List of paintings by Anthony van Dyck
![](http://upload.wikimedia.org/wikipedia/commons/thumb/0/08/Anthonis_van_Dyck_049.jpg/180px-Anthonis_van_Dyck_049.jpg)
The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641).
Portraits (1613–1632)
Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders.
Title | Year | Collection | City and country | Material | Dimensions | Image |
---|---|---|---|---|---|---|
Self-portrait (1613–14) | 1613–1614 | Academy of Fine Arts Vienna | Vienna ![]() | Oil on canvas | 25,8 × 19,5 cm | ![]() |
Self-portrait (1617–18) | 1617–1618 | Alte Pinakothek | Munich ![]() | Oil on canvas | 82,5 × 70 cm | ![]() |
Portrait of a Lady | ca. 1620 | Legion of Honor Museum, Fine Arts Museums of San Francisco | San Francisco![]() | Oil on Canvas | 148 x 109.2 cm | ![]() |
Portrait of Cornelis van der Geest | ca. 1620 | National Gallery | London![]() | Oil on wood | 37.5 cm (14.8 in) × 32.5 cm (12.8 in) | ![]() |
Self-portrait 1620–21 | 1620–1621 | Metropolitan Museum of Art | New York City ![]() | Oil on canvas | 119,7 × 87,9 cm | ![]() |
Portrait of Thomas Howard, 2nd Earl of Arundel | 1620–1621 | Getty Museum | Los Angeles ![]() | Oil on panel | 102,8 × 79,4 cm | ![]() |
Portrait of Agostino Pallavicini | 1621 | Getty Museum | Los Angeles ![]() | Oil on canvas | 217.5 × 142.2 cm | ![]() |
Portrait of Isabella Brant | 1621 | National Gallery of Art | Washington, D.C. ![]() | Oil on canvas | 153 × 120 cm | ![]() |
Portrait of Frans Snyders and his wife Margareta de Vos | 1621 | Gemäldegalerie | Kassel ![]() | Oil on canvas | 82 × 110 cm | ![]() |
Portrait of Sir Robert Shirley | 1622 | Petworth House | Petworth ![]() | Oil on canvas | 200 × 133,5 cm | ![]() |
Portrait of Lady Theresa Shirley | 1622 | Petworth House | Petworth ![]() | Oil on canvas | 200 × 133,4 cm | ![]() |
Portrait of François Duquesnoy | 1622 | Royal Museums of Fine Arts of Belgium | Brussels ![]() | Oil on canvas | 77,5 × 61 cm | ![]() |
Luigia Cattaneo-Gentile | 1622 circa | Musée des Beaux-Arts | Strasbourg ![]() | Oil on canvas | 147 × 112 cm | ![]() |
Self-portrait 1622–23 | 1622–1623 | Hermitage Museum | Saint Petersburg ![]() | Oil on canvas | 116,5 × 93,5 cm | ![]() |
Portrait of marchesa Lomellini with her children | 1623 | São Paulo Museum of Art | São Paulo ![]() | Oil on canvas | 221 × 152 cm | ![]() |
Portrait of Elena Cattaneo | 1623 | National Gallery of Art | Washington DC ![]() | Oil on canvas | 246 × 173 cm | ![]() |
Portrait of cardinal Guido Bentivoglio | 1623 | Palazzo Pitti | Florence ![]() | Oil on canvas | 196 × 145 cm | ![]() |
The Lomellini Family | 1623 | National Gallery of Scotland | Edinburgh ![]() | Oil on canvas | 265 × 248 cm | ![]() |
Portrait of Emanuele Filiberto, prince of Savoy | 1624 | Dulwich Picture Gallery | London ![]() | Oil on canvas | 126 × 99,6 cm | ![]() |
Portrait of a Genoese Noblewoman with her Son | 1625 | National Gallery of Art | Washington DC ![]() | Oil on canvas | 189 × 139 cm | ![]() |
Portrait of a man in armour | 1625–1627 | Cincinnati Art Museum | Cincinnati ![]() | Oil on canvas | 137,2 × 121,3 | ![]() |
