The Mooche
"The Mooche" | |
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Song | |
Language | English |
A-side | "Hot and Bothered" |
Published | October 1, 1928 |
Studio | OKeh Recording Studio |
Genre | Jazz |
Length | 3:20 |
Composer(s) | Duke Ellington and Irving Mills |
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"The Mooche" is an American jazz song, composed in 1928 by Duke Ellington and Irving Mills,[1] with scat singing by vocalist Gertrude "Baby" Cox.[2] The song is considered to be one of Ellington's signature pieces and "he performed it frequently and recorded it many times over 45 years."[1]
Among the jazz musicians who recorded the original version of the song was James "Bubber" Miley whom Ellington described as "the epitome of soul and a master of the plunger mute."[3] However, Miley's alcoholism and his consequent unreliability would lead to his parting with Ellington's band.[3] Four years later, on May 20, 1932, Miley expired from tuberculosis. He was 29 years old. Despite his early death, "no one, apart from Duke himself, did more than Miley to shape the early Ellington sound."[3]
Ellington composed the song "for a high reed trio, playing one of the most eerie and haunting themes he had created up to that time. The theme, a sixteen-bar blues with interpolations by Miley, is followed by an eight-bar orchestral tutti, and then segues to a low register solo by [Barney] Bigard. A [Lonnie] Johnson solo is followed by a Miley-inspired scat vocal by Baby Cox."[2]
The song is in the so-called "jungle style" and includes the clarinet and muted trumpet typical of Ellington's work.[4] The song is played in C minor.
The title, sometimes spelled "mooch," refers to "someone who constantly borrows but does not pay back."[1] In 1933, Ellington explained that the title referred to "a certain lazy gait peculiar to some of the folk of Harlem."[5][6]
References
- ^ a b c Berger, David (2007). "The Mooche by Duke Ellington and Irving Mills" (PDF). Jazz at Lincoln Center Library. Retrieved March 10, 2020.
- ^ a b Lawrence, A. H. (2001). Duke Ellington and His World. New York: Routledge. p. 136. ISBN 0-415-93012-X.
- ^ a b c Gioia, Ted (2007). "Duke Ellington (Featuring Bubber Miley): The Mooche". Archived from the original on May 29, 2016. Retrieved March 10, 2010.
- ^ Crouch, Stanley (January 12, 2005). "The Late Show: Why Duke Ellington's late work deserves our attention". Slate. Retrieved March 10, 2020.
- ^ Ellington, Duke (August 1933). "My Hunt for Song Titles". Rhythm. pp. 22–3.
- ^ Tucker, Mark (1993). The Duke Ellington Reader. New York and Oxford: Oxford University Press. p. 88. ISBN 0-19-505410-5.
External links
- A version of the song as performed by Duke Ellington & His Orchestra on YouTube
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- Harlem Jazz, 1930
- Ellingtonia, Vol. One
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- Braggin' in Brass: The Immortal 1938 Year
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- It Don't Mean a Thing If It Ain't Got That Swing
- "African Flower"
- "All Too Soon"
- "Azure"
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- "Black, Brown and Beige"
- "C Jam Blues"
- "Come Sunday"
- "Cotton Tail"
- "Creole Love Call"
- "Day Dream"
- "Diminuendo and Crescendo in Blue"
- "Do Nothing Till You Hear from Me"
- "Don't Get Around Much Anymore"
- "Drop Me Off in Harlem"
- "East St. Louis Toodle-Oo"
- "Echoes of Harlem"
- "Everything but You"
- "I Ain't Got Nothin' but the Blues"
- "I Didn't Know About You"
- "I Got It Bad (and That Ain't Good)"
- "I Let a Song Go Out of My Heart"
- "I'm Beginning to See the Light"
- "I'm Just a Lucky So-and-So"
- "In a Mellow Tone"
- "In a Sentimental Mood"
- "It Don't Mean a Thing (If It Ain't Got That Swing)"
- "Just A-Sittin' and A-Rockin'"
- "Just Squeeze Me (But Please Don't Tease Me)"
- "The Mooche"
- "Mood Indigo"
- " Prelude to a Kiss"
- "Rocks in My Bed"
- "(In My) Solitude"
- "Sophisticated Lady"
- Queenie Pie (unfinished opera)
by Billy Strayhorn |
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by Juan Tizol |
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members
- Hayes Alvis
- Cat Anderson
- Ivie Anderson
- Harold Ashby
- Alice Babs
- Shorty Baker
- Butch Ballard
- Art Baron
- Aaron Bell
- Louie Bellson
- Joe Benjamin
- Barney Bigard
- Lou Blackburn
- Jimmy Blanton
- Wellman Braud
- Lawrence Brown
- Harry Carney
- Johnny Coles
- Willie Cook
- Buster Cooper
- Kay Davis
- Wild Bill Davis
- Wilbur de Paris
- Bobby Durham
- Mercer Ellington
- Rolf Ericson
- Jimmy Forrest
- Victor Gaskin
- Peter Giger
- Tyree Glenn
- Paul Gonsalves
- Sonny Greer
- Fred Guy
- Jimmy Hamilton
- Otto Hardwick
- Shelton Hemphill
- Rick Henderson
- Al Hibbler
- Johnny Hodges
- Major Holley
- Charlie Irvis
- Quentin Jackson
- Hilton Jefferson
- Herb Jeffries
- Freddie Jenkins
- Money Johnson
- Herbie Jones
- Wallace Jones
- Taft Jordan
- Al Killian
- Queen Esther Marrow
- Wendell Marshall
- Murray McEachern
- Louis Metcalf
- James "Bubber" Miley
- Harold "Geezil" Minerve
- Ray Nance
- Tricky Sam Nanton
- Oscar Pettiford
- Eddie Preston
- Russell Procope
- Junior Raglin
- Betty Roché
- Ernie Royal
- Al Sears
- Joya Sherrill
- Willie Smith
- Elmer Snowden
- Rex Stewart
- Billy Strayhorn
- Billy Taylor
- Clark Terry
- Juan Tizol
- Norris Turney
- Ben Webster
- Arthur Whetsel
- Cootie Williams
- Nelson Williams
- Skippy Williams
- Booty Wood
- Jimmy Woode
- Britt Woodman
- Sam Woodyard
This article about a jazz standard or composition written in the 1920s is a stub. You can help Wikipedia by expanding it. |
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