The Scarf (film)

1951 American film
  • April 6, 1951 (1951-04-06) (United States)
Running time
93 minutesCountryUnited StatesLanguageEnglish

The Scarf is a 1951 American film noir written and directed by Ewald André Dupont starring John Ireland, Mercedes McCambridge, James Barton, and Emlyn Williams.[1] The screenplay concerns a man who escapes from an insane asylum and tries to convince a crusty hermit, a drifting saloon singer, and himself that he is not a murderer.

Plot

John Ireland stars as John Barrington, an escapee from an institution for the criminally insane. Actually, Barrington is not insane, but the victim of a plot orchestrated by a clever murderer. The only person who believes Barrington's story is Ezra Thompson (James Barton) a turkey farmer who hides him from the authorities. Then a singing waitress named Cash-and-Carry Connie (Mercedes McCambridge) unwittingly provides the clue that will prove Barrington's innocence. Emlyn Williams co-stars as a psychiatrist.

Cast

  • John Ireland as John Howard Barrington
  • Mercedes McCambridge as Connie Carter
  • James Barton as Ezra Thompson
  • Emlyn Williams as Dr. David Dunbar
  • Lloyd Gough as Asylum Dr. Gordon
  • Basil Ruysdael as Cyrus Barrington
  • David Bauer as Level Louie (as David Wolfe)
  • Harry Shannon as Asylum Warden Anderson
  • Celia Lovsky as Mrs. Cyrus Barrington
  • David McMahon as State Trooper
  • Chubby Johnson as Feed Store Manager
  • Frank Jenks as Tom - Drunk cowboy
  • Emmett Lynn as Jack the Waiter
  • Dick Wessel as Sid - Drunk cowboy
  • Frank Jaquet as Town Sheriff
  • Iris Adrian as the floozy at Level Louie's Place

Reception

Critical response

Film critic Bosley Crowther panned the film, "For a picture so heavily loaded with lengthy and tedious talk, talk, talk, The Scarf, the new tenant at the Park Avenue, has depressingly little to say. As a matter of fact, it expresses, in several thousand words of dialogue—and in a running-time that amounts to just four minutes short of an hour and a half—perhaps the least measure of intelligence or dramatic continuity that you are likely to find in any picture, current or recent, that takes itself seriously."[2]

Film critic Manny Farber writing in the May 26, 1951 issue of The Nation characterizes The Scarf as “a disjointed, monstrously affected psycho-mystery freak show.” [3] Farber adds:

Producer-directors Ewald André Dupont and Isadore Goldsmith glamorize a singing waitress, a turkey-raising hermit, a jaundiced metaphysical barkeep, and a morose amnesiac fugitive from a desert asylum...Dupont and Goldsmith turn their tinny proletarians into sententious talkers, dubbing them with names like “Level Louie” and “Cash-and-carry Connie" and having them oscillate their eyeballs in a sophisticated version of Griffith’s pantomime. It sounds awful but it’s kind of interesting.[4]

References

  1. ^ The Scarf at the AFI Catalog of Feature Films.
  2. ^ Crowther, Bosley. The New York Times, film review, April 23, 1951. Accessed: August 10, 2013.
  3. ^ Farber, 2009 p. 354
  4. ^ Farber, 2009 p. 354-355

Sources

Wikimedia Commons has media related to The Scarf (1951 film).
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Films directed by E. A. Dupont