Portrait of Jan van Monfort | 1626–1628 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 114,5 × 88,5 cm | ![]() |
Portrait of Johannes Baptista Franck | 1626–1632 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 117 × 91 cm | ![]() |
Equestrian Portrait of Anton Giulio Brignole-Sale | 1627 | Palazzo Rosso | Genoa ![]() | Oil on canvas | 282 × 198 cm | ![]() |
Double portrait of Cornelis and Lucas de Wael | 1627 | Capitoline Museums | Rome ![]() | Oil on canvas | 120 × 101 cm | ![]() |
Man with a Lute | 1627 circa | Museo del Prado | Madrid ![]() | Oil on canvas | 128.7 x 101 cm | ![]() |
Count Hendrik van den Bergh | 1627-1632 | Museo del Prado | Madrid ![]() | Oil on canvas | 114 x 100 cm | ![]() |
Portrait of Nicholas Lanier | 1628 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 111,5 × 87,5 | ![]() |
Portrait of the Archduchess Isabella dressed as a widow | 1628–1629 | Galleria Sabauda | Turin ![]() | Oil on canvas | 183 × 121 cm | ![]() |
Portrait of Frederick Henry, prince of Orange | 1628–1629 | Baltimore Museum of Art | Baltimore ![]() | Oil on canvas | 112,5 × 95 cm | ![]() |
Portrait of the duke of Arenberg | 1628–1632 | Holkham Hall | Holkham ![]() | Oil on canvas | 315 × 240 cm | ![]() |
Portrait of a Man | 1628-1632 | Museo del Prado | Madrid ![]() | Oil on canvas | 112 x 100 cm | ![]() |
Portrait of Jean-Charles della Faille | 1629 | Royal Museums of Fine Arts of Belgium | Brussels ![]() | Oil on canvas | 130,8 × 118,5 | ![]() |
Portrait of Maria Luisa de Tassis | 1629 | Castle of the Prince of Liechtenstein | Vaduz ![]() | Oil on canvas | 128,2 × 99,5 cm | ![]() |
Portrait of Carolus Scribani | 1629 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 117,5 × 104 cm | ![]() |
Portrait of Olivia Boteler Porter | 1630s | Bowes Museum | Barnard Castle ![]() | Oil on canvas | ![]() | |
Portrait of a Man With Gloves | 1630 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 111 × 85 cm | ![]() |
Portrait of Martin Rijckaert | 1630 | Museo del Prado | Madrid ![]() | Oil on canvas | 148 × 113 cm | ![]() |
Portrait of a General Wearing a Red Sash | 1630–1632 | Gemäldegalerie Alte Meister | Dresden ![]() | Oil on canvas | 90 × 70 cm | ![]() |
Portrait of Maria de' Medici | 1631 | Musée des Beaux-Arts | Bordeaux ![]() | Oil on canvas | 246 × 148 | ![]() |
Portrait of Gaston d'Orléans | 1631 | Musée Condé | Chantilly ![]() | Oil on canvas | 193 × 119 cm | ![]() |
Portrait of Philippe Le Roy, Lord of Ravels | 1631 | Wallace Collection[1] | London ![]() | Oil on panel | 213 × 120 cm | ![]() |
Portrait of Jacques Le Roy | 1631 | Thyssen-Bornemisza Museum | Madrid![]() | Oil on canvas | 117.8 x 100.6 cm | ![]() |
Portrait of Prince Charles Louis | 1631–1632 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 176 × 96 cm | ![]() |
Portrait of Prince Rupert of the Rhine | 1631–1632 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 175 × 95,5 cm | ![]() |
Portraits (1632–1641)
From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France.
