aufgeregt und schnell) D minor
- (Äußerst lebhaft, anmutig) D-flat major
- (Langsam, mit leidenschaftlichem, durchaus phantastischem Ausdruck) E-flat minor
- (So schnell als möglich, mit Humor) C major
- (Mit großer Leidenschaft und Energie) G minor
- (So schnell als nur irgend möglich) E minor
- Six organ trios, Op. 47 (1900)
- Canon (Andante) E major
- Gigue (Vivacissimo) D minor
- Canzonetta (Andantino) A minor
- Scherzo (Vivacissimo) A major
- Siciliano (Andantino) E minor
- Fugue (Vivace) C minor
- Seven songs for medium voice, Op. 48 (1900)
- "Hütet euch" (Geibel)
- "Leise Lieder" (Morgenstern)
- "Im Arm der Liebe" (Hartleben)
- "Ach, Liebster, in Gedanken" (Stona)
- "Junge Ehe" (Ubell) (on a theme from Wagner's Tristan und Isolde)
- "Am Dorfsee" (Wiener)
- "Unvergessen" (Frey)
- Two clarinet sonatas, Op. 49 (1900)
- A-flat major
- F-sharp minor
- Two romances for violin and small orchestra, Op. 50 (1900)
- (Andante sostenuto) G major
- (Larghetto) D major
- Twelve songs, Op. 51 (1900)
- "Der Mond glüht" (Diderich)
- "Mägdleins Frage" (Dorr-Ljubljaschtschi)
- "Träume, träume, du mein süßes Leben!" (Dehmel)
- "Geheimnis" (Evers)
- "Mädchenlied" (Morgenstern)
- "Schmied Schmerz" (Bierbaum)
- "Nachtgang" (Bierbaum)
- "Gleich einer versunkenen Melodie" (Morgenstern)
- "Frühlingsregen" (Morgenstern)
- "Verlorne Liebe" (Galli)
- "Frühlingsmorgen" (Müller)
- "Weiße Tauben" (Morgenstern)
- Seven Silhouettes for piano, Op. 53 (1900)
- (Äußerst lebhaft) E minor
- (Ziemlich langsam) D major
- (Sehr bewegt und ausdrucksvoll) F-sharp major
- (Sehr schnell und anmutig) F-sharp minor
- (Ziemlich schnell) C major
- (Langsam, schwermütig) E major
- (Äußerst lebhaft und mit viel Humor) B major
- Fifteen songs, Op. 55 (1901)
- "Hymnus des Hasses" (Morgenstern)
- "Traum" (Evers)
- "Der tapfere Schneider" (Falke)
- "Rosen" (Itzerott)
- "Der Narr" (v. Jacobosky)
- "Verklärung" (Itzerott)
- "Sterne" (Ritter)
- "Zwei Gänze" (De Capitolio)
- "Ein Paar" (Braungart)
- "Wären wir zwei klein Vögel" (Greiner)
- "Viola d'amour" (Falke)
- "Nachtsegen" (Evars)
- "Gute Nacht" (Falke)
- "Allen Welten abgewandt" (Stona)
- "Der Alte" (Falke)
- Five organ preludes and fugues, Op. 56 (1901)
- E major
- D minor
- G major
- C major
- B minor
- Twelve organ pieces, Op. 59 (1901)
- Prelude
- Pastorale
- Intermezzo
- Kanon
- Toccata
- Fuge
- Kyrie
- Gloria
- Benedictus
- Capriccio
- Melodia
- Te Deum
- Organ Sonata No. 2, D minor, Op. 60 (1901)
- Improvisation
- Invocation
- Introduction and Fugue
- 16 songs, Op. 62 (1901)
- "Wehe" (Boelitz)
- "Waldeseligkeit" (Dehmel)
- "Ruhe" (Evers)
