List song
A list song, also called a laundry list song or a catalog song, is a song based wholly or in part on a list.[1]: xiii [2][3][4][5][6] Unlike topical songs with a narrative and a cast of characters, list songs typically develop by working through a series of information, often comically, articulating their images additively, and sometimes use items of escalating absurdity.[7][8]
The form as a defining feature of an oral tradition dates back to early classical antiquity,[9][10] where it played an important part of early hexameter poetry for oral bards like Homer and Hesiod.[11][12]
In classical opera, the list song has its own genre, the catalogue aria, that was especially popular in Italian opera buffa and comic opera in the latter half of the eighteenth and early nineteenth centuries. Leporello's aria "Madamina, il catalogo è questo" (lit. '"Little lady, this is the catalogue"'), also nicknamed The Catalogue Aria,[13][14] is a prominent example, and often mentioned as a direct antecedent to the 20th-century musical's list song.[15][16][17][18]
The list song is a frequent element of 20th-century popular music and became a Broadway staple.[19] Cole Porter, Irving Berlin, Noël Coward, and Stephen Sondheim are composers and lyricists who have used the form.[20][21] The very first commercial recording of a Cole Porter tune was his list song "I've a Shooting Box in Scotland" originally from See America First (1913).[22][23] Berlin followed soon after with the list song "When I Discovered You" from his first complete Broadway score Watch Your Step (1914).[24]
Porter would frequently return to the list song form, notable examples include "You're the Top" from the 1934 musical Anything Goes,[25][26][27] "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady,[28]: 483 and "Farming" and "Let's Not Talk About Love" both from Let's Face It! (1942), and both written for Danny Kaye to showcase his ability with tongue-twisting lyrics.[29] In "You're the Top", Porter pays tribute to his colleague Irving Berlin by including the item "You're the top! You're a Berlin ballad."[30][31][32]
Irving Berlin would likewise often write songs in the genre; notable examples include "My Beautiful Rhinestone Girl" from Face the Music (1932), a list song that starts off with a sequence of negative similes,[33] "Outside of That I Love You" from Louisiana Purchase,[34] and "Anything You Can Do (I Can Do Better)" a challenge-duet, and Berlin's starkest antithesis-driven list song,[35] "You Can't Get a Man with a Gun",[36] and "Doin' What Comes Natur'lly",[37] all three from the 1946 musical Annie Get Your Gun.
List of list songs
Examples of list songs, and their composers/performers, include the following.
Song title | Artist(s) | Notes | Refs |
---|---|---|---|
"&" | Tally Hall | ||
"'A' You're Adorable" | Sid Lippman, Buddy Kaye and Fred Wise | [38] | |
"A Boy Without a Girl" | Anthony Newley | 1960 | [39] |
"A Hard Rain's a-Gonna Fall" | Bob Dylan | [40] | |
"A Little Priest" | Stephen Sondheim and Hugh Wheeler from Sweeney Todd: The Demon Barber of Fleet Street | [41][42] | |
"A Little Something Refreshing" | Eric Stefani, performed by No Doubt | ||
"A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission)" | Paul Simon, performed by Simon and Garfunkel | ||
"A13 Trunk Road to the Sea" | Billy Bragg, first released in 1991 on The Peel Sessions Album; based on "(Get Your Kicks on) Route 66" by Bobby Troup | ||
"Ah, Paris!" | Stephen Sondheim, from the 1971 musical Follies | a geographical list song | [43] |
"All I Really Want to Do" | Bob Dylan | featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan | [44] |
"Area Codes" | Ludacris | [45] | |
"Around the World" | Red Hot Chili Peppers | ||
"Arrasando" | Thalia | ||
"Art Eats Art" | Orchestral Manoeuvres in the Dark | lists many historical arts figures | [46] |
"A Well-Dressed Hobbit" | Rie Sheridan Rose, Marc Gunn | ||
"Ain't Got No" | from the musical Hair | [47] | |
"All My Ex's Live in Texas" | George Strait and Whitey Shafer | ||
"American Bad-ass" | Kid Rock | ||