Title | Year | Location | City and country | Material | Dimensions | Image |
---|---|---|---|---|---|---|
Portrait of King Charles I and Queen Henrietta Maria | 1632 | Archiepiscopal Palace | Kroměříž ![]() | Oil on canvas | 113,5 × 163 cm | |
Portrait of Charles I in his Garter Robes | 1632 | Gemäldegalerie Alte Meister | Dresden ![]() | Oil on canvas | 123 × 96,5 cm | ![]() |
Portrait of Charles I in Armour | 1632 | Arundel Castle | Arundel ![]() | Oil on canvas | 100 × 81,8 cm | ![]() |
Portrait of Henrietta Maria | 1632 | Royal Collection | Windsor ![]() | Oil on canvas | 108,6 × 86 cm | ![]() |
Great Peece | 1632 | Royal Collection | Windsor ![]() | Oil on canvas | 146 × 254 cm | ![]() |
Portrait of Philip, Lord Wharton | 1632 | National Gallery of Art | Washington DC ![]() | Oil on canvas | 132 × 106 cm | ![]() |
Self-portrait with a sunflower | 1632–1633 | Private collection of the Duke of Westminster | ![]() | Oil on canvas | 60 × 73 cm | ![]() |
Portrait of Henrietta Maria with the dwarf Jeffrey Hudson | 1633 | National Gallery of Art | Washington DC ![]() | Oil on canvas | 219,1 × 134,8 cm | ![]() |
Portrait of Thomas Wentworth, 1st Earl of Strafford | 1632–1633 | Private Collection | Oil on canvas | 213,2 × 138,2 cm | ![]() | |
Portrait of Lady Venezia Digby as Prudence | 1633–1634 | National Portrait Gallery | London ![]() | Oil on canvas | 101,1 × 80,2 cm | ![]() |
Portrait of Lord George Stuart | 1633–1634 | National Portrait Gallery | London ![]() | Oil on canvas | 218,4 × 133,4 cm | ![]() |
Portrait of the Cardinal-Infante Ferdinand of Austria | 1634 circa | Museo del Prado | Madrid ![]() | Oil on canvas | 107 x 106 cm | ![]() |
Portrait of Marie-Claire de Croÿ, Duchess of Havré, and Son | 1634 | Legion of Honor Museum, Fine Arts Museums of San Francisco | San Francisco![]() | Oil on Canvas | 207 x 123.2 cm | |
Portrait of Charles I with M. de Saint-Antonie, his Riding Master | 1636 | Royal Collection | Windsor ![]() | Oil on canvas | 368,4 × 269,9 cm | ![]() |
Portrait of James Stuart, duke of Lennox and Richmond | 1633–1634 | Metropolitan Museum of Art | New York City ![]() | Oil on canvas | 215,9 × 127,6 cm | ![]() |
Portrait of William Feilding, 1st Earl of Denbigh | 1633–1634 | National Gallery | London ![]() | Oil on canvas | 247,5 × 148,5 cm | ![]() |
Portrait of Robert Rich, 2nd Earl of Warwick | 1634 | Metropolitan Museum of Art | New York City ![]() | Oil on canvas | 208 × 128 cm | ![]() |
Portrait of Philip Herbert, 4th Earl of Pembroke | 1634 | National Gallery of Victoria | Melbourne ![]() | Oil on canvas | 105,4 × 83,8 cm | ![]() |
Magistrate of Brussels | 1634 | Private collection | ![]() | Oil on canvas | ![]() | |
Portrait of Francisco de Moncada | 1634 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 111,5 × 86 cm | ![]() |
Equestrian Portrait of Francisco de Moncada | 1634 | Louvre | Paris ![]() | Oil on canvas | 307 × 242 cm | ![]() |
Equestrian Portrait of Francisco de Moncada | 1634 | Valencia Fine Arts Museum | Valencia ![]() | Oil on canvas | 303.5 x 293.5 cm | ![]() |
Portrait of an Old Woman | 1634 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 117 × 93 cm | ![]() |
Portrait of Prince Tommaso Francesco of Savoia Carignano in Armour | 1634 | Gemäldegalerie | Berlin ![]() | Oil on canvas | 112 × 103 cm | ![]() |
Portrait of Prince Tommaso Francesco of Savoia Carignano | 1634 | Galleria Sabauda | Turin ![]() | Oil on canvas | 315 × 236 cm | ![]() |
Portrait of Quentin Simons | 1634–1635 | Mauritshuis | The Hague ![]() | Oil on canvas | 98 × 84 cm | ![]() |
Magistrates of Brussels | 1634–35 | Destroyed | Oil on canvas | ![]() | ||
Triple Portrait of Charles I | 1635 | Royal Collection | Windsor ![]() | Oil on canvas | 84,5 × 99,7 cm | ![]() |
Portrait of Queen Henrietta Maria | 1635 | Metropolitan Museum of Art | New York City ![]() | Oil on canvas | 105,5 × 84,2 cm | ![]() |