- "Menschen und Natur" (Baumgart)
- "Wir zwei" (Falke)
- "Reinheit" (Boelitz)
- "Vor dem Sterben" (Boelitz)
- "Gebet" (Braungart)
- "Strampelchen" (Bluethgen)
- "Die Nixe" (Falke)
- "Fromm" (Falke)
- "Totensprache" (Jacobovsky)
- "Begegnung" (Mörike)
- "Ich schwebe" (Henkel)
- "Pflügerin Sorge" (Henkel)
- "Anmutiger Vertrag (Morgenstern)
- Monologues for organ, Op. 63 (1902)
- Prelude, C minor
- Fugue, C major
- Canzona, G minor
- Capriccio, A minor
- Intro, F minor
- Passacaglia, F minor
- Ave Maria
- Fantasy, C major
- Toccata, E minor
- Fugue, E minor
- Kanon, D major
- Scherzo, D minor
- Twelve songs, Op. 66 (1902)
- "Sehnsucht" (Itzerott)
- "Freundliche Vision" (Bierbaum)
- "Aus der ferne in der Nacht" (Bierbaum)
- "Du bist mir gut!" (Boelitz)
- "Maienblüten" (v. Jacobovsky)
- "Die Primeln" (Hamerling)
- "Die Liebe" (Dehmel)
- "An dich" (Itzerott)
- "Erlöst" (Itzerott)
- "Morgen" (Mackay)
- "Jetzt und immer" (Dehmel)
- "Kindergeschichte" (v. Jacobovsky)
- Six songs, Op. 68 (1902)
- "Eine Seele" (Jacobovsky)
- "Unterwgs" (Boelitz)
- "Märchenland" (Evers)
- "Engelwacht" (Muth)
- "Nachtseele" (Evers)
- "An die Geliebte" (Falke)
- Ten organ pieces, Op. 69 (1903)
- Prelude, E minor
- Fugue, E minor
- Basso ostinato, E minor
- Moment musical, D major
- Capriccio, D minor
- Toccata, D major
- Fugue, D major
- Romance, G minor
- Prelude, A minor
- Fugue, A minor
- Seventeen songs, Op. 70 (1903)
- "Präludium" (Boelitz)
- "Der König bei der Krönung" (Mörike)
- "Ritter rät dem Knappen dies" (Bierbaum)
- "Die bunten Kühe" (Falke)
- "Gruß" (Genischen)
- "Elternstolz" (folk song)
- "Meine Seele" (Evers)
- "Die Verschmäte" (Falke)
- "Sehnsucht" (Jacobovsky)
- "Hoffnungstrost" (from East Preussia)
- "Gegen Abend" (Bierbaum)
- "Dein Bild" (Jacobovsky)
- "Mein und dein" (Fischer)
- "Der Bote" (Fick)
- "Thränen" (Braungart)
- "Des Durstes Erklärung" (Fick)
- "Sommernacht" (Evers)
- 18 songs, Op. 75 (1904)
- "Markspruch" (Weigand)
- "Mondnacht" (Evers)
- "Der Knabe an die Mutter" (Serbian)
- "Dämmer" (Boelitz)
- "Böses Weib" (16th century)
- "Ihr, ihr Herrlichen!" (Hölderlin)
- "Schlimm für die Männer" (Serbian)
- "Wäsche im Wind" (Falke)
- "All' mein Gedanken, mein Herz und mein Sinn" (Dahn)
- "Schwäbische Treue" (Seyboth)
- "Aeolsharfe" (Lingg)
- "Hat gesangt – bleibt nicht dabei" (folk song)
- "Das Ringlein" (Jacobovsky)
- "Schlafliedchen" (Busse)
- "Darum" (Seyboth)
- "Das Fenster klang im Winde!" (Evars)
- "Du brachtest mir deiner Seele Trank" (Braungart)
- "Einsamkeit" (Goethe)
- Simple songs, Op. 76 (1903–1912)
- "Du meines Herzens Krönelein"