"All the Words in the English Language" | from Animaniacs | ||
"Anything You Can Do (I Can Do Better)" | from the musical Annie Get Your Gun | [35] | |
"As Some Day It May Happen" | from The Mikado by Gilbert & Sullivan | [48] | |
"At Long Last Love" | Cole Porter, for his 1938 musical You Never Know | [49][50] | |
"At the Hop" | Danny and the Juniors | lists many popular dances of the late 1950s | |
"The Bad Touch" | Bloodhound Gang | lists many euphemisms for sexual acts | |
"The Bare Necessities" | from the animated 1967 Disney film The Jungle Book | [3] | |
"Bahay Kubo" | traditional | lists vegetables found in the surrounding of a farm | |
"Before He Cheats" | Carrie Underwood | [6] | |
"The Begat" | Burton Lane and E.Y. Harburg | [51] | |
"Better Than Anything" | David "Buck" Wheat & Bill Loughborough | lists all the things love is better than | |
The Big Bamboo | traditional Caribbean | ||
"Black Boys" | from the musical Hair | [52] | |
"Blue" | from the 2014 musical Heathers: The Musical with music, lyrics, and a book by Laurence O'Keefe and Kevin Murphy | [53] | |
"BOB, a song on Poodle Hat" | "Weird Al" Yankovic | lists palindromes, in a parody of "Subterranean Homesick Blues" by Bob Dylan. | |
"The Booklovers" | The Divine Comedy | [54][55] | |
"Break My Soul (The Queens Remix)" | interpolates Vogue by Madonna | listing black cultural icons and ballroom houses | |
"Brothers and Sisters" | Blur | [56] | |
"Brush Up Your Shakespeare" | Cole Porter from Kiss Me, Kate | [57][58] | |
"But In The Morning, No" | Cole Porter from DuBarry Was a Lady | ||
"California Girls" | The Beach Boys | ||
"Can U Dig It" | Pop Will Eat Itself | ||
"Carol Brown" | Flight of the Conchords | ||
"Cherry Pies Ought to Be You" | with music and lyrics by Cole Porter for his 1950 musical Out of This World | [2]: 196 | |
"Coda: I Have A Dream" | King Crimson | ||
"Chop Suey," | music by Richard Rodgers, words by Oscar Hammerstein II, introduced by Juanita Hall and Patrick Adiarte in Flower Drum Song | ||
"Coded Language" | Krust / Saul Williams | ||
"Collection of Stamps" | I'm from Barcelona | ||
"Come Back To Me" | with lyrics by Alan Jay Lerner for Burton Lane's On a Clear Day You Can See Forever | [59] | |
"Come Together" | The Beatles | [60] | |
"Come To the Supermarket In Old Peking" | Cole Porter | ||
"Comedy Tonight" | from A Funny Thing Happened on the Way to the Forum by Stephen Sondheim | [61][2]: 131 | |
"Conga!" | music by Leonard Bernstein, words by Betty Comden and Adolph Green, introduced by Rosalind Russell in Wonderful Town | ||
"Could I Leave You?" | by Stephen Sondheim for the 1971 musical Follies | [43] | |
"Count It Up" | from Field Music's 2018 album Open Here | [62] | |
"Cuntry Boner" | Puscifer | ||
"Datura" | Tori Amos | ||
"Daves I Know" | Bruce McCulloch | ||
"Destroy Rock & Roll" | Mylo | ||
"Dinner with Friends" | Kacey Musgraves | ||
"Disappointing" | John Grant | ||
"DJ Bombay" | Michael V. | list down things that are sold by Indian nationals in the Philippines | |
"Do I Love You?" | Cole Porter from DuBarry Was a Lady | [28]: 483 | |
"Done Too Soon" | Neil Diamond | ||
"Don't Let's Be Beastly to the Germans" | Noël Coward | [2] | |
"Don't Put Your Daughter on the Stage, Mrs Worthington" | Noël Coward | [2] | |
"Do You Remember These" | The Statler Brothers | ||
"DuBarry Was a Lady" | Cole Porter from DuBarry Was a Lady | [28]: 483 | |
"Eclipse" | Pink Floyd | ||
"Eight Easy Steps" | Alanis Morissette | ||
"88 Lines About 44 Women" | The Nails | [63] | |
"The Elements" | Tom Lehrer | [64] | |
"Elephant Talk" | King Crimson | ||
"Endless Art" | A House | ||
"Every Tube Station Song" | Jay Foreman | [65] | |
"Everybody Knows" | Leonard Cohen | 1988 | [66] |
"Everybody Loves Raymond" | Lemon Demon | ||
"Everything Is Alright" | Motion City Soundtrack | ||
"Far Out" | Blur | ||
"Farming" | Cole Porter from Let's Face It! | 1942 | [29] |
"F.E.A.R." | Ian Brown | ||
"Female" | from Keith Urban's 2018 album Graffiti U | [67] | |