The Three Eldest Children of Charles I | 1635 | Galleria Sabauda | Turin ![]() | Oil on canvas | 153,7 × 156,8 cm | ![]() |
The Three Eldest Children of Charles I | 1635 | Royal Collection | Windsor ![]() | Oil on canvas | 133,4 × 151,8 cm | ![]() |
Self-portrait with Sir Endymion Porter | 1635 | Museo del Prado | Madrid ![]() | Oil on canvas | 119 × 144 cm | ![]() |
Portrait of Philip Herbert, 4th Earl of Pembroke and His Family | 1635 | Wilton House | Wilton ![]() | Oil on canvas | 123 × 96,5 cm | ![]() |
Portrait of Inigo Jones | 1635–1636 | Hermitage Museum | Saint Petersburg ![]() | Oil on canvas | 74,5 × 53,2 cm | ![]() |
The King Hunting | 1635–1638 | Louvre | Paris ![]() | Oil on canvas | 266 × 207 cm | ![]() |
Portrait of a Young Woman with a Cello | 1635–1640 | Alte Pinakothek | Munich ![]() | Oil on canvas | 113 × 93 cm | ![]() |
Madagascar Portrait (Vienna version) | 1635–40 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | ![]() | |
Portrait of Charles I in Royal Robes | 1636 | Royal Collection | Windsor ![]() | Oil on canvas | 253,4 × 153,6 cm | ![]() |
Portrait of Charles I on Horseback | 1636 | National Gallery | London ![]() | Oil on canvas | 367 × 292 cm | ![]() |
Portrait of Prince Charles Louis and Prince Rupert | 1637 | Louvre | Paris ![]() | Oil on canvas | 132 × 152 cm | ![]() |
Portrait of the Five Eldest Children of Charles I | 1637 | Royal Collection | Windsor ![]() | Oil on canvas | 163,2 × 198,8 cm | ![]() |
Portrait of Dorothy Savage, Viscountess Andover and her sister Elizabeth, Lady Thimbleby | 1637 | National Gallery | London ![]() | Oil on canvas | 132,1 × 149,9 cm | ![]() |
Portrait of George, Lord Digby and William, Lord Russell | 1637 | Private collection | Althorp ![]() | Oil on canvas | 250 × 157 cm | |
Portrait of Charles, Prince of Wales in Armour | 1637–1638 | Royal Collection | Windsor ![]() | Oil on canvas | 153,7 × 131,4 cm | ![]() |
Portrait of Lord John and Lord Bernard Stuart | 1638 | National Gallery | London ![]() | Oil on canvas | 237,5 × 146,1 cm | ![]() |
Portrait of Thomas Killigrew and Lord William Crofts | 1638 | Royal Collection | Windsor ![]() | Oil on canvas | 132,7 × 143,5 cm | |
Portrait of Queen Henrietta Maria from the front | 1638 | Royal Collection | Windsor ![]() | Oil on canvas | 78,7 × 65,7 cm | ![]() |
Portrait of Queen Henrietta Maria, left profile | 1638 | Royal Collection | Windsor ![]() | Oil on canvas | 71,8 × 56,5 cm | ![]() |
Portrait of William Laud | 1638 | Hermitage Museum | Saint Petersburg ![]() | Oil on canvas | 122 × 93,5 cm | ![]() |
Portrait of Thomas Killigrew | 1638 | Chatsworth House | Chatsworth ![]() | Oil on canvas | 100 × 82,5 cm | ![]() |
Portrait of William Howard, 1st Viscount Stafford | 1638–1640 | Museum of Art | São Paulo ![]() | Oil on canvas | 107 × 82,5 cm | ![]() |
Madagascar Portrait (Arundel version) | 1639 | Arundel Castle | Arundel ![]() | Oil on canvas | 135 × 206,8 cm | ![]() |
Portrait of Queen Henrietta Maria, as St Catherine | 1639 circa | Oil on canvas | ![]() | |||
Portrait of Margaret Lemon | 1639 | Royal Collection | Windsor ![]() | Oil on canvas | 93,3 × 77,8 cm | ![]() |
Self-portrait | 1640 circa | National Portrait Gallery | London ![]() | Oil on canvas | ![]() | |
Mary, Lady Van Dyck | 1640 circa | Museo del Prado | Madrid ![]() | Oil on canvas | 104 x 81 cm | ![]() |
Portrait of Sir Kenelm Digby in Armour | 1640 | National Portrait Gallery | London ![]() | Oil on canvas | 117,2 × 91,7 cm | ![]() |
Rachel de Ruvigny, Countess of Southampton | 1640 | National Gallery of Victoria | Melbourne ![]() | Oil on canvas | 222,4 × 131,6 cm | ![]() |
Portrait of William II of Nassau-Orange and Princess Mary | 1641 | Rijksmuseum | Amsterdam ![]() | Oil on canvas | 182,5 × 142 cm | ![]() |
Mythological paintings
Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and mythological works.