- "Daz tuwer min Engel walte"
- "Waldeinsamkeit"
- "Wenn die Linde blüht"
- "Herzenstausch"
- "Beim Schneewetter"
- "Schlecht' Wetter"
- "Einen Brief soll ich schreiben"
- "Am Brünnelle"
- "Warte nur"
- "Mei Bua"
- "Mit Rosen bestreut"
- "Der verliebte Jäger"
- "Mein Schätzelein"
- "Maiennacht"
- "Glück"
- "Wenn alle Welt so einig wär"
- "In einem Rosengärtelein"
- "Hans und Grete"
- "Es blüht ein Blümlein"
- "Minnelied"
- "Des Kindes Gebet"
- "Zwiesprache"
- "Abgeguckt"
- "Friede"
- "Der Schwur"
- "Kindeslächeln"
- "Die Mutter spricht"
- "Schmeichelkätzchen"
- "Vorbeimarsch"
- "Gottes Segen"
- "Von der Liebe"
- "Das Wölklein"
- "Reiterlied"
- "Mittag"
- "Schelmenliedchen"
- "Heimat"
- "Das Mägdlein"
- "Abendlied"
- "Wunsch"
- "An den Frühlingsregen"
- "Der Postillon"
- "Brunnensang"
- "Klein Marie"
- "Lutschemäulchen"
- "Soldatenlied"
- "Schlaf' ein"
- "Zwei Mäuschen"
- "Ein Tänzchen"
- "Knecht Ruprecht"
- "Die fünf Hühnerchen"
- "Mariae Wiegenlied" (also arranged by the composer as a piano solo)
- "Das Brüderchen"
- "Das Schwesterchen"
- "Furchthäschen"
- "Der Igel"
- "Die Bienen"
- "Mäusefangen"
- "Zum Schlafen"
- "Der König aus dem Morgenland"
- Ten pieces for piano, Op. 79a (1900–1904)
- Humoreske
- Humoreske
- Intermezzo
- Melodie
- Romanze
- Impromptu
- Impromptu
- Caprice
- Capriccio
- Melodie
- Chorale preludes for organ, Op. 79b (1900–1904)
- Ach Gott, verlaß mich nicht
- Ein feste Burg ist unser Gott
- Herr, nun selbst den Wagen halt
- Morgenglanz der Ewigkeit
- Mit Fried und Freud ich fahr dahin
- Wer weiß, wie nahe mir mein Ende
- Auferstehn, ja auferstehn wirst du
- Christ ist erstanden von dem Tod
- Christus, der ist mein Leben
- Mit Fried und Freud ich fahr dahin
- Nun danket alle Gott
- Herr, nun selbst den Wagen halt
- Warum sollt ich mich denn grämen
- Eight songs, Op. 79c (1900–1904)
- "Abend" (Schäfer)
- "Um Mitternacht blühen die Blumen" (Stona)
- "Volkslied" (Itzerott)
- "Friede" (Huggenberger)
- "Auf mondbeschienen Wegen" (Huggenberger)
- "Die Glocke des Glücks" (Ritter)
- "Erinnerung" (Schäfer)
- "Züge" (Huggenberger)
- Suite for violin and piano, Op. 79d (1902–1904)
- Wiegenlied
- Capriccio
- Burla
- Two pieces for cello and piano, Op. 79e (1904)
- Caprice
- Kleine Romanze
- 14 chorales for 4-, 5- or 6-part choir, Op. 79f (1900–1904)
- "Jesu, meines Lebens Leben" (4-part)
- "Auferstanden" (4-part)
- "Nun preiset alle" (4-part)
- "Nun preiset alle" (4-part)
- "Such, wer da will" (4-part)
- "Ach, Gott, verlaß mich nicht" (4-part)
- "Ich weiß, mein Gott" (4-part)
- "Ich hab in Gottes Herz und Sinn" (5-part)
- "Jesu, großer Wunderstern" (5-part)
