Ray Nance
Ray Nance | |
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Background information | |
Birth name | Ray Willis Nance |
Born | (1913-12-10)December 10, 1913 Chicago, Illinois, U.S. |
Died | January 28, 1976(1976-01-28) (aged 62) |
Genres | Jazz |
Occupation(s) | Musician |
Instrument(s) | Trumpet, vocals, violin |
Formerly of | Duke Ellington |
Ray Willis Nance (December 10, 1913 – January 28, 1976)[1] was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
Early years
Nance was born in Chicago on December 10, 1913. He studied piano and violin as a child. In high school, he taught himself trumpet because “I wanted to hear myself on a louder instrument in way I couldn't do with a violin in an orchestra.” He was the leader of his own band in Chicago from 1932 to 1937.[1] An ad in a June 1933 prom book at the Edgewater Beach Hotel for the Staples Cafe, 6344 N. Broadway, Chicago shows "Ray Nance and His Ebony Aces." Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson.[1]
Ellington tenure
Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940.[1] Nance's first recorded performance with Ellington was at the Fargo, North Dakota ballroom dance.[2] Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme.[1] Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's solo on "A Train" almost exactly as the original.
Nance was often featured on violin, and was the only violin soloist ever featured in Ellington's orchestra (especially noteworthy is his violin contribution to the original 1942 version of "The 'C' Jam Blues"). He is also one of the better known male vocalists associated with Ellington's orchestra. On later recordings of "It Don't Mean a Thing (If It Ain't Got That Swing)", Nance took the previously instrumental horn riff into the lead vocal, which constitute the line "Doo wha, doo wha, doo wha, doo wha, yeah!" He was often featured as vocalist on "Jump for Joy," "Just A-Sittin' and A-Rockin'" and "Just Squeeze Me (But Please Don't Tease Me)". His multiple talents (trumpet, violin, vocals and also dancing) earned him the nickname "Floorshow".
Nance was absent from the Duke Ellington Orchestra for three or four months in 1946, including the date of that year's Carnegie Hall concert. In 1949, Nance participated, along with Ellington sidemen Russell Procope, Johnny Hodges and Sonny Greer on several Ivory Joe Hunter sessions, for King Records of Cincinnati.
Post-Ellington years
He left Ellington in 1963 during their Middle East tour after having played alongside his returned predecessor Cootie Williams for a year. He continued to make several guest appearances in the orchestra over the years and later toured and recorded in England in 1974.[2]
Nance made a few recordings as a bandleader, and also recorded or performed with Earl Hines, Rosemary Clooney, Jaki Byard, Chico Hamilton and others.[2]
Discography
As leader
- Ellingtonia (Wynne, 1959)
- A Flower Is A Lovesome Thing (Parker Records, 1959)
- Body and Soul (Solid State, 1970)
- Huffin' 'n' Puffin' (MPS, 1974)
As sideman
With Ahmed Abdul-Malik
- Spellbound (Status, 1964)
With Jaki Byard
- Jaki Byard with Strings! (Prestige, 1968)
With Duke Ellington
- The Duke at Fargo, 1940: Special 60th Anniversary Edition (Storyville, 1940 performance)
- Duke Ellington and His Great Vocalists (Sony, c. 1940s)
- Cabin in the Sky Soundtrack (Rhino, 1942 performance)
- Indispensable Duke Ellington, Vol. 11–12 (1944–1946) (RCA, 1944–1946 performances) or The Best of the Complete Duke Ellington RCA Recordings, 1944–1946) (RCA, 1944–1946 performances)
- Ellington Uptown (includes Harlem Suite, Controversial Suite, Liberian Suite) (Columbia, 1947, 1951, 1952 performances)
- Masterpieces by Ellington (Columbia, 1950, 1951 performances)
- Ellington '55 (Capitol, 1955) or Jazz Profile (Blue Note, 1950s, 1960s performances)
- A Drum Is a Woman (Columbia, 1956)
- Blue Rose (With Rosemary Clooney) (1956)