Title | Year | Location | City and country | Material | Dimensions | Image |
---|---|---|---|---|---|---|
Drunken Silenus | 1620 | Gemäldegalerie Alte Meister | Dresden ![]() | Oil on canvas | 107 × 91,5 cm | ![]() |
Jupiter and Antiope | 1620 | Museum of Fine Arts | Ghent ![]() | Oil on canvas | 150 × 206 cm | ![]() |
Jupiter and Antiope | 1620 | Wallraf-Richartz Museum | Cologne ![]() | Oil on canvas | 150 × 206 cm | ![]() |
Thetis Receiving the Weapons of Achilles from Hephaestus | 1630 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 112x142 cm | ![]() |
Venus Asks Vulcan to Forge Arms for her Son Aeneas | 1630-1632 | Louvre | Paris ![]() | Oil on canvas | 220x145 cm | ![]() |
The Shepherd Paris | 1632–1634 | Wallace Collection | London ![]() | Oil on canvas | 105 × 92 cm | ![]() |
Cupid and Psyche | 1638–1640 | Royal Collection | Windsor ![]() | Oil on canvas | 188 × 195,6 cm | ![]() |
Religious paintings
Title | Year | Location | City and country | Material | Dimensions | Image |
---|---|---|---|---|---|---|
Saint Rosalia Interceding for the Plague-Stricken of Palermo or Saint Rosalia Taken Up to Heaven | 1624 (?) | Alte Pinakothek | Munich ![]() | Oil on canvas | ![]() | |
Saint Rosalia | 1625 | Museo del Prado | Madrid ![]() | Oil on canvas | ![]() | |
Saint Rosalia Crowned by Angels | 1624 (circa) | Menil Collection | Houston ![]() | Oil on canvas | ![]() | |
Saint Rosalia Crowned by Angels | 1624 | Wellington Collection | London ![]() | Oil on canvas | ![]() | |
Saint Rosalia Crowned by Angels | 1624 (circa) | Palazzo Abatellis | Palermo ![]() | Oil on canvas | ![]() | |
Pietà | 1629 (circa) | Museo del Prado | Madrid ![]() | Oil on canvas | 114 x 100 cm | ![]() |
Coronation of Saint Rosalia | 1629 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | ![]() | |
Saint Rosalia Interceding for the City of Palermo | 1629 | Museo de Arte de Ponce | Ponce ![]() | oil on canvas | ![]() | |
The Virgin Presenting Saint Rosalia to the Trinity | 1624-1625 | Alte Pinakothek | Munich ![]() | Oil on canvas | ![]() | |
Saint Jerome | 1615–1616 | Liechtenstein Museum | Vienna ![]() | Oil on canvas | 158 × 131 cm | |
Abraham and Isaac | 1617 circa | Národní Gallery | Prague ![]() | Oil on canvas | 119 × 178 cm | ![]() |
Christ's Entry into Jerusalem | 1617 circa | Indianapolis Museum of Art | Indianapolis ![]() | Oil on canvas | 151 × 229 cm | ![]() |
The Mystic Marriage of Saint Catherine | 1618-1620 | Museo del Prado | Madrid ![]() | Oil on canvas | 124 x 174 cm | ![]() |
Saint Martin Dividing his Cloak | 1618–1620 | Church of St Martin | Zaventem ![]() | Oil on panel | 171,6 × 158 cm | ![]() |
Apostle | 1618 circa | Staatliche Museen | Berlin ![]() | Oil on oak panel | 61 × 49 cm | ![]() |
Apostle with Folded Hands | 1618–1620 | Staatliche Museen | Berlin ![]() | Pencil on oak panel | 57 × 45 cm | ![]() |
The Brazen Serpent | 1618–1620 | Museo del Prado | Madrid ![]() | Oil on canvas | 205 × 235 cm | ![]() |
Christ Crowned with Thorns | 1618–1620 | Museo del Prado | Madrid ![]() | Oil on canvas | 223 × 196 cm | ![]() |
Pentecost | 1618–1620 | Staatliche Museen | Berlin ![]() | Oil on canvas | 265 × 221 cm | ![]() |
The Lamentation | 1618–20 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | ![]() | |
Lamentation | 1618-1620 | Museo del Prado | Madrid![]() | Oil on canvas | 203 x 170 cm | ![]() |