- "Jesus soll die Losung sein" (5-part)
- "Trauungsgesang"
- "Auferstanden" (5-part)
- "Gib dich zufrieden" (5- or 6-part)
- Aus meinem Tagebuch, fünfunddreißig Stücke für Pianoforte, Op. 82 (1904–1912)
- Vol. 1, No. 1 Vivace
- Vol. 1, No. 2 Adagio
- Vol. 1, No. 3 Andante sostenuto
- Vol. 1, No. 4 Vivace
- Vol. 1, No. 5 "Gavotte" (Moderato)
- Vol. 1, No. 6 Sostenuto
- Vol. 1, No. 7 Vivace
- Vol. 1, No. 8 Andantino—Presto
- Vol. 1, No. 9 Vivace
- Vol. 1, No. 10 Andante innocente
- Vol. 1, No. 11 Sostenuto ed espressivo
- Vol. 1, No. 12 Larghetto
- Vol. 2, No. 1 Allegretto con grazia
- Vol. 2, No. 2 Andantino
- Vol. 2, No. 3 Andante espressivo
- Vol. 2, No. 4 Andantino
- Vol. 2, No. 5 Allegretto con grazia; sempre poco agitato
- Vol. 2, No. 6 Andante espressivo
- Vol. 2, No. 7 Larghetto
- Vol. 2, No. 8 Vivacissimo—Andante—Vivacissimo
- Vol. 2, No. 9 Andantino
- Vol. 2, No. 10 Scherzando e vivace
- Vol. 3, No. 1 "Lied" (Andante sostenuto)
- Vol. 3, No. 2 "Albumblatt" (Andante sostenuto)
- Vol. 3, No. 3 "Gavotte" (Allegretto)
- Vol. 3, No. 4 "Romanza" (Andante sostenuto)
- Vol. 3, No. 5 "Melodie" (Andante sostenuto)
- Vol. 3, No. 6 "Humoreske" (Vivace)
- Vol. 4, No. 1 "Präludium" (Poco con moto)
- Vol. 4, No. 2 "Fuge" (Sostenuto)
- Vol. 4, No. 3 "Intermezzo" (Andante)
- Vol. 4, No. 4 "Arabeske" (Allegretto)
- Vol. 4, No. 5 "Silhouette" (Con moto)
- Vol. 4, No. 6 "Melodie" (Molto sostenuto)
- Vol. 4, No. 7 "Humoreske" (Poco vivace)
- Four preludes and fugues for organ, Op. 85 (1905)
- C-sharp minor
- G major
- F major
- E minor
- Two compositions for violin and piano, Op. 87 (1905)
- Albumblatt
- Romanze
- Four songs, Op. 88 (1905)
- "Notturno" (Boelitz)
- "Stelldichein" (Hörmann)
- "Flötenspielerin" (Evers)
- "Spatz und Spätzin" (Meyere)
- Four sonatinas for piano, Op. 89 (1905–1908)
- E minor
- D major
- F major
- A minor
- Seven sonatas for violin solo, Op. 91 (1905)
- A minor
- D major
- B-flat major
- B minor
- E minor
- G major
- A minor
- Suite for organ No. 2, Op. 92 (1905)
- Prelude, G minor
- Fugue
- Intermezzo, B minor
- Basso ostinato, G minor
- Romance, A-flat major
- Toccata, G minor
- Fugue, G minor
- Four songs, Op. 97 (1906)
- "Das Dorf" (Boelitz)
- "Leise, leise weht ihr Lüfte" (Brentano)
- "Ein Drängen ist in meinem Herzen" (Stefan Zweig)
- "Der bescheidene Schäfer" (Weisse)
- Five songs, Op. 98 (1906)
- "Aus den Himmelsaugen" (Heine)
- "Der gute Rath" (Schatz)
- "Sonntag" (folk song)
- "Es schläft ein stiller Garten" (Hauptmann)
- "Sommernacht" (Triepel)
- Six songs, Op. 104 (1907)
- "Neue Fülle" (Zweig)
- "Warnung" (anon.)