- Historically Speaking (1956)
- Ellington at Newport (Columbia, 1956)
- Such Sweet Thunder (Columbia, 1957)
- All Star Road Band (Doctor Jazz, 1957 [1983])
- Black, Brown and Beige (Columbia, 1958)
- Live at the Blue Note (1958)
- Newport 1958 (Columbia, 1958)
- Festival Session (Coilumbia, 1959)
- Blues in Orbit (Columbia, 1959)
- Anatomy of a Murder (Columbia, 1959)
- Jazz Party (Columbia, 1959)
- Piano in the Background (Columbia, 1960)
- Hot Summer Dance (Red Baron, 1960 [1991])
- The Nutcracker Suite (Columbia, 1960)
- Swinging Suites by Edward E. and Edward G. (1960) (Peer Gynt Suite/Suite Thursday)
- First Time! The Count Meets the Duke (Columbia, 1961)
- All American in Jazz (Columbia, 1962)
- Midnight in Paris (Columbia, 1962)
- Duke Ellington Meets Coleman Hawkins (Impulse!, 1962)
- The Great Paris Concert (Atlantic, 1963)
- Duke Ellington's Jazz Violin Session (Atlantic, 1963)
- My People (1963)
- Afro-Bossa (Reprise, 1963)
- The Symphonic Ellington (1963)
- Ellington '66 (1965)
- Concert in the Virgin Islands (1966)
- In the Uncommon Market (1966)
With Horace Henderson
- Horace Henderson 1940, Fletcher Henderson 1941 (Classics, 1992)
With Earl Hines
- Rosetta (Jazz Archives, 1937–1939 selections)
- 1937–1939 (Classics, 1937–1939 performances)
- Harlem Lament (Sony, 1937–1938 selections featuring Nance)
- Piano Man! (ASV, includes c. 1937–1939 RCA selections)
- Earl Hines and the Duke's Men (Delmark, 1944–1947 performances)
- 1942–1945 (Classics, 1942–1945)
With Johnny Hodges
- Ellingtonia '56 (Norgran, 1956)
- Duke's in Bed (Verve, 1956)
- The Big Sound (Verve, 1957)
- Not So Dukish (Verve, 1958)
- Triple Play (RCA Victor, 1967)
With Budd Johnson
- Budd Johnson and the Four Brass Giants (Riverside, 1960)
With Joya Sherrill
- Joya Sherrill Sings Duke (20th Century Fox, 1965)
Notes
- ^ a b c d e Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 300. ISBN 0-85112-580-8.
- ^ a b c "Ray Nance | Biography, Albums, & Streaming Radio". AllMusic. Retrieved May 5, 2016.
References
- Lambert, Eddie (1998), Duke Ellington: A Listener's Guide, Lanham, MD: Scarecrow Press, ISBN 978-0-8108-3161-2.
External links
- allmusic.com biography
- v
- t
- e
- Harlem Jazz, 1930
- Ellingtonia, Vol. One
- Ellingtonia, Vol. Two
- Braggin' in Brass: The Immortal 1938 Year
- The Blanton–Webster Band
- Never No Lament: The Blanton-Webster Band
- Smoke Rings
- Liberian Suite
- Great Times!
- Masterpieces by Ellington
- Ellington Uptown
- The Duke Plays Ellington
- Ellington '55
- Dance to the Duke!
- Ellington Showcase
- Historically Speaking
- Duke Ellington Presents...
- The Complete Porgy and Bess
- A Drum Is a Woman
- Studio Sessions, Chicago 1956
- Such Sweet Thunder
- Studio Sessions 1957 & 1962
- Ellington Indigos
- Black, Brown and Beige
- Duke Ellington at the Bal Masque
- The Cosmic Scene
- Happy Reunion
- Jazz Party
- Anatomy of a Murder
- Festival Session
- Blues in Orbit
- The Nutcracker Suite
- Piano in the Background
- Swinging Suites by Edward E. and Edward G.
- Unknown Session
- Piano in the Foreground
- Paris Blues
- Featuring Paul Gonsalves
- Midnight in Paris
- Studio Sessions, New York 1962
- Afro-Bossa
- The Symphonic Ellington
- Duke Ellington's Jazz Violin Session
- Studio Sessions New York 1963
- My People
- Ellington '65
- Duke Ellington Plays Mary Poppins
- Ellington '66
- Concert in the Virgin Islands
- The Popular Duke Ellington
- Far East Suite
- The Jaywalker
- Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
- ...And His Mother Called Him Bill
- Second Sacred Concert
- Studio Sessions New York, 1968
- Latin American Suite
- The Pianist
- New Orleans Suite
- Orchestral Works
- The Suites, New York 1968 & 1970
- The Intimacy of the Blues
- The Afro-Eurasian Eclipse
- Studio Sessions New York & Chicago, 1965, 1966 & 1971
- The Intimate Ellington
- The Ellington Suites
- This One's for Blanton!