Sampson and Delilah | 1618–1620 | Dulwich Picture Gallery | London ![]() | Oil on canvas | 149 × 229,5 cm | ![]() |
The Lamentation | 1619 circa | Ashmolean Museum | Oxford ![]() | Oil on canvas | ![]() | |
Saint Ambrose barring Theodosius from Milan Cathedral | 1619–1620 | National Gallery | London ![]() | Oil on canvas | 149 × 113,2 cm | ![]() |
The Betrayal of Christ | 1620 | Museo del Prado | Madrid ![]() | Oil on canvas | 344 × 249 cm | ![]() |
The Betrayal of Christ | 1620 | Bristol Museum and Art Gallery | Bristol ![]() | Oil on canvas | 274 × 222 cm | ![]() |
The Betrayal of Christ | 1620 | Minneapolis Institute of Arts | Minneapolis ![]() | Oil on canvas | 142 × 113 cm | ![]() |
The Saints John's | 1620 | Real Academia de Bellas Artes de San Fernando | Madrid ![]() | Oil on panel | 63 X 49 cm | ![]() |
Susanna and the Elders | 1620–1622 (circa) | Alte Pinakothek | Munich ![]() | Oil on canvas | 194 x 44 cm | ![]() |
Christ and The Adulteress | 1620-1622 (circa) | BBVA Collection | Madrid ![]() | Oil on canvas | 169 x 252 cm | ![]() |
Christ and the Adulteress | 1620-1622 (circa) | Hospital de la Venerable Orden Tercera. | Madrid ![]() | Oil on canvas | 191 x 235 cm | ![]() |
Madonna and Child | 1620- 1625 | Galleria Nazionale di Parma | Parma ![]() | Oil on canvas | 62.5 x 52.5 cm | ![]() |
Virgin and Child | 1621-1622 | Museum Cerralbo | Madrid ![]() | Oil on canvas | 98 x 84 cm | ![]() |
Martyrdom of Saint Sebastian | 1621-1627 | Real Monasterio de San Lorenzo del Escorial | Madrid ![]() | Oil on canvas | 191.5 x 141.5 cm | ![]() |
Virgin and Child with Repentant Sinners | 1621-1627 | Real Academia de Bellas Artes de San Fernando | Madrid ![]() | Oil on canvas | 127 x 137 cm | ![]() |
Saint Rosalie Interceding for the Plague–Stricken of Palermo | 1624 | Metropolitan Museum of Art | New York City ![]() | Oil on canvas | 99,7 × 73,7 cm | ![]() |
Christ on the Cross | 1627 | Carmen Thyssen-Bornemisza Collection | Madrid ![]() | Oil on panel | 105.3 x 73 cm | ![]() |
Crucifixion | 1628–1630 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 133 × 101 cm | ![]() |
The Lamentation | 1628-1630 | Alte Pinakothek | Munich ![]() | Oil on canvas | 109 × 149 cm | ![]() |
The Lamentation | 1629 circa | Royal Museum of Fine Arts Antwerp | Antwerp ![]() | Oil on canvas | ![]() | |
The Lamentation | 1629–1630 | Destroyed, once held at the Kaiser Friedrich Museum | Berlin ![]() | Oil on canvas | 220 × 166 cm | ![]() |
The Vision of the Blessed Hermann Joseph | 1630 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 160 × 128 cm | ![]() |
Sampson and Delilah | 1630 | Kunsthistorisches Museum | Vienna ![]() | Oil on canvas | 146 × 254 cm | ![]() |
Madonna and Child with Two Donors | 1630 | Louvre | Paris ![]() | Oil on canvas | 250 × 191 cm | ![]() |
Rest on the Flight into Egypt | 1630 | Alte Pinakothek | Munich ![]() | Oil on canvas | 134,7 × 114,8 cm | ![]() |
Madonna with Partridges | 1632 | Hermitage Museum | Saint Petersburg ![]() | Oil on canvas | 215 × 285.5 cm | ![]() |
The Lamentation | 1635 | Royal Museum of Fine Arts Antwerp | Antwerp ![]() | Oil on canvas | ||
The Lamentation | 1640 | Bilbao Fine Arts Museum | Bilbao ![]() | Oil on canvas | ![]() |
Note
All information on dimensions, location and dates are taken from the two books in the bibliography.