- "Mutter, tote Mutter" (Hartwig)
- "Lied eines Mädchens" (13th century)
- "Das Sausewind" (Busse)
- "Mädchenlied" (Boelitz)
- Two sacred songs for mezzo / baritone and organ / harmonium / piano, Op. 105 (1907)
- "Ich sehe dich in tausend Bildern" (Novalis)
- "Meine Seele ist still zu Gott" (Psalm 62)
- Three duets for soprano, alto and piano, Op. 111a (1909)
- "Waldesstille" (Rafael)
- "Frühlingsfeier" (Steindorff)
- "Abendgang" (Brandtl)
- Episodes, eight pieces for piano, Op. 115 (1910)
- Andante, D major
- Andante con moto
- Allegretto, C major
- Andante sostenuto
- Larghetto
- Vivace
- Vivace quasi presto
- Vivace
- Eight preludes and fugues for solo violin, Op. 117 (1909–1912)
- B minor
- G minor
- E minor
- G minor (Chaconne)
- G major
- D minor
- A minor
- E minor
- Nine pieces for organ, Op. 129 (1913)
- Toccata, D minor
- Fugue, D minor
- Canon, E minor
- Melodia, B-flat major
- Capriccio, G minor
- Basso ostinato, G minor
- Intermezzo, F minor
- Prelude, B minor
- Fugue, B minor
- Six preludes and fugues for solo violin, Op. 131a (1914)
- A minor
- D minor
- G major
- G minor
- D major
- E minor
- Three suites for solo cello, Op. 131c (1915)
- G major
- D minor
- A minor
- Three suites for solo viola, Op. 131d (1915)
- G minor
- D major
- E minor
- Twelve sacred songs with piano / harmonium / organ accompaniment, Op. 137 (1914)
- "Bitte um einen seligen Tod" (Herman. gest. 1561)
- "Dein Wille, Herr, geschehe!" (Eichendorff)
- "Uns ist geboren ein Kindlein" (anon.)
- "Am Abend" (anon.)
- "O Herre Gott, nimm du von mir" (anon.)
- "Christ, deines Geistes Süßigkeit" (anon.)
- "Grablied" (Arndt)
- "Morgengesang" (Alberus)
- "Lass dich nur nichts nicht dauern" (Flemming)
- "Christkindleins Wiegenlied" (anon.)
- "Klage vor Gottes Leiden" (v)
- "O Jesu Christ, wir warten dein" (Alberus)
- 5 Neue Kinderlieder, Op. 142 (1915)
- "Wiegenlied" (Stein)
- "Schwalbenmütterlein"(Reinick)
- "Maria am Rosenstrauch" (Schellenberg)
- "Klein-Evelinde" (Weber)
- "Bitte" (Holst)
- Träume am Kamin, 12 Kleine Klavierstücke, Op. 143 (1915)
- Larghetto, B-flat major
- Con moto, E-flat major
- Molto adagio, A major
- Allegretto grazioso, E major
- Agitato, B minor
- Poco vivace, A-flat major
- Molto sostenuto, D major
- Vivace, C major
- Larghetto, C minor
- Vivace, D minor
- Andantino, G minor
- Larghetto, D major
Details of sets of compositions with WoO number
- "Grüße an die Jugend" for piano (1898) WoO III/6
- Fughette
- Caprice fantastique
- Abenddämmerung
- Albumblatt
- Scherzo
- Humoresque
- Blätter und Blüten for piano (1900/1902) WoO III/12
- Albumblatt
- Humoresque
- Frühlingslied
- Elegie
- Jagdstück
- Melodie
- Moment Musical No. 1
- Moment Musical No. 2
- Gigue
- Romanze No. 1
- Romanze No. 2
- Scherzino