"50 Things You Should Think About to Stop You Doing Your Beans" | Kunt and the Gang | ||
"50 Ways to Leave Your Lover" | Paul Simon | [6][68] | |
"50 Ways to Say Goodbye" | Train | ||
"52 Girls" | B-52s | ||
"Forever Young" | Bob Dylan | ||
"Foxtrot Uniform Charlie Kilo" | The Bloodhound Gang | ||
"Friendship" | Cole Porter from DuBarry Was a Lady | [69] | |
"Gee, Officer Krupke" | Stephen Sondheim (lyrics) and Leonard Bernstein (music) from West Side Story | [2]: 198 | |
"Get Me Bodied" | Beyoncé | ||
"Girl of 100 Lists" | Go-Go's | ||
"Gin Soaked Boy" | The Divine Comedy | ||
"God" | John Lennon | ||
"God Bless" | Combichrist | lists infamous murderers and cult leaders | |
"Going Nowhere Slow" | The Bloodhound Gang | lists cities across the USA | |
"Good Doctor" | Robbie Williams | ||
"The Green Grass Grows All Around" | traditional | ||
"Green Grow the Rushes, O" | traditional | ||
"Hair" | from the musical Hair | ||
"Hank Williams Said it Best" | Guy Clark | ||
"Hardware Store" | "Weird Al" Yankovic | ||
"Hashish" | from the musical Hair | ||
"Hello" | The Beloved | ||
"High Tech Redneck" | George Jones | ||
"Hippopotamus" | Sparks | ||
"Hot Topic" | Le Tigre | ||
"How About You?" | Burton Lane/Ralph Freed | [70]: 414 [71] | |
"Hungarian Goulash No. 5" | Lyrics by Alan Sherman, music is Hungarian Dance No. 5 in F♯ minor written by Johannes Brahms | ||
"Hypersonic Missiles" | Sam Fender | ||
"I Can't Get Started (With You)" | Ira Gershwin and Vernon Duke | [72] | |
"I Dreamed Of A Hillbilly Heaven" | Tex Ritter | ||
"I Get a Kick Out of You" | Cole Porter, first sung in the 1934 musical Anything Goes | [2]: 198 | |
"I Got Life" | from the musical Hair | ||
"I Like It" | Cardi B | ||
"I Started a Blog Nobody Read" | Sprites | ||
"If I Were a Boy | Beyoncé | [6] | |
"I'm Black/Ain't Got No" | from the musical Hair | [73] | |
"I'm Proud of the BBC" | Mitch Benn | ||
"I'm Still Here" | Stephen Sondheim | [70]: 48 [43] | |
"I'm Trying" | from Adam Gwon's 2008 musical Ordinary Days | [74] | |
"Imperfect List" | Big Hard Excellent Fish | ||
"Ironic" | Bo Burnham | ||
"Isang Linggong Pag-Ibig" | Imelda Papin | ||
"It Ain't Necessarily So" | with lyrics by Ira Gershwin from George Gershwin's opera Porgy and Bess | [73] | |
"It's an Elk" | from the 2013 musical Bubble Boy with music and lyrics by Cinco Paul | [75] | |
"It's Grim Up North" | The Justified Ancients of Mu Mu | ||
"It's the End of the World as We Know It (And I Feel Fine)" | R.E.M. | [63] | |
"I've a Shooting Box in Scotland" | Cole Porter from See America First | [22] | |
"I've Been Everywhere" | Lucky Starr (original), Geoff Mack (U.S.A. adaptation) | ||
"Jung Talent Time" | TISM | ||
"Kidney Bingos" | Wire | ||
"Kokomo (song)" | The Beach Boys | ||
"La Vie Bohème" | Jonathan Larson | ||
"The Lady Is a Tramp" | from the 1937 Rodgers and Hart musical Babes in Arms | [2]: 198 | |
"Let 'em In" | Wings | ||
"Let's Call the Whole Thing Off" | George Gershwin and Ira Gershwin | ||
"Let's Do It, Let's Fall in Love" | Cole Porter | [2]: 196 | |
"Let's Not Talk About Love" | Cole Porter from Let's Face It! (1942) | [29] | |
"Liaisons" | Stephen Sondheim from A Little Night Music | [2]: 198 | |
"Life Is a Rock (But the Radio Rolled Me)" | Reunion | ||
"Lime Jello Marshmallow Cottage Cheese Surprise" | William Bolcom, performed by Joan Morris | ||
"List of Films" | Nick Helm | ||
"Losing My Edge" | LCD Soundsystem | ||
"Lost Property" | The Divine Comedy | ||
"Love Is..." | Bo Burnham | ||
"Love Your Love the Most" | Eric Church | lists everything he loves | |
"Lower 48" | The Gourds | ||
"Lydia the Tattooed Lady" | Groucho Marx from At The Circus | ||
"Mad Dogs and Englishmen" | Noël Coward | ||
"Madamina, il catalogo è questo" | Mozart ("The Catalogue Aria" from Don Giovanni) | ||
"Mambo No. 5" | Lou Bega and Perez Prado | ||
"Man on the Moon" | R.E.M. | ||
"Manhattan" | Richard Rodgers, Lorenz Hart | ||
"Marz" | John Grant | ||
"Matangi" | M.I.A. | ||
"Merry Christmas Everyone" | Shakin' Stevens | [76] | |
"MfG" | Die Fantastischen Vier | ||
"Miracles" | Insane Clown Posse | ||