Bibliography
- Christopher Brown, Antonie Van Dyck 1599–1641, Milano, RCS Libri, 1999, ISBN 88-17-86060-3.
- Erik Larsen, L'opera completa di Van Dyck 1626–1641, Milano, Rizzoli, 1980.
External links
- Anthony van Dyck catalog raisonné, 1980 on Wikimedia Commons
- Other Catalogs of art by Anthony van Dyck on Wikimedia Commons
References
- ^ "Wallace Collection Online - Philippe le Roy". Archived from the original on 2017-09-19. Retrieved 2015-11-26.
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- Entry of Christ into Jerusalem (1617)
- Crucifixion with the Virgin, Saint John and Saint Mary Magdalene (1617–1619)
- Saint Martin Dividing his Cloak (1618)
- The Brazen Serpent (c. 1618–1620)
- The Apostle Matthew (c. 1618–1620)
- The Crowning with Thorns (1618–1620)
- The Betrayal of Christ (1618–1620)
- Bristol
- Madrid
- Minneapolis
- Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620)
- Samson and Delilah
- 1620
- 1630
- Susanna and the Elders (c. 1631–1632)
- Madonna and Child (1621–1627)
- The Mocking of Christ (1628–1630)
- The Coronation of Saint Rosalia (1629)
- The Vision of the Blessed Hermann Joseph (1629–1630)
- Madonna and Child with Two Donors (1630)
- Rest on the Flight into Egypt (1630)
- Crucifixion (1630)
- The Resurrection (1631–1632)
- Madonna with Partridges (1632)
- Deposition / Lamentation over the Dead Christ
- 1615
- 1618
- 1619
- 1629
- 1629–1630
- 1634
- 1635
- 1640
(1624–1625)
- Houston
- London
- Madrid
- New York
- Ponce
- Palermo (studio work)
- Munich (autograph or studio)
- Drunken Silenus (1620)
- Jupiter and Antiope (1620)
- Diana and a Nymph Surprised by a Satyr (1622–1627)
- The Shepherd Paris (1628)
- Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632)
- Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632)
- Cupid and Psyche (1638–1640)
- Cornelis van der Geest (1620)
- Theresa Shirley (1622)
- Robert Shirley (1622)
- Cardinal Guido Bentivoglio (c. 1623)
- The Lomellini Family (c. 1625–1627)
- Gaston, Duke of Orléans (1632 or 1634)
- Charles I with M. de St Antoine (1633)
- Equestrian Portrait of Francisco de Moncada (1634)
- Francisco de Moncada (1634)
- Thomas Francis, Prince of Carignano (1634)
- Charles I at the Hunt (c. 1635)
- Charles I in Three Positions (1635 or 1636)
- The Three Eldest Children of Charles I (Turin) (1635)
- The Three Eldest Children of Charles I (Royal Collection) (1636)
- Equestrian Portrait of Charles I (1637–1638)
- Triple Portrait of Henrietta Maria (1638)
- Mary Hill, Lady Killigrew (1638)
- William Killigrew (1638)
- Queen Henrietta Maria as St Catherine (1639)
- Luigia Cattaneo-Gentile (c. 1622)
- Magistrates of Brussels (Preparatory sketch) (1634–1635)
- Olivia Porter (1630s)
- Mary Villiers, Lady Herbert of Shurland (c. 1636)
- Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
- Vienna (1613–1614)
- New York (1620–1621)
- Self-Portrait with a Sunflower (1632–1633)
- Self-portrait with Sir Endymion Porter (1635)
- London (1640)
- A Soldier on Horseback (c. 1616)
- Mucius Scaevola before Lars Porsenna (c. 1618–1620)
- Hendrick van Balen the Elder (master)
- Peter Paul Rubens (master)
- Paul de Vos (collaborator)
- Van Dyke beard