- Four "Spezialstudien" for piano left hand (1901) WoO III/13
- Scherzo
- Humoresque
- Romanze
- Prelude and Fugue
- Fünf ausgewählte Volkslieder für TTBB (1898) WoO VI/6
- Herzweh (1817, Gotha, with an additional second stanza by Hermann Kurz)
- Liebchens Bote (Flugblatt 1756)
- Das Sternlein (Matthias Claudius)
- Dianderl tief drunt im Thal (from Carinthia)
- Ich hab' die Nacht geträumet
- Sechs ausgewählte Volkslieder für SATB (1899) WoO VI/10
- Liebesschmerz (from Swabia)
- Das Sternlein (Matthias Claudius)
- Liebesqual (from Swabia)
- Vergebens (from Franconia)
- Liebchens Bote (Flugblatt 1756)
- Das Mädchen vom Lande (Johann Wilhelm Ludwig Gleim)
- Acht ausgewählte Volkslieder. Neue Folge, für SATB (1899) WoO VI/11
- Mailied (Friedrich Richter)
- Ach, Bäumchen, du stehst grüne (überliefert by Karl Simrock
- Liebesleid
- Ich hab' die Nacht geträumet
- Trutze nicht (from the Odenwald 1839)
- Wie kommt's? (from Thuringia and Franconia)
- Schwäbisches Tanzliedchen (Ländler from Upper Swabia)
- Es waren zwei Königskinder
Notes
- ^ Op. 27 for organreworked for piano 4-hand by Richard Lange
- ^ also in orchestral arrangement, 1915
- ^ also in orchestral arrangement, 1915
- ^ also in orchestral arrangement, 1916
- ^ Organ version of François Callebout (2003)
- ^ also in arrangement for two pianos, 1914
- ^ Organ version of Max Beckschäfer (1985)
- ^ opus number 145a assigned by the publisher, WoO V/9
References
- ^ a b c d e f g h Institute 2016.
- ^ a b Schröder 1990.
Bibliography
- "Max Reger's works". Max-Reger-Institute / Elsa-Reger-Stiftung. Retrieved 2 March 2016.
- Schröder, Heribert (1990). "Acht geistliche Gesänge / op. 138" (PDF). Carus-Verlag. pp. 5–6. Retrieved 15 April 2016.
- v
- t
- e
- Drei Chöre, Op. 6 (1892)
- Gesang der Verklärten (1903)
- Der 100. Psalm (1909)
- Die Nonnen (1909)
- Geistliche Gesänge, Op. 110 (1909–1912)
- Die Weihe der Nacht (1911)
- Responsories (1911)
- Lateinisches Requiem (1914, fragment)
- Der Mensch lebt und bestehet (1914)
- Nachtlied (1914)
- Unser lieben Frauen Traum (1914)
- Der Einsiedler (1915)
- Requiem (1915)
- Variations and Fugue on a Theme by Hiller (1904)
- Piano Concerto (1910)
- Eine romantische Suite (1912)
- Vier Tondichtungen nach A. Böcklin (1913)
- Variations and Fugue on a Theme by Mozart (1914)
- Cello Sonata No. 1 (1892)
- Sechs Lieder, Op. 4 (1890)
- Sechs Lieder, Op. 35 (1899)
- "An die Hoffnung" (1912)
- "Mariae Wiegenlied" (1912)
- Phantasie über den Choral "Ein' feste Burg ist unser Gott" (1898)
- Zwei Choralphantasien, Op. 40 (1899)
- Drei Choralphantasien, Op. 52 (1900)
- Zwölf Stücke, Op. 65 (1902)
- Zwölf Stücke, Op. 80 (1902/1904)
- Introduction, Passacaglia and Fugue, Op, 127 (1913)
- Sieben Stücke, Op. 145 (1915/1916)