"Miss Sarajevo" | U2 | ||
"Mistletoe and Wine" | Cliff Richard | [76] | |
"Mr. Goldstone" | music, Jule Styne; lyrics, Stephen Sondheim | ||
"? (Modern Industry)" | Fishbone | ||
"Moments to Remember" | Robert Allen and Al Stillman | ||
"Money for Dope" | They Might Be Giants | ||
"Mope" | The Bloodhound Gang | ||
"My Favorite Things" | Rodgers and Hammerstein | [77][73] | |
"My Kind of Town (Chicago Is)" | Jimmy Van Heusen and Sammy Cahn | Big hit for Frank Sinatra extolling the virtues of Chicago. | |
"My Funny Valentine" | Richard Rodgers | [78] | |
"My Ship" | music by Kurt Weill and lyrics by Ira Gershwin | [79] | |
"Name Game" | Shirley Ellis | ||
"Napoleon" | with lyrics by Yip Harburg and music by Harold Arlen from Jamaica | [28]: 316 [80] | |
"Never Gonna Give You Up" | Rick Astley | ||
"New Direction" | Sugar Ray | lists things you can do to make yourself a better person | |
"New Math" | Bo Burnham | ||
"New Rules" | Dua Lipa | ||
"No Hay Nadie Como Tú" | Calle 13 | ||
"Not" | Big Thief | ||
"Numb" | U2 | ||
"Nunal" | Vincent Daffalong | ||
"Occupation" | Sparks | ||
"One By the Venom" | Finn Andrews | ||
"One Hundred Easy Ways (To Lose a Man)" | from Leonard Bernstein's 1953 musical Wonderful Town | [81] | |
"One Bourbon, One Scotch, One Beer" | Rudy Toombs | ||
"One More Minute" | "Weird Al" Yankovic | ||
"One Week" | Barenaked Ladies | ||
"Overdrive" | Eraserheads | mentions places in the Philippines | |
"Paren de Venir" | The Sacados | ||
"Pencil Full of Lead" | Paolo Nutini | ||
"Penny Lane" | The Beatles | [77] | |
"People Who Died" | Jim Carroll | ||
"Pennsylvania" | The Bloodhound Gang | ||
"Pepper" | Butthole Surfers | ||
"Perfume" | Sparks | ||
"The Physician" | Cole Porter for the musical Nymph Errant | [2]: 196 | |
"Plane Too" | Loudon Wainwright III | ||
"Play with Me" | Extreme (band) | ||
"Pokerap" | Pokémon | ||
"Polkamon" | "Weird Al" Yankovic | ||
"Poor Young Millionaire" | Cole Porter | [82] | |
"Porn Star Dancing" | My Darkest Days featuring Zakk Wylde and Chad Kroeger | ||
"Portobello Road" | from Walt Disney film Bedknobs and Broomsticks | ||
"Poster Child" | Red Hot Chili Peppers | ||
"The Pride" | Five Finger Death Punch | ||
"Questions and Answers (The Three B's)" | from the musical On Your Toes (Rodgers and Hart) | ||
"Raise Up" | Petey Pablo | ||
"Ramblin' Man" | Lemon Jelly | ||
"The Rattlin' Bog" | traditional | ||
"Reasons to be Cheerful, Part 3" | Ian Dury & the Blockheads | [83] | |
“Red" | Taylor Swift | ||
"The Referee's Alphabet" | Half Man Half Biscuit | ||
"Rickets" | Deftones | ||
"Rhode Island Is Famous For You" | with lyrics by Howard Dietz and music by Arthur Schwartz from Inside U.S.A. | [28]: 309 | |
"Rock & Roll Heaven" | The Righteous Brothers | ||
"Rock Lobster" | The B-52's | ||
"(Get Your Kicks on) Route 66" | Bobby Troup | ||
"Royals" | Lorde | lists subjects of modern pop songs | |
"Sad" | Bo Burnham | ||
"The Saga of Jenny" | with music by Kurt Weill and lyrics by Ira Gershwin written for the 1941 Broadway musical Lady in the Dark | [29] | |
"Said the Hobbit to the Horse" | Marc Gunn | ||
"The Sample Song" | Dorothy Shay | ||
"Short Memory" | Midnight Oil | ||
"Show Me What You Got" | Limp Bizkit | ||
"Seven Curses" | Bob Dylan | ||
"7 Things" | Miley Cyrus | ||
"Sidekick Heaven" | Riders in the Sky | ||
"Sinaktan mo ang puso ko" | Michael V. | lists down the hurtful things that his lover did | |
"Sixteen Reasons" | Bill and Doree Post | #3 hit for Connie Stevens in 1960 | |
"Slow Train" | Flanders and Swann | ||
"Sodomy" | from the musical Hair | ||
"Soldier's Things" | Tom Waits | ||
"Song for Whoever" | The Beautiful South | ||
"Stairway to Cleveland (We Do What We Want)" | Jefferson Starship | ||
"Starfish and Coffee" | Prince | ||
"Stars on 45" | Stars on 45 | ||
"Start Button" | 2ManyDJs | ||
"The Stately Homes of England" | by Noël Coward from his 1938 musical Operette | [2] | |
"Subterranean Homesick Blues" | Bob Dylan | ||
"Super Supper March" | Nigel Pilkington | ||