- Up in Duke's Workshop
- Duke's Big 4
- Mood Ellington
- Duke Ellington at Fargo, 1940 Live
- Black, Brown, and Beige
- The Carnegie Hall Concerts: January 1943
- The Carnegie Hall Concerts: December 1944
- The Carnegie Hall Concerts: January 1946
- The Carnegie Hall Concerts: December 1947
- Ellington at Newport
- Dance Concerts, California 1958
- Dance Dates, California 1958
- Newport 1958
- Jazz at the Plaza Vol. II
- Duke Ellington at the Alhambra
- Live at the Blue Note
- Hot Summer Dance
- The Great Paris Concert
- A Concert of Sacred Music
- In the Uncommon Market
- Soul Call
- Yale Concert
- 70th Birthday Concert
- Togo Brava Suite
- Live at the Whitney
- Third Sacred Concert
- Eastbourne Performance
- Blue Rose
- Ella Fitzgerald Sings the Duke Ellington Song Book
- Side by Side
- Back to Back
- The Great Summit
- First Time! The Count Meets the Duke
- Duke Ellington Meets Coleman Hawkins
- Money Jungle
- Duke Ellington & John Coltrane
- Serenade to Sweden
- Ella at Duke's Place
- The Stockholm Concert, 1966
- Ella and Duke at the Cote D'Azur
- Francis A. & Edward K.
- It Don't Mean a Thing If It Ain't Got That Swing
- "African Flower"
- "All Too Soon"
- "Azure"
- "Black and Tan Fantasy"
- "Black, Brown and Beige"
- "C Jam Blues"
- "Come Sunday"
- "Cotton Tail"
- "Creole Love Call"
- "Day Dream"
- "Diminuendo and Crescendo in Blue"
- "Do Nothing Till You Hear from Me"
- "Don't Get Around Much Anymore"
- "Drop Me Off in Harlem"
- "East St. Louis Toodle-Oo"
- "Echoes of Harlem"
- "Everything but You"
- "I Ain't Got Nothin' but the Blues"
- "I Didn't Know About You"
- "I Got It Bad (and That Ain't Good)"
- "I Let a Song Go Out of My Heart"
- "I'm Beginning to See the Light"
- "I'm Just a Lucky So-and-So"
- "In a Mellow Tone"
- "In a Sentimental Mood"
- "It Don't Mean a Thing (If It Ain't Got That Swing)"
- "Just A-Sittin' and A-Rockin'"
- "Just Squeeze Me (But Please Don't Tease Me)"
- "The Mooche"
- "Mood Indigo"
- " Prelude to a Kiss"
- "Rocks in My Bed"
- "(In My) Solitude"
- "Sophisticated Lady"
- Queenie Pie (unfinished opera)
by Billy Strayhorn |
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by Juan Tizol |
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members
- Hayes Alvis
- Cat Anderson
- Ivie Anderson
- Harold Ashby
- Alice Babs
- Shorty Baker
- Butch Ballard
- Art Baron
- Aaron Bell
- Louie Bellson
- Joe Benjamin
- Barney Bigard
- Lou Blackburn
- Jimmy Blanton
- Wellman Braud
- Lawrence Brown
- Harry Carney
- Johnny Coles
- Willie Cook
- Buster Cooper
- Kay Davis
- Wild Bill Davis
- Wilbur de Paris
- Bobby Durham
- Mercer Ellington
- Rolf Ericson
- Jimmy Forrest
- Victor Gaskin
- Peter Giger
- Tyree Glenn
- Paul Gonsalves
- Sonny Greer
- Fred Guy
- Jimmy Hamilton
- Otto Hardwick
- Shelton Hemphill
- Rick Henderson
- Al Hibbler
- Johnny Hodges
- Major Holley
- Charlie Irvis
- Quentin Jackson
- Hilton Jefferson
- Herb Jeffries
- Freddie Jenkins
- Money Johnson
- Herbie Jones
- Wallace Jones
- Taft Jordan
- Al Killian
- Queen Esther Marrow
- Wendell Marshall
- Murray McEachern
- Louis Metcalf
- James "Bubber" Miley
- Harold "Geezil" Minerve
- Ray Nance
- Tricky Sam Nanton
- Oscar Pettiford
- Eddie Preston
- Russell Procope
- Junior Raglin
- Betty Roché
- Ernie Royal
- Al Sears
- Joya Sherrill
- Willie Smith
- Elmer Snowden
- Rex Stewart
- Billy Strayhorn
- Billy Taylor
- Clark Terry
- Juan Tizol
- Norris Turney
- Ben Webster
- Arthur Whetsel
- Cootie Williams
- Nelson Williams
- Skippy Williams
- Booty Wood
- Jimmy Woode
- Britt Woodman
- Sam Woodyard