"Tschaikowsky (and Other Russians)" | with lyrics by Ira Gershwin and music by Kurt Weill | lists the names of fifty-three composers of Tsarist and Soviet Russia | [84] |
The chorus of "Tam Pierce" | Widdecombe Fair | lists all the people accompanying the narrator to the fair. | |
"Teachers" | Daft Punk | ||
"Technologic" | Daft Punk | ||
"Telecide" | The Tubes | ||
"Telefonbuchpolka" | Georg Kreisler | ||
"Ten Commandments of Love" | The Moonglows | ||
"Ten Crack Commandments" | The Notorious B.I.G. | ||
"That Is the End of the News" | by Noël Coward from his 1945 musical revue Sigh No More | [2] | |
"That Funny Feeling" | Bo Burnham | ||
"That's a Rectangle" | Storybots | ||
"That's Country Bro" | Toby Keith | ||
"There Ain't No Easy Run" | Dave Dudley | ||
"There Is Nothing Like a Dame" | Richard Rodgers with lyrics by Oscar Hammerstein II | [85] | |
"These Foolish Things" | Eric Maschwitz and Jack Strachey | ||
"They All Fall In Love" | Cole Porter | ||
"They All Laughed" | George Gershwin and Ira Gershwin | ||
"They Are Night Zombies!! They Are Neighbors!! They Have Come Back from the Dead!! Ahhhh!" | Sufjan Stevens | ||
"Things I Won't Get" | FFS | ||
"Things In My Jeep" | The Lonely Island and Linkin Park | ||
"Things to Do (I've Tried)" | David Byrne | ||
"The Things You Left Behind" | The Nails | 1986 | [63] |
"Third Uncle" | Brian Eno, Brian Turrington | ||
"Thou Shalt Always Kill" | Dan le sac Vs Scroobius Pip | ||
"Thou Shalt Not" | with lyrics by Don Black and music by Jule Styne from Bar Mitzvah Boy | [28]: 48 | |
"Till the End of Time" | Buddy Kaye and Ted Mossman | [1]: 371 | |
"To Keep My Love Alive" | composed by Richard Rodgers with lyrics by Lorenz Hart for the musical A Connecticut Yankee | [2]: 198 | |
"To Kokoraki" | Flanders and Swann | ||
"Too Much Monkey Business" | Chuck Berry | ||
"Transmetropolitan" | The Pogues | ||
"Turn a Blind Eye" | Half Man Half Biscuit | ||
"Turn! Turn! Turn!" | Pete Seeger | after King Solomon (Ecclesiastes) | |
"The Twelve Days of Christmas" | traditional | ||
"21 Things I Want in a Lover" | Alanis Morissette | ||
"The Unthinkable" | Boom Bip | ||
"Van Lingle Mungo" | Dave Frishberg | ||
"Vinyl Records" | Todd Snider | ||
"Vitamin" | Kraftwerk | ||
"Vogue" | Madonna | ||
"Vuelve" | Shakira | ||
"Wakko's America" | from Animaniacs | ||
"Walk Away" | Franz Ferdinand | ||
"Waters of March" | Antonio Carlos Jobim | ||
"Welcome to the Internet" | Bo Burnham | ||
"We Care a Lot" | Faith No More | ||
"We Didn't Start the Fire" | Billy Joel | [63] | |
"We Didn't Start the Fire" | Fall Out Boy | ||
"We're All Gonna Die!!!" | Baby FuzZ | ||
"What a Wonderful World" | Thiele and Weiss | ||
"When I Had a Uniform On" | Cole Porter | [82] | |
"White Woman's Instagram" | Bo Burnham | ||
"Who's Gonna Fill Their Shoes" | George Jones | ||
"Who's Next" | Tom Lehrer | lists countries acquiring nuclear weapons | |
"The Whole World Lost its Head" | Go-Go's | ||
"White Boys" | from the musical Hair | [52] | |
"Why Do the Wrong People Travel" | by Noël Coward from the 1961 musical Sail Away | [2] | |
"The Windmills of Your Mind" | Michel Legrand, Eddy Marnay, Alan and Marilyn Bergman | ||
"Wish (Komm Zu Mir)" | from the film Run Lola Run (Thomas D) | ||
"Wishlist" | Pearl Jam | ||
"Wonderful World" | Sam Cooke | ||
"Yakko's World" | from Animaniacs | ||
"You Are What You Wear" | from American Psycho | ||
"You Can't Get a Man with a Gun" | from Annie Get Your Gun | [86] | |
"You're Moving Out Today" | Carole Bayer Sager | ||
"You're the Top" | Cole Porter | ||
"You've Seen Harlem at Its Best" | Ethel Waters | ||
"Zip" | Rodgers and Hart |
Patter songs
Many patter songs fall into this genre such as:
- KoKo's Little list song from The Mikado (see "As Some Day It May Happen" above)
- "Tschaikowsky (and Other Russians)" (Kurt Weill and Ira Gershwin) (see "Tschaikowsky" above)
- "The Major-General's Song" (Gilbert and Sullivan)
- "If You Want a Receipt" from Patience (Gilbert and Sullivan)
References
- ^ a b Hischak, T.S. (2002). The Tin Pan Alley Song Encyclopedia. Greenwood Press. ISBN 978-0-313-31992-1. Retrieved 3 August 2018.
- ^ a b c d e f g h i j k l m n o Citron, S. (1997). The Musical from the Inside Out. Ivan R. Dee. pp. 195 ff. ISBN 978-1-4617-2096-6. Retrieved 3 August 2018.
LIST SONGS The list song has been a useful tool of musical theatre ever since earliest operatic times. One of the "hits' of Mozart's day was to be found in Don Giovanni at the spot where Da Ponte's libretto calls for the Don's servant to list all the ...
- ^ a b Hischak, T.S.; Robinson, M.A. (2009). The Disney Song Encyclopedia. Scarecrow Press. p. 316. ISBN 978-0-8108-6938-7. Retrieved 3 August 2018.
- ^ Konas, G.P. (1993). From Gershwin to Sondheim: The Pulitzer Prize-winning Musicals. University of California, Davis. p. 287. Retrieved 3 August 2018.
laundry-list song—As the name suggests, this song type catalogs a list.
- ^ The Musical Mainstream. Division for the Blind and Physically Handicapped, Library of Congress. 1979. p. 63. Retrieved 3 August 2018.
... commanding attention and involving the listener. Gives examples of categories of songs ranging from the love song through the laundry-list song to the novelty song such as "Speedy Gonzales." Gives blueprints for writing and assignments.
- ^ a b c d Forbes, A. (2013). Songlab: A Songwriting Playbook for Teens. Blackstone Publishing. p. 34. ISBN 978-1-62064-248-1. Retrieved 3 August 2018.
The Laundry List Song. These songs run down a list of many items that all add up to one big aha! moment. The chorus, hook and/or title usually reveal the juicy nugget of truth that all the things in the list add up to. A great example is "Before He ...
- ^ McLamore, A. (2017). Musical Theater: An Appreciation. Taylor & Francis. p. 532. ISBN 978-1-317-19104-9. Retrieved 3 August 2018.
- ^ Hale-Evans, R. (2006). Mind Performance Hacks: Tips & Tools for Overclocking Your Brain. Hacks Series. O'Reilly Media. p. 34. ISBN 978-0-596-10153-4. Retrieved 3 August 2018.
- ^ Minchin, Elizabeth (1996). "The Performance of Lists and Catalogues in the Homeric Epics". In Worthington, I. (ed.). Voice Into Text: Orality and Literacy in Ancient Greece; [... Chapters Were ... Delivered as Papers at a Conference Entitled 'Voice Into Text' ... Hobart, Australia from 3rd-8th July 1994.]. Handbook of Oriental Studies: Section 1; The Near and Middle East. E.J. Brill. p. 7. ISBN 978-90-04-10431-0. Retrieved 3 August 2018.
- ^ MacKay, E.A. (1999). Signs of Orality: The Oral Tradition and Its Influence in the Greek and Roman World; [... Papers at a Conference Entitled 'Epos and Logos' ... Durban, South Africa in July 1996]. Mnemosyne : Supplementum / Mnemosyne Leiden / Supplementum. Brill. p. 63. ISBN 978-90-04-11273-5. Retrieved 3 August 2018.
- ^ Montanari, F.; Tsagalis, C.; Rengakos, A. (2009). Brill's Companion to Hesiod. Brill's Companions in Classical Studies. Brill. p. 172. ISBN 978-90-474-4075-8. Retrieved 3 August 2018.
- ^ Skinner, J.E. (2012). The Invention of Greek Ethnography: From Homer to Herodotus. Greeks Overseas. OUP USA. p. 121. ISBN 978-0-19-979360-0. Archived from the original on 22 May 2013. Retrieved 3 August 2018.
- ^ Vigeland, C. (2009). The Mostly Mozart Guide to Mozart. Wiley. p. 178. ISBN 978-0-470-19530-7. Retrieved 3 August 2018.
- ^ Sadie, S.; Smith, J.E.; Royal Musical Association (1996). Wolfgang Amadeo Mozart: Essays on His Life and His Music. Adelphi Papers No 331 Series. Clarendon Press. p. 500. ISBN 978-0-19-816443-2. Retrieved 3 August 2018.
- ^ McLamore, A. (2017). Musical Theater: An Appreciation. Taylor & Francis. p. 22. ISBN 978-1-317-19104-9. Retrieved 3 August 2018.
- ^ Out. Out Pub., Incorporated. 2004. p. 19. Retrieved 3 August 2018.
What would the West's greatest epic, The Iliad, be without its catalogue of ships and Mozart's greatest opera, Don Giovanni, without Leporello's list aria and America's greatest songwriter, Cole Porter, without list-based ditties like "You're the Top" ...
- ^ Croxall, T.H. (1956). Kierkegaard Commentary (in Dutch). Harper. p. 57. Retrieved 3 August 2018.
He praises Mozart for conjoining Leporello's first aria to the Overture, because the two characters are closely joined in the opera. Next, Leporello's List Song, 'the most epic moment in the opera', is singled out. But this is not, Kierkegaard ...
- ^ McBrien, W. (1998). Cole Porter: a definitive biography. HarperCollins. p. 48. ISBN 9780002154956. Retrieved 3 August 2018.
It is a list song reminiscent of Leporello's boastful enumeration of his master's conquests in Mozart's Don Giovanni: Esmerelda, Then Griselda, And the third was Rosalie. Lovely Lakme Tried to track me, But I fell for fair Marie. Eleanora ...
- ^ Hirsch, F. (2002). Kurt Weill on stage: from Berlin to Broadway. Alfred A. Knopf. p. 171. Retrieved 3 August 2018.
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I'VE A SHOOTING BOX IN SCOTLAND (Paranoia and See America First) Written in 1913, published in 1916. ... Lyrics: This is a list song par excellence, with the admixture of contemporary and antique, classic and voguish that was to become ...
- ^ Mynott, J. (2009). Birdscapes: Birds in Our Imagination and Experience. Princeton University Press. p. 85. ISBN 978-0-691-13539-7. Retrieved 3 August 2018.
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- ^ Redmond, J. (1981). Themes in Drama: Volume 3, Drama, Dance and Music. New Cambridge Shakespeare. Cambridge University Press. p. 60. ISBN 978-0-521-22180-1. Retrieved 3 August 2018.
'You're the Top' was unquestionably the most popular song from Anything Goes when the show first opened ... In the midst of the furor over the novelty of the lyrics there was some indecision: should it be called a catalogue-song or a laundry-list-song? An eclectic list of rhyming superlatives, the song at the height of its popularity inspired hundreds of ...
- ^ Hischak, T.S. (1991). Word crazy: Broadway lyricists from Cohan to Sondheim. PRAEGER FREDERICK A. p. 60. ISBN 978-0-275-93849-9. Retrieved 3 August 2018.
Porter wrote the most effective list songs because their energy was matched by their cleverness. "You're the Top" is considered Porter's (or anyone else's) best list song. The enthusiasm for describing the person who is "the top" moves from the ...
- ^ Flinn, D.M. (1997). Musical!: A Grand Tour : the Rise, Glory, and Fall of an American Institution. Schirmer Books. p. 389. ISBN 978-0-02-864610-7. Retrieved 3 August 2018.
Porter was also the king of the "list song," featuring his characteristic clever rhymes, contemporary references, and comic metaphors: You're the top! You're an Arrow collar You're the top! You're a Coolidge dollar You're the nimble tread of the ...
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... list song like Porter's "You're the Top" (1934) flaunts such superlatives as the Louvre, Botticelli, Keats, and "a Berlin ballad".
- ^ Corbett, W. (1998). New York Literary Lights: William Corbett. Graywolf Press. p. 24. ISBN 978-1-55597-272-1. Retrieved 3 August 2018.
In his list of things that are "the top" Cole Porter included a "Berlin ballad."
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Furthermore, Cole Porter included "a Berlin ballad" among the superlatives lavishly listed in his alliterative lyrics for "You're the Top." A Russian immigrant and son of a Jewish cantor, Berlin achieved tremendous fame in 1911 for "Alexander's ...
- ^ Magee, J. (2012). Irving Berlin's American Musical Theater. Broadway Legacies. Oxford University Press. pp. 168 ff. ISBN 978-0-19-990894-3. Archived from the original on 5 August 2018. Retrieved 3 August 2018.
- ^ Magee, J. (2012). Irving Berlin's American Musical Theater. Broadway Legacies. Oxford University Press. p. 197. ISBN 978-0-19-990894-3. Archived from the original on 5 August 2018. Retrieved 3 August 2018.
- ^ a b Magee, J. (2012). Irving Berlin's American Musical Theater. Broadway Legacies. Oxford University Press. p. 233. ISBN 978-0-19-990894-3. Archived from the original on 5 August 2018. Retrieved 3 August 2018.
- ^ Magee, J. (2012). Irving Berlin's American Musical Theater. Broadway Legacies. Oxford University Press. p. 232. ISBN 978-0-19-990894-3. Archived from the original on 5 August 2018. Retrieved 3 August 2018.
- ^ Nachman, G. (2016). Showstoppers!: The Surprising Backstage Stories of Broadway's Most Remarkable Songs. Chicago Review Press. p. 145. ISBN 978-1-61373-105-5. Retrieved 3 August 2018.
... In "Doin' What Comes Natur'lly," Berlin shifts into full Dogpatch mode, a list song that describes Annie's ignorant but ...
- ^ Hischak, T.S. (2002). The Tin Pan Alley Song Encyclopedia. Greenwood Press. p. 1. ISBN 978-0-313-31992-1. Retrieved 3 August 2018.
'A' You're Adorable" (1941) is a plucky list song in which an admirer goes through the alphabet finding doting ...
- ^ Bardsley, G. (2003). Stop the World: The Biography of Anthony Newley. Oberon. p. 76. ISBN 978-1-84002-274-2. Retrieved 3 August 2018.
... Girl' was a 'laundry list' song, being a list of possibilities describing what a boy without a girl could be: after Newley sang the line, 'A boy without a girl is like a ship without a rudder,' Fraser suggested the next should be, 'A boy without a girl is ...
- ^ Manhire, B. (2000). Doubtful Sounds: Essays and Interviews. Essays & interviews. Victoria University Press. p. 91. ISBN 978-0-86473-370-2. Retrieved 3 August 2018.
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- ^ "Review: 'Sweeney Todd' by The Arlington Players". DC Metro Theater Arts. 14 April 2018. Archived from the original on 5 August 2018. Retrieved 5 August 2018.
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- ^ Rizzolo, R.S. (1996). The Office Supply Buyer's Guide: The Smart Person's Guide to Buying the Right Items at the Right Price. Oscan Press. p. 202. ISBN 978-0-9651874-0-4. Retrieved 3 August 2018.
... "All I Really Want to Do," a comic, Cole Porter-style "list" song celebrating fraternal love ...
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Even though he could write such deceptively simple songs for films, the primary showcase for Porter's urbane style ... One of his last great list songs, "At Long Last Love" (1938), takes Porter's characteristically worldweary lover and has him ...
- ^ De Lisle, T. (1995). Lives of the Great Songs. Pavilion. ISBN 9781857930511. Retrieved 3 August 2018.
It's less satisfying than the release of "You're the Top" (or of another great Porter list song, "At Long Last Love"), which develops seamlessly out of the main strain and is in fact an extension of it.
- ^ University of Kansas (2006). American Studies. University of Kansas. p. 50. Retrieved 3 August 2018.
"The Begat" employs what is sometimes referred to as a "laundry list" lyric. ... If sex is the common denominator of "The Begat," another of Finian's songs celebrates another, more peculiarly American leveler: easy credit.
- ^ a b Knapp, R. (2006). The American Musical and the Formation of National Identity. Princeton paperbacks. Princeton University Press. p. 161. ISBN 978-0-691-12613-5. Retrieved 3 August 2018.
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... During the ride The Divine Comedy's list song 'The Booklovers' (1994) plays on the cab radio ...
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"My Funny Valentine" is a list song. It catalogues the beloved's physical limitations, and the irrelevance of those limitations, one at a time. Most lyrics are collections of one-liners, for fairly obvious reasons. The demands of rhyme and scansion ...
- ^ Roach, J.R.; Carlson, M.A. (2009). Changing the Subject: Marvin Carlson and Theatre Studies, 1959–2009. University of Michigan Press. p. 231. ISBN 978-0-472-11707-9. Retrieved 3 August 2018.
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- ^ "REVIEW: Maria Friedman, Live at Zedel ✭✭✭✭✭". British Theatre. 3 May 2017. Retrieved 5 August 2018.
- ^ a b Library of Congress (1995). Performing arts: music. Performing Arts Music. Library of Congress. p. 26. ISBN 9780844408224. Retrieved 3 August 2018.
It was not the first of Porter's many characteristic "list" songs, as tunes like "I've a Shooting Box in Scotland" (from See America First), "When I Had a Uniform On," and "Poor Young Millionaire" had previously included elements of the ...
- ^ CD Review. WGE Pub. 1992. Archived from the original on 5 August 2018. Retrieved 3 August 2018.
"Reasons to Be Cheerful, Part 3" followed, a list song with an irresistible opening chant ("Why don't you get back in bed! ...
- ^ Mordden, E. (1999). Beautiful Mornin': The Broadway Musical in the 1940s. Oxford University Press. p. 14. ISBN 978-0-19-535176-7. Retrieved 3 August 2018.
- ^ Konas, G.P. (1993). From Gershwin to Sondheim: The Pulitzer Prize-winning Musicals. University of California, Davis. p. 73. Retrieved 3 August 2018.
This amusing laundry list song" catalogues numerous inadequate substitutions for feminine company, ranging from volley ball to letters from home. The frustrated men pace seemingly at random yet in rhythm while singing—movement, ...
- ^ Magee, J. (2012). Irving Berlin's American Musical Theater. Broadway Legacies. Oxford University Press. p. 436. ISBN 978-0-19-991163-9. Retrieved 1 August 2018.
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